[QUOTE=facaodotigre;1124872]RD’S Alias - 1A :
But when you do an examination to one of your students about third level , do you require him to show levels 1 and 2 ? or you only ask him to perform third level only.
My point is about when do you start with intermediate or more advanced forms is really hard memorize aldo basic forms.
Thank you[/QUOTE]
The forms are the last thing I teach. I teach them more as body mechanics training, and to catalog thier techniques for each level. They are not officially on the testing. They are more like a certificate of completion for that level.
Level one has the basic form. Level 2 the intermediate, and level 3 the advanced.
I also have Qigongs that go with each level too.
My ‘basic fundamentals, and physical preparation’ consists of foot work drills, entry skills, common Songshan Shaolin kicking and punching drills, application practice, stalking and targeting drills, free sparring, Structure and mechanics training, as well as conditioning and flexibility training.
I have several modules. The first is centered around applications of the first form. The second is a stripped down, simple kick boxing method, third is basic Chin na, and the last is very basic Shuai Jiao (mostly the falls, and simple throws, like stuff off of Diagonal Cut, hip throws, and a couple turning throws)
The next level adds to the catalog of techniques. These are found in the next form, but is more concerned with improving skill levels with the material, rather than just learning more ‘Stuff’
The third level is built on the softest form in my system and it designed to develop the internal skills to proficiency so they can be applied to the previously learned material. This level has 32 internal drills, push hands, and advanced Qi Gong.
There are a few more forms, but they are just there to add more apps to the over all catalog. I teach them one technique at a time, and only the form when the apps are understood.
I also have a number of Tai Tzu sets with questionable heritage (meaning they are probably not tied direct to Zhao Kunag Yin) that I picked up off of video. I probably won’t teach those ever, but I randomly play with possible apps from various segments of them. The set I stole from footage of John Wang in competition is one of these sets I won’t teach.