'Fist of the Red Junk Opera'-- New info or a "book report"?

Always open for positive conversation.

David planetwc,
In light of the direction that this thread was headed it seemed that was the nature in which the questions had been asked. So please forgive me if I came across a bit defensive.

I’m always open to healthy interaction amoungst fellow martial artist. After all we are all connected. It would be a pleasure to meet with you and discuss kung fu. I will keep the invite in mind the next time I’m in the Bay area. As a VTM member I have a very open mind and approach to viewing other lineages. We take great care in not assuming anything. But to let the information speak for it’s self. We really strive to get the information as the presenter intends to present it. I think it will be a good experience to pay a visit. :cool:

Chango (Saat geng sau)

Originally posted by Sauchi
[B]Hi David,

To answer your questions directly,

Sifu Gee is still teaching, and is alive and well.

His other students that you had mentioned are also alive and doing well. 8)

Sifu Gee is also known locally by many other Martial artists.

And Sifu Gee learned WC from mainland China.

No offense taken. They were simple questions.

Sauchi [/B]

This is really confusing! :confused: Are you saying that Sifu Gee is his own Sifu? If not then I can’t see how you answered planetwc’s questions at all. Maybe I’m missing something.

I dont think that the questions were answered.

Bloodgod - What’s the source of that info? Any of it come from Cheung sifu’s adopted son?

RR

Let me first say that I did enjoy the article in question. But, I have to agree, with the original post, that I failed to see the link between the Red Junk’s and Wing Chun. You’re history of the Red Junk Opera’s was very extensive, but I think your thesis was unsupported. This maybe addressed in a Part 2 of the article? I certainly hope so, because I always felt the Ng Mui/Yim Wing Chun read more like a fairy tale than factual history.

Thanks,
David

PS - Please don’t take this as a flame to the articles authors or the Ng Mui proponents, as it is certainly not meant that way.

You should check you PM

BloodGod,
If you would take the time to check your personal messages, you will find a message from me explaining why your post was deleted, and politely asking you to refrain from insulting other forum memebers sifus/lineages. If you have an issue with Chango or anyone else and feel the need to flame them over their sifu, i’m afaid you will have to do that via email.

David,

Thank you for the feedback, I appreciate your comments.

I’m wondering what you think the thesis of the article is (since you feel it unsupported). The article is not proposing a genesis for WCK in the common sense (nor do the authors actually all agree on a thesis of that nature either), but to sort through the various legends and other theories with respect to related history (such as opera and society). In order to to do this, we felt we needed first to provide outlines of those related histories, using the most up-to-date scholarly references, so that readers would have the background for what was (is) to follow.

One problem with other WCK theories is that most readers aren’t familiar with the greater history or culture of the period, and so anything, regardless of how well or poorly it fits that history or culture, can be (and is) proposed (and even accepted).

Basically, it is not, and never has been, our goal to simple tell people where WCK came from and expect them to take our word for it, or tell them what is better or worse WCK and expect them to just believe us, or anything like that. We simply provide information and try to give it some context, then let people decide for themselves.

Rgds,

RR

Rene- I appreciated the background provided in the article and I was glad to see Wakeman’s work referenced in the notes.He is one historian who tried to include martial group activity in the Qing penetration in the south. I didnt seea clear linear path for tracing wck definitively but the well written background and the review definitely should educate folks on the social and political context of the junks and the opera and the groups involved..
joy

Thanks Joy. I also very much enjoy Wakeland’s work, a gentleman and a scholar.

As an aside to the rest, one of the criticisms seems to be the lack of new theories. If y’all recall, however, a short while ago we helped Hendrik put together an article proposing an origin of the name Wing Chun as the complement to the Shanghai Dim Chun, showing a connection both through the usage of Chun to symbolize opera, and with the Triad/Small Knife society being involved in both places at the time, and using a knife very similar to the one in Wing Chun Kuen. While this theory met with the usual politically based flamage, its still one I personally find interesting. Likewise, on this very board, I’ve flirted from time to time with the idea that “Southern Shaolin” was a name used as a cover by the Hakka, in light of their known use of “Southern Mantis” as a cover, and their history mirroring that of the “Southern Shaolin” legend (they helped the Qing fight another ethnic group (Hokkien), then were “betrayed” (forced out of Fujian) and had to move into Guangdong and Guangxi, etc.

By contrast, I was wondering, beside the Shaolin/Cheung Ng theory, what other theories on the possible origin of WCK the VTM was currently proposing? And, much as Hendrik, Robert, myself, and other have differing opinions (e.g. Hendrik believe the Siu Lien Tao was created before the Red Junk period while I tend towards during), which members of the VTM disagree with the Shaolin/Cheung Ng theory and are actively pursuing others? (I can understand focusing on one to maximize time/resources, but surely when other pieces or ideas are turned up, something is done with them?)

Rgds,

RR

?+?=??

Quote:

I didnt seea clear linear path for tracing wck definitively but the well written background and the review definitely should educate folks on the social and political context of the junks and the opera and the groups involved..
joy

Truth or tact? You have to choose. Most times they are not compatible.

humm…

>> Truth or tact? You have to choose. Most times they are not compatible.

Only for those without skill and confidence.

RR

apologies

**Excuse me on the quick reply and the confusion-

[Question] On Hung Fa Yi in China

So out of curiousity,

Where is Garrett Gee’s Hung Fa Yi Wing Chun sifu today?
Is he still alive?

** I don’t believe Sifu Gee’s Sifu is around anymore.

Are the other 3-4 direct students alive as well?

**As far as understand, there is a possibility that one of the other three could/might be alive because of age, but I really don’t know. The age difference between Sifu Gee and the other Disciples were at least fifteen to twenty years.

Are there any other martial arts instructors in the region where this sifu was located who were aware of him and his art?

** The other sifu who taught WC who knew of my sigung was Mai Gei Wong (that I know of - there may have been more, but I haven’t ever heard of them).

** Mai Gei Wong would call my sigung “sihing” out of respect and would occasionally talk to my sigung about WC. But there was no WC lineage between them. Just friends.

Was Hung Fa Yi known in that area at all from this instructor or his students?

**No, not known as HFY, and not talked about publicly. If seen in the park practicing, it was just WC.

Who did Garrett’s sifu learn his wing chun from?

**Sifu Garret Gee learned from Wong Ming (which is also printed in “the Complete WC” and posted at the VT Museum Website)

**This should answer the questions :slight_smile:

?+!=?!

–Only for those without skill and confidence.–RR

**Is it much more comfortable to be Yoda Yoda and not know it?

Rolling Hand stop trolling.

Matt - Nice to see you posting. Your sigung’s name is also up at wingchunkuen.com. BTW- Didn’t Meng sifu mention previously that he was in contact with a sibak/suk who was providing more historical info and filling in the family tree?

RR

Hendrik,

Putting together quite a few thoughts here in light of your recent posts on this thread and others. I’ve put this here at it seemed the simplest - assuming you’re still following this thread…

Chan has everything to do with fighting. Chan also has nothing to do with fighting. As a methodology, fighting gives us a chance to see of what we are really made. In a fight there is no “could have/would have/should have”, there is only “is”. So long as your teacher is guiding you towards the goal of seeing what is real and what it true, anything can be a Chan modality – even sex. You state no sex, what about eating meat? What about thinking? What about seeing? Removing temptation and distractions is not the way. You have to live in the world to get past the world. Removing the risk of attachment doesn’t help you get past the desire. It’s easy to be pure when there’s nothing around. Being pure when the world is trying to pull you in 10 different directions at the same time – that’s an accomplishment. I found this after I wrote the preceding text” Everyday Challenges

Now, talking to martial artists, who may or may not have an interest in understanding their Buddha nature, should I talk to them only of spiritual matters? Should I talk to them from my level, in my language – or should I try to be a bridge, speak a language we both understand and then help them to see a larger world? It is clear to me that you would rather relate to people on your own level and in your own language. If they don’t understand, you rail against them. So if I write about Chan and fighting – remember that I am talking to martial artists, not priests, not Buddhists. “When it’s time to be a general, be a general. When it’s time to be a monk, be a monk.”

Chan is not a philosophy.
Chan is a path of cultivation to return to one’s Buddha original.
It is a “boat” to cross over the river of life and death.

What did you say before? Oh, yeah: [I]One is out of one’s mind. Hey apple is not banana[/I]. Don’t be stupid. A boat is a boat. A belief is a belief. For the sake of argument, a philosophy (from webster online) is:

Main Entry: phi·los·o·phy
Function: noun
Etymology: Middle English philosophie, from Old French, from Latin philosophia, from Greek, from philosophos philosopher
Date: 14th century
1 a (1) : all learning exclusive of technical precepts and practical arts
(2) : the sciences and liberal arts exclusive of medicine, law, and theology <a doctor of philosophy>
(3) : the 4-year college course of a major seminary
b (1) archaic : PHYSICAL SCIENCE
(2) : ETHICS c : a discipline comprising as its core logic, aesthetics, ethics, metaphysics, and epistemology
2 a : pursuit of wisdom
b : a search for a general understanding of values and reality by chiefly speculative rather than observational means
c : an analysis of the grounds of and concepts expressing fundamental beliefs
3 a : a system of philosophical concepts
b : a theory underlying or regarding a sphere of activity or thought <the philosophy of war> <philosophy of science>
4 a : the most general beliefs, concepts, and attitudes of an individual or group
b : calmness of temper and judgment befitting a philosopher

So Chan is none of these things? Not on any level? Not depending on to whom you are speaking and their level? The only way to communicate is to talk to yourself and wait for the other person to catch on and “screw ‘em” if they don’t? That doesn’t seem to be very compassionate. Maybe that’s just a cultural expression of the old masters - a blind tradition still clung to like a piece of flotsam.

Chan is a philosophy when that is what people are seeking. It can also be more. Hui Neng stated that there were many different paths in Buddhism because there are many different people. Each of us is the universe. If you start thinking for me and telling me what things really are – maybe you could eat and digest my food for me too? If Chan is a path of cultivation, can you cultivate without seeking? Or do you (and more importantly, your teacher) have to be aware of the path you tread?

[I]My belive is - Education is the best way to share.
We are here to discuss WCK right?
Certainly it turns into discuss about me.
Sorry, just not interested to waste energy.
Here I sign off. Bye everyone
[/I]

You’re actions educate me plenty. You forgot to say “Screw you guys, I’m taking my ball and going home.” I remember you doing this a lot on the WCML as well - popping into a discussion from out of nowhere, stating something, not checking to see if you were understood, and then going on vacation so no one could ask you questions publicly. Not everyone is going to like what you say. When someone says “your poop stinks, too” the Chan way is to get huffy and leave? Wow, 10-year-old are enlightened!

[I]What does Bai Fut have to do with Chan? [/I] Maybe you should ask Sifu Hoffmann rather than tell him what you know.

[I]How Can one be called Chan master when one doesn’t have a clue what Chan is.? [/I] Maybe you had best get to know people before you start passing judgments on them (and maybe not then, either - everybody eats, everybody poops, and everybody sins).

[I]What is Iron body Iron palm got to do with Siu Lien Tau? [/I] Do you mean Cho Ga Wing Chun doesn’t train iron body or iron palm? You make veiled references to how deep your system trains – do you have no external hei gung training or only internal? Is your path to Buddha-self only a mental activity with no training for hei (qi) – or only partial training for internal without external conditioning?

[I]What Does Tan Sau Ng got to do with Siu Lien Tau?[/I] Without more information on your system I have no idea at this time. So far as I’m concerned, until I know more about Cho Ga, your Wing Chun is at best a modern derivative at least as valid as any other from the time of the Red Boat. Are you qualified to represent your lineage in public? You present yourself as an expert – would your Sifu agree? I ask because I want to know with whom I am dealing. If you are not qualified to speak for your lineage, I would like to communicate/visit with one who is. With new information, I reassess my current views. With the incredible lack of information you’ve shared, in addition to your veiled insults and egotistical actions, I personally have no desire to learn much of anything from you. This doesn’t mean I don’t read your posts looking for valid information – it just means that everything you post is taken with a grain of salt.

Finally, from the gist of your posts, you have been implicitly stating that you have the original Wing Chun for quite a while – and now seem to be moving towards explicit statements. Sifu Robert Chu agrees with you, at least according to his most recent article.

Presuming that you do, indeed, have the original, surely you can explain Chi Sim Weng Chun and Hung Fa Yi Wing Chun and how those two arts relate to Cho Ga as well as how all other versions of Wing Chun relate the CS/HFY and Cho Ga. Having seen only the barest of information on your lineage there are a lot of gaps to fill in – especially in the logic flow for the development of Chi Sau and strategy/tactical thought as a beginning.

Oh, wait, you call Chi Sim Weng Chun “hung ga”. Of course, you must know more than Sifu Hoffmann, the successor of his lineage. Since you’re so well versed in Wing Chun, maybe you’d like to explain this conclusion for the less educated masses? You discount HFY and Chi Sim – yet these two families share quite a few similarities… how do you explain the similarities between them while discounting their connections? Why do both of these systems share a Chan paradigm of 3 relationships to understanding reality - Saam Mo Kiu in HFY and Tien Dei Yun in Chi Sim? Why do both arts have dummy, single pole, and double knife training? Why do they share the Luk Dim Bun Kwan term in relation to the pole? Why are they viewed as complete systems in the successor’s eyes? Why do they both make use of single and double rolling arm exercises? You’ve made plenty of bold statements with little to no support so I’m asking for information to support your claims.

[I]They have nothing to do with Yik Kam or Cho Family line of WCK. We in the Yik Kam lineage have details evidents for our art and the related mother arts. Yik Kam WCK was /is transmitting directly within the Cho family for past 100 of years . We are certain with who we are.[/I]

The past 100 years only takes you to the about the time of the Red Boat. What came before? Will you be putting all your cards on the table, discussing history and Wing Chun? The VTM has a book in the works for publication next year – when should we expect yours to be printed?

[I]Even If Tan Sau Ng master Shao Lin MA, Shao Lin Tai Tzu DNA doesn’t fit the DNA of SLT. But White Crane’s fit. [/I]

Your’re saying that Shaolin Tai Tzu doesn’t fit your family’s SLT. First, you need to explain tai tzu completely and note your sources. Currently VTM efforts are directing in other directions but your information will not be ignored. Whatever you might think, the reality is that Sifu Meng, et. al. are constantly re-evaluating working theories in light of new information.

[I]Bai Fut is a code name of attacking Fut San city not related to Buddhism or Chan or Shao LIn. [/I]

True but only in your experience. Have you honestly discussed martial arts with Sifu Hoffmann or simply stood in judgment of what he demonstrated one time? Without giving Sifu Hoffmann a chance to discuss his lineage completely, you are doing a disservice to him, Wing Chun, and yourself.

You are also guilty of putting out information without documentation.

Jeremy R.

David Williams,

HFY Family Tree
HFY History article
Logos/customs and more…

This covers quite a bit on the Hung Fa Yi family, including oral history (which does not exactly match current VTM theories about Wing Chun’s origins - will be covered in upcoming book).

Jeremy R.

Rolling Hand stop trolling.

Matt - Nice to see you posting. Your sigung’s name is also up at wingchunkuen.com. BTW- Didn’t Meng sifu mention previously that he was in contact with a sibak/suk who was providing more historical info and filling in the family tree?

RR

Hey Rene!,

No problem. Once and a while I do come out and look around. No, I didn’t know about the new historical info, I can’t wait to hear on what he found.

I’ll have to pick up the book after it comes out.

Matt

I dont think that the discussion on Chan has illuminated either Cho family wc or HFY.
I guess I am out in the cold on both of them. So it goes.

Rene,

Thanks for your response.


Rene-
"I’m wondering what you think the thesis of the article is (since you feel it unsupported). "

In answer to your question I thought the thesis of the article was “In the case of yongchunquan (wing chun kuen), one way or another, these strands trace back to the mid-19th century Red Junk Opera Company.” And, I didn’t feel this was supported or really even addressed in the article. However, if your intent was to “provide outlines of those related histories (opera and social)” that occured during that time period, then I would say you, and the other authors, succeeded. The article was well laid out and was easy to read due to the efforts to keep things flowing in chronological order (which is not as easy as it sounds).

Is there going to be a 2nd article? Or, was the “To Be Continued”, at the end of the article, a reference to the point that there are still many unanswered questions to the origins of Wing Chun Kuen?

Thanks again,
David

Jeremy - Though its Hendrik’s business to discuss his exact position within his family, I would treat him with the same respect I would treat Hoffmann sifu wrt the Chi Sim system. Also, though over a century ago they incorporated WCK into their village art, it remains a possibility that the Wing Chun (not Weng Chun) core they preserve is the “oldest” still in existence (the rest of us may have developed/refined from something very similar). It will take more to convince me of that personally, but I don’t think anyone can fairly rule it out at this point.

Joy - Agreed. There are two problems I have with the concept. 1) It is difficult to separate religious artists from religious art. (Which is Chan? A Chan art taught by someone who doesn’t know/practice Chan, or a non-Chan art taught by someone who does know/practice Chan?) 2) Chinese culture is seldom uni-dimensional and WCK seems to contain elements of the multi-dimensional culture, not just Chan (as they say, Confuscian cap, Buddhist robe, and Taoist slippers (and usually a local diety pendant or statue to boot!)

David - No, those words meant that the Red Junk is the furthest point back that we can reliably trace the art, not that the art began there (though I tend to lean towards that theory personally, Hendrik does not, and I’m not sure how Robert feels about that point at this moment). The article is actually parts 1 & 2 of a 4 or 5 part work. The first parts, as 1 & 2 did, will try to outline the related history of the Red Junks to form some context for the the final parts, which will focus on WCK specifically. Again, we felt discussing WCK, unless the audience was familiar with the surrounding history and culture, made it difficult to show what was more likely as opposed to less likely (in a vacuum, all theories, even the more outlandish, are co-equal).

To draw a parallel, at one point in Chinese history, Sun Yat-Sen was trying to garner support from expatriot branches of the societies to establish and then shore up his government. To do this, Sun decided he would play on their patriotism by telling them the societies were founded by heroic Shaolin and Ming officers with the goal of overthrowing the Qing. He asked his historians to find any information they could to support this story, and they collected and crafted the Shi Lu Fan “histories”. From a political stand-point, it was a great success (the society leaders had no idea about the actual history of the time and so they accepted these stories at face value and rallied to the cause). From a historic stand-point, it was a great failure (even the more convinient of stories showed the Ming aid in their own downfall and the Shaolin help the Qing until the Qing turned on them, casting them as vengeful rather than heroic). This all, of course, was a repetition of when the societies themselves crafted tales of Sung or Ming restoration and scion to help grow membership, and was repeated again when the PRC tried to cast the societies as early “mutual aid” models of Communism to garner support of their own. Even the Qing might have played at this, with stories spreading during the dynasty (like 10 000 Years Qing) of Shaolin Elders like Ng Mui, Jee Shim, Bak Mei, etc. turning on and killing each other.

Now, since many of the martial artists and cultural leaders in the West had ties to the Nationalist government and came West following its fall, these politically motivated histories came with them, and lacking any actual historical or cultural context, Westerners who learned their martial arts accepted them as de facto history. And even in China, where the fall of the Qing, rise and fall of the Nationalists, rise of the PRC, and subsequent disasters like the Cultural Revolution erradicated whole swathes of the past for the common people, stories preserved in pulp novels were adapted simply due to the absence of anything else (not to mention the intrisic advantages of romanticized stories).

Whoops, didn’t mean to go on like that. It’s an area of interest and I always welcome the opportunity to think out loud.

Rgds,

RR