[QUOTE=mantis108;731530]Welcome to the forum and thanks for sharing your background. I would like to say that there are some good advices and comments shared by others already. I would like to share some thoughts with you as well. [/QUOTE]
Thank you very much taking the time to respond with so much information.
I believe we need to bear in mind that while these are Japanese arts, they do share quite a bit of similarity with the TCMA.
The only one I know for sure that does (aside from historical roots), is the style of karate, Okinawan Shorin Ryu Kenshin Kan Karate that I have studied. It even includes kata that I was told come from CMA. From what I was taught, it shares MANY similiar principles, such as more of center line attacking, some postures, and a much more fluid and circular style than say that of other hard styles of karate. My teacher said that Kise Sensei teaches two types of striking, “inside” and “outside”. In this sense, it does not mean physical positions, but more striking outside (physical), and inside (energy). Personally, I do not view this style as Japanese per se, but Okinawan. I know Okinawa is part of Japan now, but the cultures ARE different from one another and they used to be seperate.
I am not trying to put anyone down but the truth is no one really does know everything about the Truth. Being knowledgeable and having insights are very different thing. It is comparable to a grade school teach and a university professor who doesn’t really know the entire truth despite the fact that he has more insight than the grade school teacher on a given subject.
That is a very good point. The breadth of knowledge contained within any legitimate style is most likely more than any one man will ever fully know in his lifetime. Even great masters continued their education until death.
It is the content not the amount that counts IMHO.
I do not completely agree here. I would say it is both. For example, say that a person knows 5 techniques, but has mastered them to the point of perfection, and person b knows 20 techniques, but the mastery level is not as high, possibly Shodan level (from a good school). I personally think the Shodan will have a better chance due the fact that the limited techniques available to the master will begin to telegraph, and allow the Shodan the chance to develop/institute a counter. Granted, this is a GREATLY simplified example, but I think it illustrates my point.
There is only one truth but it can be seen or approached from many angle. Truth in the form of principle(s) should apply in any situation regardless whether it is physical, mental and/or spiritual. If not, it can’t be deem as Truth. Martial arts truth is the same way.
I agree with you here.
I don’t think it is fair to pass judgement on his level of attainment unless we know the nature of the form. (ie a dynamic fight oriented form or slowly pace health/spiritual form?).
IIRC, it was Yang traditional short form. He increased the speed of it due to time constraints.
But fair enough that he’s winded which is a sign of lack of conditioning.
Someone else made a very good point regarding this, perhaps he had a cold or had done some heavy training before I arrived, or some other valid factor that I was not aware of.
So how did you start off? Did either of you grab the other initially or he has to try to get a hold of your hand first? What technique that you quizzed him on? Is it a specific one or just about any one would do? There is a difference. So we need to clarify that. It sounds like you have a specific technique in mind.
We started off from a neutral positions. I told him he that he was free to apply any technique that he felt would quickly demonstrate Chin Na for me on my upper body. I did not have a specific technique in mind when I asked him. Assuming that anything he did should have led into a throw or sweep, that also would have been highly unlikely as I was never unbalanced. Looking back on it now, he did not have what I would personally call a correct posture for controlling anyone. When that failed, I just gave him my arm and said do whatever, at which point he took me into a wrist lock after some fumbling. I would like to add, that when I get grabbed, my body instictivly positions itself to get out of the hold, so I did have to fight that.
You have a very good point. If his Chin Na is banking on pain compliance only, then I am afraid he really doesn’t have any real knowledge of Chin Na at all. Chin Na is known as “Nian Na Die Fa” (stick and control takedown/falling method) in the old days. It is about taking the balance/root (the legs) of subject out. attacking the joints is but a tactic or the means to achieve the goal. He seems to have confused the goal with the means. Manipulating joints and pain compliance are most common errors that many teachers of Chin Na make when teaching it.
So it is primarily a set of methods to divert attention so that one can perform a sweep or throw?
IMHO there is no such a thing as external and internal Kung Fu. Real Kung Fu is both. It’s a matter of emphasis. Kung Fu is about recognition of changing phases of life form (mainly human) and affecting changes of both the individual and its enviroment, which is what Qi (organic and holistic worldview) is about. It used to be part of the education system like its western counter part - sport. Sadly it’s now totally out of the regular education system.
I really couldn’t comment on this because my knowledge of Kung Fu is very limited. I was however, under the impression that Kung Fu was mostly external, much like most styles of karate.
Well, I would have throw him a curve ball and ask why is 37 more orthadox than 108, 48, or 24. If he said it is because his teacher got it from his teacher’s teacher ect ; therefore, it’s orthadox, I would red flag this teacher right away. He simply didn’t do his homework.
I might have skewed this one a bit. To clarify, he included the 37 form with the 24, 48, and 108 forms. A gentleman in an early post pointed out where the 37 form comes from, but it doesn’t seem to be officially sanctioned by the Chinese government, which is my understand of what the “orthodox” forms are.
It’s kind of you to save his face. 
Just trying to be open and honest. 
Well, I have no idea where he got his training and information from. But when it comes to the earthly phyiscal body it’s Gang (rigidity - fire) and Rou (fluidity - water) not Ying Yang used in the case of celestrial body such as Sun Moon Stars.
Ah, now these concepts are not so foreign to me. Ninjutsu bases many things around the elements. An example of water would be for person A to attack, defender moves back out of range and then immediately moves forward for the attack (like the ocean tide).
The Yin Yang attribute (not Qi) in the physical body is Yang Qi (vital energy) and Yin Xue (blood). From the perspective of boold, this relationship is like master/teacher/commander and slave/student/troop. From the perspective of Qi, the relationship is like mother and son (Muzi). These relationships are there every single second that one is alive. Unless you don’t own a physical body, then you don’t need to worry about Yin Yang Gang Rou. Now if you do have a physical body and you are about to do a physical activity, then all these “internal” stuff are of importance IMHO.
Very informative. Thank you for sharing your knowledge on this.
I do agree that he seems missing the point in his explanation. The flow of Qi is a complicated issue. If you are interested, we can go into that later.
I am very interested in learning as much as you are willing to teach me. Be warned though, I ask a lot of questions. 
Umm… I persume he’s trying to explain the difference between a “western saddle” (southern, wilder and open horse stance) and the “British saddle” (northern, narrower and closed? horse stance). Again, I don’t know where he got his info from but it would seem that he doesn’t quite understand Chinese medical or even Kung Fu anatomy.
Not quite. An open horse stance is one where you assume the standard horse stance, and turn your feet outward 35-45 degrees. A closed horse stance is the opposite and one where you would turn your feet inward. The former provides great stability at the cost on agility, the later allows greater agility but at the loss of stability. Honestly, I do not like the closed horse stance as I think there are much better stances that provide almost as much agility, without the same cost of stability.
Not sure what this is… but I suppose it’s about using the hip/waist grid or core to direct the limbs. May be it’s Chan Si Jing (silk reeling power generation)?
I couldn’t find it in my books either. It’s basically a set of 5 exercises that have you turning your waist side to side while swinging your arms, “Ringing the Golden Bell” is one of them if I remember correctly. I actually took notes on the names, so I could provide that if you are interested.
It’s great to have discussion like this to clarify thing. So don’t worry about it.
I agree, and I am learning a great deal. 