[QUOTE=KPM;1254148]Yip Man is said to have studied with Leung Bik when he went to Hong Kong for school as a teenager. He only became one of the “3 heroes of Foshan” in later adult life after he returned to China. It could be that Leung Bik was a cover story for the person that YM really studied with…someone from the HFY lineage! Maybe he used Leung Bik as a cover story because the real teacher was part of the secret societies. Maybe the Luk Sao Chi Sao rolling platform was part of HFY all along. While YM kept what he had learned in Hong Kong pretty much to himself, maybe some small things naturally came out in his Wing Chun. Maybe he shared the LuK Sao Chi Sao rolling platform with YKS rather than the other way around! Maybe Sum Nun told the story that YKS shared it with YM to save face for his teacher since YKS was technically YM’s senior.
Then an aging Yip Man is back in Hong Kong. It could be that he did not completely learn the HFY method and had even forgotten some of it by the time he is teaching in Hong Kong. But he decides to share what he remembers with William Cheung. Then William Cheung (or possibly Yip Man himself) fills in the gaps by combining it with YM WCK. So TWC and HFY share some strong similarities, but are also quite different.
If a lineage emerged from China (as the Snake Crane system recently came to public awareness) that was essentially the same or a variation on Garrett Gee’s system, then this would certainly strengthen this theory. But right now I would say it is less plausible than what we have already been discussing.[/QUOTE]
Keith, This theory add up, because if Yip Man really learnt from Leung Bik, then the body mechanics of yip man wck should be identical to Leung Jan’s pin sun wck art and it is not. since Leung Bik would have learnt his kung fu from his father Leung Jan.
and Pin sun wck is very different From HFY
Also what do you think about my post below?
[QUOTE=kung fu fighter;1254054]Keith I keep repeating myself, Luk sao platform is a variation of PSWC dai lim tao, where both partners hook up both arms at the same time doing bong, tan, and fook as in the luk sao of yip man and ykswc. You can’t comment on something you’ve never seen, in fact all the two-man sets of PSWC have more than one variations of how they are performed. I would bet that you only learnt one version of each of the two-man sets from Jim.
Keith just to break it down for you
PSWC poon sao=cycling of bong, tan, fuk, huen, and a light under grab in transition
luk sao= cycling of bong, tan, fook (some linages pair fook with upper gan or kei jang)
double circling hands (sheung huen sao) =huen and a light under grab in transition
when you combine the techniques of luk sao with the tecniques and cycling of double circling hands, you end up doing the poon sao chi sao platform of PSWC.
Keith the PSWC Poon sao chi sao platform is not different, they just merged or re-packaged the two different chi sao platforms into one. Just my opinion, but I personally believe the PSWC poon sao is a much more efficient training method. But the other 2 chi sao platform are still valid in case one needs to develop the specific skill that those 2 platforms focus on.[/QUOTE]