What was known about Shaolin Kung Fu prior to the 20th century?

[QUOTE=falkor;1203974]–together with Plum Flower Fist–before the 18th century. If Traditional/Chuantong no longer features these then you can bet they were lost to Song Shan during times of upheaval and subsequently preserved in other parts of China (or Taiwan). This would then really be the smoking gun in this whole debate.[/QUOTE]

Lau Kar Leung has a style called Plum flower fist he states originates directly from Siu Lum temple… it is not the typical hung gar plum flower fist “Mui Fah Kuen” many hung lineages practice, but a plum fist which he is one of the only practitioners to carry, along with a temple origin story… he has only taught it to a few students & it is considered top form/style in his lineage after the iron wire etc…

Just to be very clear here:

History ALWAYS involves speculation! It is NEVER exact in any way. Even the same event observed and participated in by numerous people is ALWAYS experienced and interpreted differently!

So, claims that statements here sound like speculation is ignoring the unreliability of historical data!

[QUOTE=RenDaHai;1203846]Just an addition;

What is a Shaolin Temple Kung Fu form and what is not?

There is this myth that Shaolin was this ISOLATED temple where no one was allowed to leave and secret kung fu was practiced within the walls only.

This probably never happened. Shaolin Kung fu was in constant flux crossing with the Kung fu of the local villages and absorbing the Kung fu from monks of all china who came there.

There is no way we can say whether a form was created inside the temple walls or not. Why? Because quite literally the walls were not always there. Think of Song Shan as a city and Shaolin as a district.

Where then do we draw the line? Kung Fu from all china pays homage to shaolin.

The line is SONG SHAN. Why? Because when Kung fu goes to another part of china it is influenced by the local styles. But in SOng Shan all the local styles are Shaolin. So things stay shaolin like. That is why all the Kung fu in SOng Shan has that Shaolin flavour.

SO when we see Shaolin Kung Fu from another part of China, it is not quite Shaolin. Even when it has a strong lineage it will be influenced by its local styles. So it looks less like Shaolin.

Kung Fu that comes from Song Shan keeps the influence of other SOng Shan styles and the SHaolin temple itself and so Song Shan Kung fu is the ancestral Shaolin.

You cannot seperate SOng Shan and Shaolin. Song Mountain is a breathing creature and the Shaolin temple is its heart.

(This reminds me of a wonderful local legend that ShaoShi Shan is hollow and inside lives a gigantic snake that is fed by the people of the mountian)[/QUOTE]
I’ve thought a lot about this. Here’s why in my opinion I think the boundaries of the temple were indeed the walls and why no villages were attached to the monastery at that time:
*I don’t think anybody off the street could, just, not only enter the temple, but also learn martial arts there.
*No visitors to the temple described having to pass through any villages on the outside of the temple with martial artists practising the same as what was taught inside the temple.
*The monks only seemed to entertain important visitors or those with a certain kind of reputation who had been granted special permission to study there.
*In 1828 a prominent Manchu official named Lin Qing visited the temple. At first the monks wouldn’t talk about Shaolin Kung Fu, but then they gave a demonstration. A woodblock illustration was published showing the demonstration from inside the temple.
*Numerous martial artists claimed to have learnt from the temple, as though it was special to get admittance and instruction there. If anyone could approach the Shaolin temple and learn their Kung Fu from the immediate surrounding villages then the claim to Shaolin would carry no significance.
*Again, I don’t believe these villages existed in ancient times. All villages would have been spread apart about 10-30 miles. Tai Chi was developed 35 miles north of the temple. Xingyi was created in Shanxi province.
*Shaolin hand combat had prospered in a region (Henan province) that had played a major role in the evolution of Chinese bare-handed fighting.
*By 1904 (probably early 19th century), Shaolin Kung Fu was no longer taught (easily) within 10 miles of the monastery, say. Many techniques were lost due to the fleeing of the fighting monks except Plum Flower Fist. Surviving laymen would have then turned their attention to Tai Chi and Xingyi in the nearest villages and re-developed Shaolin Kung Fu as Hong Quan?

BTW, Shahar says that Hong Fist (Hong Quan) is a southern style related to Shaolin by legend only, but he might be talking about a different style to the Hong Quan mentioned in this topic?

[QUOTE=RenDaHai;1203979]I don’t remember Shahar proving this, could you quote?

8 Drunken immortals are Taoist gods and have no place in Shaolin.

Attacking pressure points is in every style of Kung fu.[/QUOTE]
“Following their exposition of hand combat principles, the two manuals
detail specific fighting styles, first of which is the Drunken Eight-Immortals
Fist (Zui baxian quan) (figure 26). The eight Daoist immortals have been
borrowed from late Ming lore, in which they were depicted as carefree, often”
lascivious, drunks. Novels and plays usually associate each of the insouciant
saints with a given emblem: a flute, a flower basket, a gourd, a whisk, etc. The
martial artist mimics wielding the icon in his training routine, which, even
as it appears intoxicated, is perfectly sober. The Drunken Eight-Immortals
Fist, sometimes referred to as the Drunken Fist, is still practiced today. In
recent decades it has become internationally renowned through Jackie
Chans (Cheng Long) (b. 1954) theatrical rendition in his blockbuster movie
Drunken Master (Zui quan) (1978). The styles occurrence in Hand Combat
Classic and Xuanjis Acupuncture Points might indicate that it has been practiced
at the Shaolin Monastery since as early as the seventeenth century.

Fig. 26. The Eight-Immortals Drunken Step in Hand Combat
Classic."

Shahar also shows that a style known as Confounding-Track Fist was taught at Shaolin in it’s original form (Confounding Fist). This was attributed to Huo Yuajia (1869-1909) and featured in Jet Li’s Fearless. Is that style still taught at Shaolin today?

[QUOTE=falkor;1203983]
BTW, Shahar says that Hong Fist (Hong Quan) is a southern style related to Shaolin by legend only, but he might be talking about a different style to the Hong Quan mentioned in this topic?[/QUOTE]

It’s been a while since I read Shahar and I don’t have it handy, but he’s probably talking about Hung Gar of Wong Fei Hung fame.

Hung Gar = “Hong Jia” i.e. Hong Family (

Not the same style, but others could give you the details better than I.

Tell us more about Shaolin, falkor. What style of kenpo do you practice?

[QUOTE=kwaichang;1203973]You have no concept of Wu De do you. You bring dishonor to all who know you. To take the time to construct a pic as you did is childish, immature and nothing but , self seeking. You really need alot of good meds and Psychological treatments. KC[/QUOTE]

I didn’t give you permission to post outside of the ShaolinDo thread, peasant.

Falkor; obvious ShaolinDo troll is obvious.

[QUOTE=rett;1203986]It’s been a while since I read Shahar and I don’t have it handy, but he’s probably talking about Hung Gar of Wong Fei Hung fame.

Hung Gar = “Hong Jia” i.e. Hong Family (

Not the same style, but others could give you the details better than I.[/QUOTE]

Yeah, that must be it, as he talks about the escapees who carried on the lineage in the south.

[QUOTE=pazman;1203987]

Tell us more about Shaolin, falkor. What style of kenpo do you practice?[/QUOTE]
I only saw Kenpo in a movie called Perfect Weapon, otherwise I don’t know much about it. I heard it has links to Japan or Taiwan or something, but my knowledge is poor.

Does anyone know if southern style Eagle’s claw with the fingers spread apart came from Shaolin? What does northern Eagle style look like?

Originally Posted by rett View Post
It’s been a while since I read Shahar and I don’t have it handy, but he’s probably talking about Hung Gar of Wong Fei Hung fame.

Hung Gar = “Hong Jia” i.e. Hong Family (

Not the same style, but others could give you the details better than I.

I know there are factions in dispute about Hung Gar/Hung Kuen. imo, hung family is about the entire family while Hung Kuen is the fist of the Hung Family.

[QUOTE=hskwarrior;1203996]I know there are factions in dispute about Hung Gar/Hung Kuen. imo, hung family is about the entire family while Hung Kuen is the fist of the Hung Family.[/QUOTE]
Thanks for clarifying that. I’ve always wondered the difference between Hung Gar and Hung Kuen. Now I know.

Thanks for clarifying that. I’ve always wondered the difference between Hung Gar and Hung Kuen. Now I know.

nah don’t believe me i was making that sh1t up…lol jk

[QUOTE=A Joyful Proces;1203980]Lau Kar Leung has a style called Plum flower fist he states originates directly from Siu Lum temple… it is not the typical hung gar plum flower fist “Mui Fah Kuen” many hung lineages practice, but a plum fist which he is one of the only practitioners to carry, along with a temple origin story… he has only taught it to a few students & it is considered top form/style in his lineage after the iron wire etc…[/QUOTE]
I didn’t know about that, but LKL has a special place in my heart. His films were the first to showcase pure Chinese martial arts styles. I wondered why some other non-Shaw Brothers movies also featured proper Chinese Kung Fu at around the same time as LKL’s, such as Master of the Flying Guillotine and Ming Patriots, but it turns out they were also choreographed by him. Basically, where I come from LKL is a god!

[QUOTE=RenDaHai;1203963]Chan is about approaching everything like it is a skill to be mastered. It doesn’t make you follow a set of principles, it asks you to actually train wisdom as though it were a Kung fu technique. To actually meditate on the things that are. To argue everything so you may refine your opinions and strengthen your convictions.

This is training. Explaining it to another clarifies my own knowledge.

Although, in this case I am putting in a lot of effort for little reward. If you can get someone who is set in their opinion to change their mind using patience and logic then it is a wonderful thing.[/QUOTE]
Here’s a little reward for you, my friend, for all your patience (hope you like it):

Where to begin…

*I like the posters.

*Hong Quan is possibly the most common name for a martial art in China. Hong means ‘Vast’ and in the olden days was used to mean ‘good, impressive.’

Shaanxi Hong quan is probably the oldest. Look it up on you-tube. The Hong is different, in this case it means ‘red’ but the pronunciation is the same and I think people didn’t used to be so literate.

*Mizhong/YanQing quan does have a history related to Shaolin. There is a Mizhong quan practiced to day, though it is unrelated and IMO quite obviously of Shandong origins. Although a Mantis expert would be better to confirm this. In any case the Huo Yuan Jia Mizhong is related to Shaolin but distantly and a while ago. It is not Song Shan stuff and I am certain it was not in the 19th century.

  • I don’t have the book to hand. YOu will have to quote more on the 8 drunken immortals because I can’t believe there was a shaolin text about that. What did Shahar say his source was?

*Look Shaolin up on Google maps and note the huge number of surrounding villages, and those are only the ones printed on maps. Go there and you will find the ancient structures still in them. They have been there a long time and many are within 3 miles of Shaolin. Very many within 5 and a gigantic population within 10.

*Boobies

*It was not and is still not easy to learn good Kung fu if you visit DengFeng. If you are a native however it is easy. I went to villages where every one in the village practiced the village style and they showed no one who wasn’t born there, at least not more than the form. This is what it would have been like. Still hidden but known to many. Many of the monks would have been born locally.

*None of what you say seems to have any foundation in logic.

Whoever told you all this stuff about Shaolin? Did that person ever go there? What does he base this on?

Wen shu

I am oh so sorry that I exposed you to everyone on this site for what you are a Low life *******. Please accept my most humble apology KC

Wenshu, KwaiChang come on now boys, we are all brothers here…

get the eff outta here with that bromance shit

Falkor…you got do some more research and reading up on Kung Fu before you try to have this debate. You don’t seem to grasp some very fundamental, well understood facts about Kung Fu; it’s making it impossible for you to understand what people are telling you.

There are literally hundreds of systems that call themselves Shaolin Kung Fu. Some were partially based on Shaolin, some probably just used the name. When you say Shaolin, you mean the style called Songshan Shaolin which developed in and around the temple. You keep using the word Songshan, but don’t seem to know the difference.

Bak Siu Lum, (northern Shaolin) is a different system. Related, but not the same. Northern Eagle Claw, Hun Gar, Wing Chun, Choy Li Fut, ect. are all called “Shaolin” systems. They are not the same as what is/was taught at the temple.

You don’t seem to understand when a style uses Mandarin or Cantonese. Anything that uses Cantonese is not northern; and can’t be directly from Songshan. What’s so hard about that?

I also don’t have Meir’s book handy, but when you talked about “Hong” possibly having no relation, I’m pretty sure he was talking about a different, southern system there. Songshan is based off Hong Quan.

There is a famous southern form called “The Eight Drunken Immortals.” Not to be confused with the myth that inspired it. That form, I believe, was the inspiration for the Jackie Chan movie you mentioned. I’m not 100% on that. I don’t know the form, but that one is certainly not a Songshan form. That’s not saying there’s not drunken forms at Shaolin. There are various styles with drunken forms. Lots of forms have the same names.

You seem to be seeing anything with the name Shaolin; and tying it to Songshan. Shaolin Soccer didn’t originate at the temple either…that’s as silly as calling something Shaolin Kempo.