Golden Horse Dragon
Have a seat. This is going to be long.
First of all, it is my understanding that scenario primarily considered is one in which the student is willing to work in body, mind, and spirit according to his/her abilities, and even beyond. Let us consider this positive setting, though mention can be made of other sorts. The emphasis is not on people who wish knowledge and advancement served to them.
The student has been accepted on the basis of that willingness described above, and true nature (which might not be apparent to the student). The sifu can judge this more quickly than most people because the perception is, or should be, deeper. Of course, development cannot be totally predicted, but that generally becomes apparent over a relatively short time.
If you are a teacher and you have students and don’t teach them ANYTHING, well… I am wondering if what you are really referring to is serious teaching in terms of progressive work in the art (whether to learn the system as a whole, or concentrate on parts, even on an advanced level, because that is what is right and possible for that student), when the student clearly isn’t doing the work that leads up to it.
When a teacher has such a student and teaches nothing to try to improve the resolve or the character or anything – then, just as the student is not up to par, the teacher isn’t either. It’s a two-way street. When you have students, you teach them!! I’m not saying to teach Drunken Form to a 1st year student who is hot to trot. I’m saying that part of the teaching is to engage the student in self-improvement so that further learning is possible. The student is there. You’ve accepted that person, even if on a trial basis. If students are wasting your time and theirs tell them. You do owe them that as well. Why else have them around, except, for income. That, sir, is honesty.
Many sifu’s need the students for income. It’s a business, and often stated as such. The students might be reminded that the teaching isn’t as it was in the old days, when long trial periods might have occurred in which the learning consisted of grueling stance training and the like. Some come right out and say, but no one would pay for that so I won’t teach it. Beginners often don’t understand what is being referred to and feel unworthy (of the groundwork) without cause. Without the correct beginning, the path is crooked, and the teaching less than it should be. There Are people who could make it all the way, and others, who would need consideration because of handicaps. In many instances, we’ll never know, will we? Whose loss is it? Everyone’s.
Sifu’s are human and their practical choices reflect their humanity. The Sifu chooses followers who are agreeable to him, who suit his needs. If the Sifu doesn’t have fine students of different levels and types, including carriers of the system, the fruit of his work withers as he does. I beg to differ. The Sifu does need students, just as students need fine teachers. The Sifu has his art. What does he do with it? What good does he do in the world if he doesn’t help people to realize who they are and what they can do, if they are so motivated by doing Kung Fu cause it makes them feel alive and purposeful? The art can and does go beyond that, but imo needs this basis for balance. And, to be strictly pedestrian in terms of motivation to teach at all, if a Sifu doesn’t need students, why isn’t he cloistered away where MasterCard is not only not taken, but has no value?
A gift. Really. Instruction of certain types is a gift from one spirit to another, true. However, students are often exposed to a pay-as-you go situation, in which sometimes they might see or feel a glimpse of something, especially if sifu feels feisty. While there is no point in dissecting the issue of ego, in what I have just described, it can be alive and kicking. It can be easy to attach to an art, without a commitment to a teacher or to have that commitment not be returned, but still love the particular art. What you might be describing is a disillusioned student, who is to be commended for continuing love of the art.
I would not necessarily accept the approval of any verson of the “old boy’s club” as verification of exemplary personal characteristics. Birds of a feather also raise h*ll together, and keep it quiet. Glass houses. Stones. Everyone needs to be seen as upright. Closed society. Oh, there are fights and departures, but enough room for both compassionate living and that which needs to have tracks covered or hidden. Issues of secrecy take care of some of that. For outsiders, the view is not always clear, and it is safer not to make assumptions.
Most students I have associated with, who perceive (with varying degrees of understanding), or at least are at the point of questioning what it is that is being transmitted, take an adept’s efforts seriously. Advanced transmission is something with pitfalls for both sides. There is risk here.
The art, the essence of the arts, and the agent of transmission are all important, but not necessarily equivalently so in all situations. In us, not equally, are qualities which give rise to creativity due to a combination of intense perception, experiences in consciousness, which find expression. This is where the arts came from in people. I have said before that while I appreciate what has come before me, if that does not prevail because it is defeated in some way (even by indifference), some form of it is likely to rise again from the mind and body of someone who feels driven accordingly. The transmission is so very important, but if it is not made, there is the possibility of another and another and another because I feel that is one of the reasons why we are here.
While, I realize that the martial arts can be a very special field, especially when the spiritual essence is awakened and becomes operational, a teacher of an unrelated discipline who is able to transmit a seed of knowledge into a students mind and have it blossom along with the totality of the person, has done a great service. In this world, a simple man with an independent and strong character, who knows how to choose the right helpers, is needed. because little makes sense anymore. People like that are needed. If they are bonified martial artists, good. If not. not.
The essence of martial arts goes beyond the individual arts, imo. What it has that is special are particular types of developmental procedures, which, in my view, are not always emphasized. Without those, you’re coaching, no matter what your professional rank.
I think we need to go backward and then forward into modern times to make mental discipline and creativity part of more lives, not just a special few. Not mastery for all, but opportunity for a foundation for all. If one is not given the tools, which is the basic instruction of how to start to discipline the mind and body (in accord with what one has to work with), then all is lost. Even a person in a wheelchair can do this. The Sifu owes the student who has entered the kwoon this opportunity. If it is not grasped, then the student is no longer a student. If the true foundation is not available at the beginning of training, then what’s to discuss?
I’m not going to touch on the topic of student/teacher disagreements over progress. I would agree that this can get annoying. It’s a multifaceted issue.
I will repeat that I also regard the transmission as very important. Yet, I don’t see the connection between putting art before people as it refers to students who might show more attachment to the art than to a given teacher, as I discussed above, and normal caring. Indeed, there are Sifu’s who see their arts as more important than just about anything. The bond to the Master involves more than normal caring. And the lack of such a bond can occur even when the student does care and is interested in learning. I don’t know if I am understanding you correctly here.
Crimes against the spirit. That is generally done by someone who has the knowledge and power to do so. Lack of caring can be a beginning, but does not necessarily lead to that extreme. The ice is becoming very thin.
Well, I’ve been at this for quite a while. Now, I have other things to do.
be well,
Cody