Why WCK doesnt do Bai Jong or Kiu Sau stuffs
Why WCK doesnt do Bai Jong or Kiu Sau stuffs?
In today’s language, Chinese martial art emphasis strongly on Open the Door method or Hoi Muun Faat. It is from the Open the Door method one could see the signature of the art.
So, what is Open the Door method? it simply says view an opponent as a Door. and how to Open that Door so that you could get into the door and empty out what within the door. is the Open the Door method/technic or Hoi Muun Faat.
Now, there are different ways to open door based on different style. and in WCK, the philosophy is using the Center line theory to identify/ locate the opponent’s door and using pull, push, and side way/ updown way to open the door or lock up/lacthing open the door with other side of the door.. And, in the same time, DO NOT let your Opponent to know or have a handle on your own door.
So, this is where the Flow comes in. Flow means DO NOT LET your opponent to find out your door ( no bai jong or static structure or shell) in addition to not give a handle ( no Kiu sau or bridge hand) to your opponent to handle you.
Thus, when one is doing those Bai Jong stuffs, they are exposing their door. May be in other style, that is their intention or strenght…etc but not in WCK. because that is counter WCK’s philosophy. Also, one doesnt do the Kiu Sau/ bridge hand as other style because Kiu Sau / bridge hand is the handle of the door. WCK simply dont like others to using WCner’s bridge to find, get into or handle the WCner’s door.
As the Kuen Kuit says. Kiu Lai Kiu Siong Go, or when there is a bridge, across the bridge to open the door for entering.
What I am saying above is my view on what is WCK. and how can we know that is true ? Simple. Check into the following WCK Kuen Kuit/ concept.
1, Loi Lao Hoi Sung
Loi Lao Hoi Sung (Lai Liu Qu Song) breaks down as follows: Loi represents ‘wheat’ but has come to mean ‘to come, or arrive’; Lao represents ‘stopping like a barred door in a water-channeled field’ and means means ‘to remain, stay, detain, or delay’; Hoi represents ‘an (altered) person lacking in straight-forwardness’ and means “to go, or remove”; Sung represents ‘the merged stepping and stopping of movement around the dowry given to slaves’ and means ‘to give, to escort, to accompany or to send off.’ Together, they mean ‘stay with what comes, send off what goes’, ‘detain what arrives, escort what is removed’, etc.
2, Lut Sao Jik Jong
Lut Sao Jik Jong (Shuai Shou Zhi Chong) breaks down as follows: Lut represents a derivative of ’ use’ to suggest ‘disposal’ and means ‘to throw off, leave behind, or set free’; Sao represents ‘the hand’ and is extended to ‘the arm’; Jik represents ‘ten eyes seeing nothing hidden’, and means ‘straight forward’; Jong represents ‘serious marching’ and means ‘to charge, or thrust’. Together, they mean ‘the free hand charges straight forward’.
The above 2 is presenting the WCK signature doesnt do BLOCK.
it is using push, pull, slide, and walk in from the open to handle and Open the Door.
3, Yao Ying Da Ying
Yao Ying Da Ying (You Xing Da Xing) breaks down as follows: Yao represents ‘right hand grabbing (altered) meat’ and means ‘to have, possess, exist’; Ying represents ‘lines of equal height’ and means ‘shape or form’; Da represents ‘nailing with hand’ and means ‘to hit, punch, fight, or do’; Ying, the second time, is a repeat of the first. Together, they mean ‘have shape, hit shape’.
4, Mo Ying Da Yieng
Mo Ying Da Yieng (Wu Xing Da Ying) breaks down as follows: Mo represents, in its later form, ‘forest destroyed by a multitude of people’ and means ‘not, no, without’; Ying represents ‘lines of equal height’ and means ‘shape or form’; Da represents ‘nailing with hand’ and means ‘to hit, punch, fight, or do’; Yieng represents ‘shape like the scenic sun above the hill’ and means ‘shadow or impression’. Together, they can mean ‘no shape, strike impression’.
5, Yao Ying Juk Lao
Yao Ying Juk Lao (You Ying Xu Lui) breaks down as follows: Yao represents ‘right hand grabbing (altered) meat’ and means ‘to have, possess, exist’; Yieng represents ‘shape like the scenic sun above the hill’ and means ‘shadow or impression’; Juk represents ‘thread outward purchase’ and means ‘continue, renew, extend’; Lao represents ‘stopping like a barred door in a water-channeled field’ and means means ‘to remain, stay, detain, or delay’. Together, they mean ‘have impression, continue to stay’.
6, Mo Yieng Po Jung
Mo Yieng Po Jung (Wu Ying Po Zhong) breaks down as follows: Mo represents, in its later form, ‘forest destroyed by a multitude of people’ and means ‘not, no, without’; Yieng represents ‘shape like the scenic sun above the hill’ and means ‘shadow or impression’; Po represents ‘stones and the hand-held hide of an animal’ and means ‘break or cleave’; Jung represents ‘line bisecting an enclosure’ and means means ‘center or middle’. Together, they mean ‘no impression, cleave the center’.
3, 4, 5, 6, tell one in more in depth what to do while open the opponent’s door and also NOT practice what it was said on revealing one’s own door to give the opponents the chance. In this case, Good luck if one stuck with Bai Jong, Static structure, or Shell, or different type of Bridge.
Thus, We can see, WCK is about flow, WCK is about adaptive. and the WCK structure is Dynamic – It is continuously changing and adaptive.
Further more, at very advance level of WCK. One doesnt even want to use rooting…etc because that become a handle for the opponents to open the door.
Dont believe me, get those who knows how to root to play with you in the thick wrestling mat. This way, 1, they will have a difficulties to root because the wrestling mat reflex the force vectors different then the solid ground. 2, they will got a problem in stabiliez their own COG themself, even at Bai Jong.
So, what is it in the advance level? that is where the six directional vectors force come into play. This is similar to saying, one could build a water tower with Earthly physic, like put a good foundation to support the water tower. However, when it comes to launching a rocket or space shutter in space. There is no ground or earth, it is only how to manual the six directional force vectors.
Learn to be smart and got to be scientific and realistic to make logical sense. Some says I use flowery term. in fact it is not flowery term it means something. So, today, I hope you know. NOPE the six directional force vectors generation is not the same with the Rooting grounding…etc. Rooting grounding is just a subset of the six directional force vectors generation which is providing even more flexibility and adaptive and accelearte ability then the common rooting or grounding. One simply doesnt need to always ground the incoming force. one could use it to accerelate to bounce away…etc.
It is flow. it is play. it is dynamic. what is so difficult to understand WCK? only three things. comes accep, goes return, open thrust forward. Every technics can be use without limitation as soon as one doesnt contradict with the comes accep…etc.
Sure, there are advance power generation stuffs…etc which needs to be learn but does one even have the basic? or learning the concept of WCK but keep maintaining the habit of karate punch, baijong, bridge… like the other southern china martial art… ?
and Why 90% of people cant make their WCK work and has to turn into mixing with other stuffs? Because one doesnt follow WCK’s concept instruction as above. It is just six kuen kuit above. that is. why spend a life time get stuck?
For me, disregard of it is YIP Man WCK , YKS WCK, Ku Lao WCK, or Yik Kam WCK of Cho Gar, those are the core of WCK.
IMHO. Look at the 70’s movie on the description of WCK. look how they present the come accept, goes return, open trust forward in the pull, push, slide…etc.
You dont like my post and disagree with me? fine. I accept that and expect that. argue with me in technical term. I am open minded with those. But will not response in any kind of cultist defensive attack.
I show you the core of WCK above. if you disagree with me bring up your evident and let’s investigate.
and ofcause, things evolve after hundred of years moving out of Red boat. Even in the Yik Kam lineage for Cho Gar things evolve. and there is nothing wrong with it and totally perfect and respected.
However, if one like to get dig deep into what is WCK then one cant avoid the face what is the core. Thus, Here I am not saying who’s WCK is not WCK or who’s WCK is the original WCK. What I am saying is WCK of the past has a common signature disregard how one implement it be it from IP MAN to Yik Kam…etc.
PS. Thanks Rene for keeping and preserving the Kuen Kuit Writing in his site which I am using above.