Re: Yantai Beng Bu Genesis
Originally posted by mantis108
[B]On the other thread, which is getting rather long, I shared the following:
<<<<I think a lot of the differences materialized because of the different methodologies which are based in the teaching philosophies of the various masters…
Meanwhile no one exactly know what Li Sanjian taught but then by Wang Rongshang time Longfist forms would have been inseparable to the 7* system. From there Chaai Chui, HeHuJiaoJia and others were added. The main reason that there are so many forms and the high regard of form in 7* is IMHO mainly because of its Longfist background. Later on Ling forms became another important feature of 7*…
The technical difficulty of Luanjie, which require the practitioner to be aglie, to have superb hand eye coordination and to have great finesse instead of brute and raw power, is understandablely hard for novice to attempt it as an entry level form.
Mantis108 [/B]
Mantis 108,
I decided to scrap my initial try and just start over…(sometimes wish that about a lot of things),
Okay here goes…Changquan as a major influence is inseparable from The Tanglang of Li Sanjian, as you say and all of Qixing Tanglang of every branch. It is, I would argue strongly, also inseparable from the Tanglang from Taiji/Meihua as well. The question, as I see it, is one of degree, training methodology, (as you have said) and the desired end product.
All Tanglang is first and foremost an outgrowth of Taizu Changquan (long fist) and Tongbei, (Tongbi or through the back boxing). Both of these systems exhibit a long range whipping power flying from the body’s core. The result of this is a devastating exponent of long range boxing.
When this is combined with Fan Che, a later addition to Tanglang the long range boxer is enhanced even further. I would assert also it helps create a formidable fighter even against multiple opponents.
So far we have been describing the same system in both TJMH and QX Tanglang. Historically Wang Rongsheng, a champion longfist boxer, then institutionalized this emphasis with the development of sets for what was to later be called Qixing Tanglang. I think the reason for this was that he and Li Sanjian believed that the longfist method, at which Wang was so adept, made training in the Liu He, (six harmonies) and Chang Jin (body core whipping energy) systematic, applicable and more easily reproducible. The result was to open the body of the practitioner first, then teaching the more difficult closer techniques and smaller body structure as an emphasis later.
(For those who might wonder, the closer, smaller techniques do not “replace” the larger. This is an error that many experienced Qixing Tanglang practitioners make. Long supports short. The Eighteen founding sources of Tanglang do not drop the first two and Fanche when they get to Duanda, (short strikes).
This is the foundation of Qixing Tanglang. It did not take away the short range fighting abilities. It did add sets, without a doubt but what it also did was to maintain institutionally this core heritage of Tanglang’s eighteen founding systems. Wang Rongsheng’s champion fighting skills were not eliminated by Li Sanjian when he defeated Wang. Instead, it was used, strengthened by the Tanglang of Li Sanjian.
The result is a different looking Tanglang initially, (because of Meihua’s Duanda emphasis initially). But I would argue that Taiji/Meihua can fight long even as I would argue that Qixing can fight short.
Hope this makes sense,
Steve Cottrell