Who created Wu Bu Chuan?

Also, who said that Cha Quan is yonger than Tai Tzu Quan.
Impossible since Tai Tzu is from the song dynasty
and Cha Quan goes back to the original tan toi like Moslem style that were from the dynasty before, even the Tang Dynasty. It goes back to the martial arts practiced along the silk route by Moslem.

Why Cha Quan shows similarities to Tai Tzu Quan is simply because Cha Quan also is based on Tong Bei (mixed with persian and other martial arts from the far west).
Tong Bei is the second oldest style in China, and it spread all over northern China in the span of over 3,000 years.
Only Shuai Jiao is older than Tong Bei, Shuai Jiao is over 4,000 years old.

Hey Sal!

Great to have you here! Welcome!

Re: Hey Sal!

Originally posted by GeneChing
Great to have you here! Welcome!

Thanks, I appreciate it.

Hope people don’t think I sound arrogant in my posts, I am just being matter of fact, no meaness implied.

I’ll try to post when I can, I am stilling doing a lot of research in between touring and recording with my band Electric Frankenstein www.electricfrankenstein.com and writing articles for various magazines.

Please feel free to discuss any Chinese KF history of styles and forms with me anytime! thanks!

I hope to write an article on the Shaolin 18 Lohan Fist form and all the hidden things that are inside that form, for Wushu KungFu magazines, soon as I can actually have the time to sit and write it!
Been trying to get that done for the last 2 years!

By the way, I am teaching supertraditional Chinese Martial Arts in New Jersey. So, if anyone wants to learn the real ancient way to do forms and so on, if they are from the NY/NJ area, please contact me, thanks!

Sal

Originally posted by Starchaser107
it’s not there,
but I think they recently took alot of thier videos down to update thier server or something , and all of them might not be back up as yet.

http://www.wushucentral.com/videos/miscellaneous/library/beginners/wu_bu_quan.jpg

that’s not a video clip, it’s a picture :eek: :confused:

I agree that Cha Quan Hung Quan, Hua Quan, not only resemble each other but are related to one another. It is my opinion however, that Cha Quan developed out of the older Song Dynasty style of Hung Chang Quan . Cha is traced most convincing to Chamir a Hui native from Xinjiang who lived during the early 1600’s (Ming Dynasty). I know there are some legends saying it came from the Tang Dynasty but this may be “borrowed history” based on a Tong Dynasty short story called Kun Lun Nu. Some Cha Quan folk traditions claim that Cha Quan is traced to Hua Quan, a Tang Dynasty general named Hua Zongqi and his student Cha Yuanyi. However these stories are connected to Shangdong Province. I find it more convincing that Hung Chang Quan was more than likely a military style practiced in the Loyang region. "Hong jin jun was a northern Song army during time of the Jurchen conquest. This is to say that ‘Hong jin jun’, military style was around before the time of Fu-yu and I believe very likely the source of this Song Dynasty martial art.
According to our tradition, Da and Xiao Hong (overwhelming) Chang Quan, were absorbed from a style called Hong Chang Quan by monks of Henan Shaolin Si. Apparently these forms were adopted by Shaolin monks as part of Fuyu’s program to develop Shaolin martial arts. The style is accredited to Zhao Kuangyin, the first Song Emperor(posthumous temple name -Taizu). Zhao came from a military family in Lo-yang, not far from Shaolin Si. As an outstanding military officer he became the commander of the palace guard. The Imperial guard was considered the best fighting force of the Zhou military. As a famed military commander and later as the first Song Emperor, it can be seen why his name would have been attached to Hung Quan.

I would point out that Song armies were very large and it is highly unlikely that only one style was practiced by an army made up of so many men coming from different regions. ‘Hong jin’ army martial arts more likely came from a number of different ‘bao-jiaï’ that more or less resembled each other in terms of general characteristics.
In the latter part of the Song dynasty, a number of reforms were introduced including the establishment of local militias called ‘bao-jiaï’ plus a ‘directorate of weapons’ to supervise armaments manufacture with the intention of improving weapon quality. Between 1069 and 1073, an important official, named Wang Anshi, introduced a number of reforms for the defense of the Song, one of which was the ‘bao jia’. It meant 'protective households." Originally is was a policing system which organized households into groups of 10s and 100s, but became the basis of organizing militias to strengthen the regular army. This without a doubt had a profound effect on protective folk martial arts in the northern regions. In fact there were 11 martial arts training grounds established for this training in the old capital near Loyang alone. Eventually 700,000 trainees in Henan, Hebei and Shaanxi were involved.

There may well have been a related martial art practiced by Hong Jin (Red Turbans) inspired by the Song military. Hong Jin was a movement in the north part of China lead by the Peng Yingyu, a monk turned revolutionary leader, as part of the uprising against the Yuan Mongols in the 1330’s.

r.

Originally posted by Starchaser107
that’s not a video clip, it’s a picture :eek: :confused:

here you go. again

http://www.wushucentral.com/videos/miscellaneous/library/beginners/wu_bu_quan.mpg

Well, r.shaolin, great posting!

The trouble is there is more than one Cha Quan, there are various lineages from various sources and time periods that are called Cha Quan. I have at least 4 hard cover books that delinate four completely different Cha Quan styles. They all trace their lineage back to toally different people and they are all different from each other, they do not do the same forms.

I agree that there is one Cha Quan that seems to be post- Tai Tzu, but there is also a Cha Quan that is pre-tai tzu that can easily have been something that Song Tai Tzu might have encountered over the years, especially since many members of the army and also generals were of moslem heritage (they liked the pay and they were proud nationalists).

You have something when you mention Loyang, this city, so very near Shaolin is the real center of Henan Martial arts.
There were Taoist schools there that preserved an important style that during the Yuan Dynasty, Monk Jue Yuan had to fall back on. He reached a stalemate in his experiments with Lohan in Shaolin and Bai Yu Feng sent Jue to study with HIS teacher, who was of the Ma family, an ancient moslem family name. Jue stayed here and learned what he was told was the original internal arts that used to be taught at Shaolin before it was almost destroyed.
Jue stayed in Loyang many many years and went back to Shaolin in his old age and passed down what he learned (which reaches far ahead to Choy Gar eventually once this style moved south) to a few students, who taught many by the Ching dynasty.

Also, bear in mind that Henan Xin Yi Liu Hu also originates in Loyang with the Ma family by the 1600s. (no one so far knows for sure who taught the Ma family Xin Yi, there is no proof who is real teacher was, it was not Cao Jiwu or Ji Long Feng as Xing Yi practioners claimed a hundred years later. No one in Loyang says that Ma learned from either person, only that a wandering Taoist taught him Xin Yi. His Liu Hu style is not the same as the Shaolin style of the same name, his was the local moslem indiginous art, named after their six cornered hats.

So, it is very possible, like you point out, that Sun Tai Tzu forms show commonality with the local Hong Quan forms because Sun Tai Tzu borrowed from the forms most likely to be learned from his youth in Loyang. So, his style comes from folk Hong Quan forms and not vice-versa, a great observation you have there!
thanks!

Fu Yu / Fu Ju (they are two different people, Fu Yu was commisioned to make new “shaolin” temples all over the place).
Fu Ju was the Abbot that in Shandong gathered the 18 masters (all 18 are from Shandong, you know). Fu Ju did this some time after first Song emperor was dead (he died young). He created 245 or so forms during that time. These were preserved in a book, the dozen Kan Jia Forms come from this (these are the forms that are no called Northern Shaolin style by many who do 10 of these 12 forms - the Wing Lam / Chan Kwok, etc schools).
Supposedly he did gather some forms that are Hong Quan. But over time something got lost in knowledge.
There is today the Xiao Hong Quan form that is obviously like the Hong Quan forms from Shandong and Henan areas. But there are two Da Hong Quans now, the one that is really from back then is most like Xiao Hong Quan (and Tai Tzu, but maybe tai Tzu takes from it, not known yet) and it has 4 sections, its a long form.
And, there is the newer Da Hong Quan that is found now that has 3 sections but is not as long and shares almost nothing with Xiao Hong Quan and Tai Tzu Quan.
These two different Da Hong Quans cannot be mixed up, they are different by a lot. Doc from Russbo.com asked the old guys at Shaolin about this and they said this info is correct.
You can read all this discussion at his site in the forum archives under Shaolin Kung Fu.

The militias were a major way that some forms or style more than likely became widespread from Shandong, Shanxi, and Henan provinces.

Shaolin fought against the Red Turbans eventually.
They were taken over by Yuan sympathizers long before, that’s why many were at Shandong “shaolin” base, they developed Tang Lang really during the Song Dynasty and it was used AGAINST Shaolin arts when the need arose during the Yuan.
I heard that the Red Turbans took up Taoism because it was indiginous to China, as opposed to Buddhism. Many started hating Buddhism out of nationalist sentiments during the Yuan.
Many Buddhist temples had become corrupt landlords over the peasants and we allowing gambling and prostitution in the temples, and used the temples tax-free status to get rich from it all.

Re: Re: Hey Sal!

Originally posted by Sal Canzonieri
I’ll try to post when I can, I am stilling doing a lot of research in between touring and recording with my band Electric Frankenstein www.electricfrankenstein.com and writing articles for various magazines.

**** electricfrankenstein, i havent heard that name in a long time. how are you guys doing with it?

EF is doing great, bigger than ever, 14 years on and just as many albums too.
New album is out in April.

ok jhapa, thanks.:cool:

I do know that some people have suggested that the long fist styles like Hua, and Cha were the invention of the Moslems, I disagree. It doesn’t make any sense particularly in Henan which can be considered the birthplace of the Chinese nation, the origin of Chinese family names, the residence of 19 dynasties and the ancient political, economic and cultural center of China. Yes there were members of the Hui minority who were in the Chinese military and some were even generals, but IMO it is an erroneous idea to believe the Hui invented long fist, and associated weapons training methods.
As I say in my post above, training of very large numbers of civilians in the north (including minorities like the Hui) during the Northern Song was extensive, serious and well organized. This included Hebei and Shandong. Hundreds of thousands of men were taught military techniques (wuyi) with standards controlled by the Chinese government. In fact some historians estimate the number of civilians being trained in military techniques in the northern provinces to be approx. 3 million plus. It should not surprise that Song Dynasty style weapons, are used by nearly all northern Chinese styles (including the so called Hui styles) up to this very day. Their origins are not Hui villagers but the Chinese Song military.
The consequences of the extensive training of that many civilians did come back to haunt subsequent Dynasties.

As far as Zhao Kuangyin, learning his martial arts from villagers, I doubt it. Both his father and grandfather were military leaders. His grandfather was a general, in fact he was also the commander of the palace guard which were the elite fighting core the Zhou army.


Sal Canzonieri wrote:
This form (Shaolin Xiao Hong Quan) comes from Li Shou and his son, who along with Bai Yu Feng, came to Shaolin to help Monk Jue Yuan develop the almost dead Shaolin martial arts into a new system. Together they developed the Xiao Hong Quan form that everyone knows and a DIFFERENT Da Hong Quan form (it is rarely shown at Shaolin, but I have copies of it, it has four sections) that is also very much like Shaolin Tai Tzu Chang Quan (and it is like Xiao Hong Quan). Bai Yu Feng developed the 13 Grasping Claws form and this eventually mixed with Lohan (of which Monk Jue Yuan was an expert) and became the Five Animals system (only the southern shaolin arts call it the five animals system and not did it is famous the north calls it that too), but originally there were at least 12 animals forms being developed, but Bai Yu Feng died after developing 10 animal forms completely.

Our tradition has a different version of this and claims that Jue Yuan was skilled Bai Ma Quan, a long fist style. By the time of Jue Yuan (Yuan Dynasty) both Xiao and Da Hong were already at Shaolin - neither he nor Bai Yu Feng invented it. However our tradition mentions that Bai Yu Feng did help re-introduce Hua Quan into the Shaolin curriculum. We also do Xiao and Da Hong but it not the same as what is being practiced at Shaolin today. Our sets are more like long fist forms than xiao hong quan I’ve seen been done by todays monks.
Although the Shaolin tradition we practice is extensive, Bai Yu Feng’s, wu xing are the core of our tradition and are made up of 12 sets ( 10 bare-hand sets and two weapon sets). It is very much a combination of long fist and animal imitation methods ( 10 animals and 5 fist formations). Our tradition claims that Bai Yu Feng was planning to develop 15 sets but passed away before completing the last 3 sets.
r.

Well, I certainly didn’t mean to imply that the Moslem Chinese created Long Fist! That’s impossible, for all the reasons you state and more.
Just pointing out that there had to have been feedback between diverse groups.

It’s very obvious that Hua and Cha Quan and other Moslem styles are essentially composed of many moves from Tong Bei, Ba Fan Shan, Chuo Jiao, Shuai Jiao, etc. These are very common everywhere in northern China.

Henan’s Moslem population has always been famous for it’s martial arts, so there is a feedback loop there too.

Also, about Zhao Kuangyin, also wasn’t clear, I didn’t mean that he learned from villagers, but that surely his family was aware or even well versed in the martial arts that are most practiced in Loyang, there must have been some feedback loop here too.

I think we’re more or less on the same page on this.

r.

Originally posted by r.(shaolin)
[B]I think we’re more or less on the same page on this.

r. [/B]

cool, thanks for some great exchange of knowledge.


Sal wrote:
cool, thanks for some great exchange of knowledge.

dido


Sal wrote:
Fu Yu / Fu Ju (they are two different people, Fu Yu was commisioned to make new “shaolin” temples all over the place).

Agreed. See:
http://ezine.kungfumagazine.com/forum/showthread.php?s=&threadid=7981

Ah, great! Finally someone that I can ask questions of and learn from too, thanks!

Okay, many many books and articles confuse Fu-Yu of the Yuan Dynasty and Fu-Ju of the Song Dynasty.

DO you have some important details about Fu-Ju that you can list so I can comment, like you listed about Fu-Yu in that previous thread?

Is it correct that Fu-Ju went to Shandong province and established new martial arts forms there?
I believe so, based on what I have uncovered.

I have some missing pieces in a big puzzle I am working on about origins of some forms and details on Fu-Ju that I can compare to my notes would really help!
thanks!

Fu Ju

I know very very little about Fu Ju. As far as I could find he is first mentioned in the Qing Dynasty and is associated with Tanglang Quan history. I understand that there is other sources concerning the 18 masters which were brought together by a monk from Shaolin named Fu Ju, but I think they all draw on "Shaolin Monastery Annals’ (Qing Dynasty). His name does not appear in any Song or even Yuan documents, Buddhist or otherwise, at least that I am aware of. Our tradition makes no mention of him. I would love to hear what you know of this monk.

r.

Expansion of Shaolin

Since Fu Yu is important to Shaolin history and the article on him on www.aboutshaolin.com a bit on the thin side I’m resposting some other stuff I wrote on him which you might find of interest.

The subject of Jue Yuan and Fu Yu touches on our collective Songshan Shaolin history and which are connected to a series of events that go back to the dying days of the northern Song Dynasty. This puts the reasons in the development of Shaolin martial arts by both these monks into perspective. This was the time period during which both Jue Yuan (late 1220’s-1230’s) and Fu Yu (1250’s-1260’s) were active at Shaolin. It begins with the Jurchens and their 120 year ‘alien’ rule over the north parts (including the areas where Shaolin Si stood) followed by the Mongolian conquest that swept from the north pushing the Jin out of the region. These conquests created great havoc not only in the population at large but in the monastic world, not only from the Mongols but from desperate roving bands of robbers.
It is important to point out that a large number of monasteries in the north were either destroyed or abandoned. The Mongol invasion was a time of great tribulation. There were even proposals by some Mongol leaders to turn northern China into a great pasture land by killing every single Chinese person in the regions. It would have been the greatest slaughter of human beings in the history man. This did not happen largely because of a few Chinese Buddhist leaders that held sway over the Mongol court. Of these giants among men, the greatest was a Chan monk by the name of Hai-yun. A number of Taoist monks were involved in this great work of defending the and saving the population as well. The most notable was Qui Chuji (aka. Ch’ang-ch’un chen-jen). At that time he was the patriarch of Quanzhen sect of Taoism. Early in the Mongol campaign into Central Asia, Qui Chuji befriended Genghis Khan and subsequently was appointed as administrator of all religious communities including the Buddhist ones. He further gave Qiu Chuji an edict exempting all clergy in China from taxes and labor service obligations. Armed with this power, the Taoists immediately began leveraging their position to take over Buddhist monasteries which had been neglected because of the many military campaigns and even more boldly forcefully, seizing temples and monastery that were occupied.

The Chan monk Hai-yun had become very influential with the Mongolian military government as well and eventually was appointed superintendent of Buddhist Affairs in north China. Earlier on Hai-yun recommended Fu-yu being appointed Abbot (Fang-chang) of Shaolin Si. At his recommendation Fu-yu was appointed to lead the Buddhists in denouncing Taoist appropriation of Buddhist monasteries as well as other misrepresentations in front of the Mongol military governor. After arguments from both sides, Kublai Kan declared the Buddhist as winners and ordered that all seized property be returned. It was under the directions of Fang-chang, Venerable Fu-yu and Shaolin monks had the onerous task of taking these temples back. It appears that the training and development of a defensive force was the direct result of these events as there was a great resistance on the part of the Taoists to comply. Buddhist historical records document this debate with the Taoists but not the Buddhist defensive martial initiative under his direction. That comes to us from martial traditions of various Shaolin Lohan lineages. But they do make sense and are relatively consistent.

The Buddhist Taoist debates and controversies go back to the Han Dynasty. By the 1200’s it was already a thousand year old controversy. A controvery that was end by Fu-yu in 1258. This final ‘show down’ took place after the long standing bickering took a particularly nasty turn with the Taoist appropriating over 500 Buddhist monasteries and temples and destroying statues notably of Buddha and Kuan-yin. Furthermore their campaign included misleading Buddhist converts through what were essential two fabricated Taoist apocrypha. Although these texts were ancient, they were simply copies of very old fabrications that were part of the controversy for centuries. Although these controversies were framed in doctrinal matters, they, as I mention above, were essentially political power struggles. It was Fu-yu that is given credit for putting this 1000 year old debate to rest and discrediting the claim by the Taoists, that Buddha was but a manifestations of Lao-tzu. The Taoist were claiming that Lao-tzu appeared as Buddha for the expressed purpose of converting the ‘barbarians.’

Fu Yu headed the debate on 3 occasions in 1255, in 1256 ( the Taoist refused to attend that meeting), and finally in 1258 when he lead 300 Buddhist and faced 200 Taoist. This grand assembly a K’ai-p’ing took place at the order of Qubilai Kan with the intention to settle the matter once and for all. At that time the Taoists lost much property as well as influence with the Mongol court. Apparently, however, Taoist did not rollover easily in giving up any property. I believe this was the principle reason why Fu-yu re-established a formal marital organization and martial arm at Shaolin.

After 1258, Fu-yu began reestablishing Buddhist Monasteries in the north. In 1258 he was 55 years old. Given the realities of the time and place and the job at hand, It was not without reason that Fu-yu organized an effort to invite the best experts available to him.
Fu-yu invited martial shifu on three occasion to Shaolin, each group to teach for a three year period. The effort spanned 9 years. Their work involved teaching resident monks and developing a martial organization of monk experts. This is reminiscent of what that took place at Shaolin at least twice during previous dynasties. Fu-yu created a defensive system at Songshan Shaolin Si - the ‘muscle’ so to speak, to accomplish the task of rebuilding Buddhism in the Mongol territories. The result was that there was a great depository of highly effective martial methods at Shaolin Si but not necessarily a coherent system.

As a further note on the Taoist issue, based on Buddhist records and an 1281 edict by Qubilai Kan, it is clear that the Taoist were still harboring grievances and ill feelings concerning the 1258 judgment because in 1280 the banned texts were still being circulated. There are even records of some Taoists claiming falsely, that Buddhists set two of their temples on fire. Their attempt to frame Buddhist monks was uncovered and the now irritate government had offending Taoists executed.

Re: Fu Ju

Originally posted by r.(shaolin)
[B]I know very very little about Fu Ju. As far as I could find he is first mentioned in the Qing Dynasty and is associated with Tanglang Quan history. I understand that there is other sources concerning the 18 masters which were brought together by a monk from Shaolin named Fu Ju, but I think they all draw on "Shaolin Monastery Annals’ (Qing Dynasty). His name does not appear in any Song or even Yuan documents, Buddhist or otherwise, at least that I am aware of. Our tradition makes no mention of him. I would love to hear what you know of this monk.

r. [/B]

No I have seen him listed in Shandong Shaolin Literature, he is listed as being from the Song Dynasty time period, near the bigging of this period. Jue Yuan is from the end of this period.

Also he is in the Shaolin Da Quan:

Chapter 3 the fighting monks in Song Jin dynasty…151
27 Ling Qiu 28 Zhi Rui 29 Fu Ju 30 Zhi Sheng 31 Hui Wei 32 Hui Lin
33Hai Zhou 34 Hong Wen 35 Jue Ze 36 Jue Yuan 37 Qiu Yue 38 Cheng Hui
39 Zong Yin