There are different ways of doing the set, and with that you get different result. And sometimes people add things into their sets for their own reasons.
I can say that what Hendrik shows is the same as he has done since decades ago
[QUOTE=Hendrik;1267190]Kung fu fighter ,
Attached is the same set as demonstrated by the olderst living cho family senior in the family tree alive today , Gm Cheung, Based on his lineage practice.
https://www.youtube.com/watch?v=VLCTuRE4zC0&feature=youtube_gdat
This video is released to the public years ago.
Take a look at his set cheography and what is presented by the beginner above.
See for yourself, how are they look.
Similar to Gm Cheung , Every move or the cheography of the set, as in the beginner practice above is following the attached YKSLT kuen kuit , this is an old tradition , set and kuet is one .
the beginner set practice above further go in the direction of implementing emei DNA.
Pay attention to Y7 and Y8, view the beginner set practice to see if he is trying his best to following them in the set practice.
Translation Ver 1.2
Yik Kam Wing Chun , Siu Lin Tau song kuit
Part 1
Y1
Focus the intention, union with the awareness ,while standing the equal shoulder stance
Y2
Two Hands Front Raise Divide into Yin and Yang.
Y3
The trip out of Left leg has positive and negative effects.
Y4
The bending power of the right heel tightly store in the reverse direction.
Y5
Union in the Dan tian , Du medirian sink.
Y6
The arm whip out the horizontal Jin
Y7
Pay attention to the finger, claw , and the side under the sleeve .
Y8
Spiral twisting naturally , follow the breathing and the direction of the qi.
Y9
Back of Palm Faces Outward , Intention is Full.
Y10
Rotating palm reeling guarding the heart.
Y11
Single horizontal and double press handling accord to breathing.
Y12
Embracing and sinking, splits the force horizontally.
Y13
Forward Empty Urgently Use Seize Subdue methods.
Y14
Lower intersection, flying double , Hurry piercing wings
Y15
Joining the two palms drive through the heart
Y16
Sinking down to Guan Yuan area Back of the palm Attacks Upwards.
Y17
Following natural spontaneously the qi will flow in a peaceful and balance way.
Y18
Erect palm bent elbow single zhao yang
Y19
Upper and Lower Flying Flower Power Channels Smooth.
Y20
Swallowing and spitting are like a smooth rainbow issuing force .
Y21
Lower knot at guan yuan area (then turn into ) Buddha counsel hands.
Y22
Following natural spontaneously the breathing, zhen qi and it flow will grow (strong)
3 from a third party view,
the following is a list of old timer names and position in the Yik kam lineage Cho family in Malaysia including my late sifu name clearly recorded , written by Gm Cheung.
Whoever not in the list need to prove their identity . One can’t just make claim on their practice without be able to present evidence to back up from one own sifu and third party documents from other old timers.
.
Translate
By the red boat opera actor Yik Kam, Yik kam passed the art to another actor Cho soon , Cho Soon passed to his son Cho Dak Shing, and Sam Chan, Cho Dak Man or Cho On, Cho Hung Choy.
http://operawingchun.blogspot.com/2009/06/blog-post.html
Different lineages in Cho family off spring are free to evolve their art as they like. I fully respect that.
My choice is to present thing as it is with trace able evidence.
Disregard of what others claim.[/QUOTE]