tparkerkfo,
Hui Clan is correct in his posting. Ching Wu or Jing Mo is not really a system but is really an association of schools while Buk Sil Lum or NSL is a general term associated as a family of Northern Styles. Westerner translated the term Bak Sil Lum as it is related to Kuo Yu Chang’s style incompletely and thus this miss-translation has been carried throughout the years.
Bak Sil Lum or Northern Shaolin is a generic term or classification that includes many styles that originated in the Northern parts of China. There are Cha, Wah, Hung, Pao, Hua, Erh Lang, Lo Han, Mi Tsung, Tan Tui, Eagle Claw, Lui Ho. Battle sets, Wei T’o, etc.
As for KYC’s NSL there is a tranlation error. It should have been translated as Northern Style Shao Lin or Buk “Pai” Sil Lum which denotes it as a style and not to be confused with the Northern Shao Lin “Classification”.
Ching Wu schools had famous masters teach the common people while Guo Ming Tong or the Nationist Art Institute was run by the government throught the military and generally had younger, up and coming masters teach CMA.
Ching Wu was founded by Huo Yuan Chia, a master of Mi Tsung, in 1909 while Kuo Yu Chang was only 16 years old and had just started learning his NSL from Yim Chi Wen in Feicheng, Taian County, Shangtung province. Sorry but KYC did not create NSL, it was an established style years before KYC was born. KYC’s NSL can be traced back to Kan Feng Chih (Gan Fung Chi) who lived in the early Ching Dynasty.
After Huo Yuan Chia passed away in August, 1909, Chao Lin Ho, a master of Mi Tsung, Erh Lang, Battle style and Tan Tui, took over as head instructor of Ching Wu. Chao established the ten standard Ching Wu sets. With the exception of the two Tan Tui sets in the 10 standard Ching Wu sets, the other eight sets are Mi Tsung sets. As the school grew he invited other masters who became known as the Four Elders of Ching Wu: They were Chen Tzu Ching of Northern Shao Lin Eagle Claw, Lo Kwang Yu of Northern Praying Mantis Seven Star, Wu Chien Chuan of Wu Style Tai Chi and Keng Kai Kuan of Hsing I.
Later a fifth master was added, Sun Yu Fung of Northern Shaolin Lo Han.
By the time Kuo Yu Chang completed his studies, Ching Wu had numerous famous masters already teaching in their schools and Kuo was just another young budding master that did not fit into their program. He did not become a official member of Ching Wu but joined the National Arts Inst. and made his fame there. However he did go back to Ching Wu and appeared as a Guest Instructor every now and then.
Currently Ching Wu schools offer a varity of styles in their curriculum, depending on their locations and their past connections to which Ching Wu school in China. A few Ching Wu schools do currently teach KYC’s NSL as part of their curriculum, after all Ching Wu schools promote all CMA.