Sam - Thanks much!
Rav - The Red Junk Opera Company was one of the Wandering Opera Troupes of Canton during the 1800s. They would travel between the towns of Siuhing (Zhaoqing), Faatsan (Foshan), Kwangchow (Canton, Guangzhou) performing for the villagers along the way (rich folk had their own companies 8).
On the Red Junks were White Crane boxers, Hung boxers, Hakka boxers, and others. Some of the opera roles were also martial. Wong Wah-Bo played to Mo-Sang (Martial Lead), Leung Yee Tai the Mo Deng (Female Martial Lead, played in drag because they were all male companies), Dai Fa Mim Kam played the Mo Jing (Martial Painted Face), etc. which all required knowledge of the more dynamic northern martial arts and weapons.
By the mid 1800s, the leader of the Red Junks was Lee Man-Mao, a white crane boxer. In support of the Taiping rebellion, under Chan Hoi, he led the Red Junk performers onto the streets of Foshan, in full costume, bearing Red Banners, and the Red Turban Rebellion began. They seized Foshan and made an attempt to seize Guangzhou as well. It failed, the rebellion failed, and the Qing retaliated by slaughtering the actors, burning down their docks, stages, and boats, and outlawing their performances. Those that survived joined other companies, left the province, made their living as street performers, or hid in the towns, like Foshan.
How Wing Chun Kuen arrived on the Red Junk (or if, in fact, it did and was not actually developed there) is a mystery to all. There are only legends, oral transmissions which mix in folk lore and pulp fiction. All we really know for sure is that after the destruction of the Red Junks, WCK is taught and appears for the first verifiable time off the Red Junks. It passed to Foshan apothecary Leung Jan, Foshan constable Fok Bo-Chuen, etc. and was also passed by Red Junk apprentices like Fung Siu-Ching in Foshan and Guangzhou, Cho Shun in Poon Yee (Panyu), etc.
From them come the modern lineages, like Yip Man, Sum Nung, Gulao, Cho, etc.
Rgds,
RR