Hi David,
<<“Not sure if you meant to agree with the mistatement quoted, but to clarify, it should read : Emei 12 Zhuang + Fujian White Crane to Yik Kam’s Siu Lien Tao, which contains 4 sections, the middle two being analogus to Chum Kiu and Biu Jee in the Wong Wah-Bo lineage.” - RR
Hi Rene - Thank’s but this “clarification” isn’t really that helpfull. With all due respect - even after all Hendrick’s posts all I see is that in Hendrick’s family they have only one form and in his WC he identifies heavily with the Fujian White Crane and Emei 12 Zhuang. >>David
**David, please allow me to say thank You. You work hard to make others to see your points.
<<To say all WC is from Fujian White Crane and Emei 12 Zhuang just doesn’t add up. All I’ve read from Hendrick are ubiquitous statements that basically equate to “this sounds like it could be this so it must be”.>>David
**I was born in Fatshan. I had seen many styles of WCK in China. Our WCK ancestors should be the same, but the practioners - Yiu Kay, WSL, William Cheung, Garrett Gee, they are different. Understanding the subtle distinction gives one the advantages to appreciate the art of WCK. As for Hendrik’s Cho family art(Emie 12 Zheung + White Crane). Evidently, a certain someone needs reminding, WCK is WCK, Emie is Emie. Sometimes You’d like to believe that people know better than to pull a fast one.
http://www.dragonslist.com/kwoon/index.php?id=63
<<IMO Wing Chun was created through a synthesis of arts and a new way of looking at things. I’ve heard many things from Southern Hand masters that hold parallels to Wing Chun. Jim’s comments on Southern Mantis as well hold parallels. Wing Chun is much more than flowery words and postures from ancient systems.>>Daivd
**Some of my own consins are also Pak-Mei and Mantis practioners in Fatshan. IMO, WCK is WCK, not like other Southern Kung-Fu.
<<I’ve seen a few sets with a stationary, “high horse” posture and feet shoulder width apart. These sets procede to extend the left hand with the palm toward the sky. Are these sets also to pay hommage to 12 Zhuang as their mother system? >>David
**A donkey cannot be a horse, they’re different DNA.
<<Books on 12 Zhuang, books on Hung Mun, books on Fujian White Crane, books on top of books on top of books … come on, man !!
There are great maxims on learning from books.>>David
**LOL, you thought you’d seen the last of certain someone. Just give this person 2 mims & 2 seconds, he’d post another so-called “SLT-blab blab blab-what do you think?”.
<<So thanks but, I think Rolling_Hand had it right with his summation. (Actually both of them)>>David
**Fresh air.
<<I am of the mind to continue sharing yours, Rolling_Hand’s and others scepticism on Hendrick’s origination theory of Wing Chun.>>David
**Sometimes, when WCK doesn’t work according to expectations, please don’t rush to say anything bad about anybody, especially about our Shaolin ancestors.
<<Simply stated, if its analogous it’s not the same. Ergo, as demonstrated by your clarification, we see that Chum Kiu and Biu Jee are not “in there”. So the question remains where is Hendrick’s Chum Kiu and Biu Jee ??>>David
**Yeah, someone also said “Emei 12 Zhuang + Fujian White Crane to Yik Kam’s Siu Lien Tao, which contains 4 sections, the middle two being analogus to Chum Kiu and Biu Jee in the Wong Wah-Bo lineage.”
After reading this, I would like to ask this expert a question - “Did you actaully learn this story from Wong Wah-Bo or Hendrik?”.
Then, when and where and how did Wong Wah-Bo learn his WCK from Yik Kam? Or, Is this just another assumption of a false theory?
Roger Rollinghand