[QUOTE=Wayfaring;1207241]This conversation interests me on a few fronts. First, thanks for the bow and string discussion guys. Very interesting.
Ali’s point to me brings up an important WCK concept. In TCM, we see a lot of animal imitation. Snake, crane, tiger, monkey, mantis, etc. Here’s an extreme example:
http://www.youtube.com/watch?v=Qxq-tC4CDcE
While there can be valuable movement and things learned from animal imitation, at the very core a human’s muscle and skeletal construction is unique and fighting movements are better served functioning according to how we are made up as opposed to how a crane or snake is made up.
However, I don’t want to discount Hendrik’s power generation development. What I like about it is it seems to be a relaxed fluid power generation and movement generation. To me relaxed and fluid movement under pressure with power generation is a very important thing to develop.
So anyway, a few things I like about the thread discussion.[/QUOTE]
It is not about mimic snake or crane it is using the snake or crane as symbol for communication.
Such as coil spring or bow, one can call it coil spring body instead of snake body. However one called it is a way of implementation only. However, in tcma field and history, this coil spring or snake body is a know DNA of emei 12 zhuang. thus, one knows the engine of siu Lin tau is from emei. It has to.
And siu Lin tau from the red boat must has the coil spring body develop otherwise it is a different type of art. Even though one can talk about the center line theory, what do we think grandmaster like yip man practicing slt for hours for?
We do know the DNA of WCK in the red boat with evidence today, emei snake engine or coil spring engine is un avoidable because that is the soul of the siu Lin tau from red boat era lineages.