Is it the person or the style?

Hello everyone,

I am new to Kung fu magazune.com and this is my first time to post. I found Kung Fu Magazine.com while researching the infamous Shaolin-do school. At the time I did not know that there was so much criticism for the school, but as I read through old forums that is all I seemed to find. I want to study a Chinese martial arts but my choices are quite limited due to location. Is the Saolin-do school so bad that I should avoid it or is it the person and not the style that makes a good martial artists. I have heard that the Shaolin-do school is similiar to Kenpo kararte would I be better off just studying Kenpo. The other option I have is a Wing Tsun school but it is in an inconvenient location. This seemed like a good place to get some thoughts and info. on the subject. If anybody knows of any good Chinese martial arts schools in San Marcos/San Antonio, Tx area please let me know. If this is a subject that has been beaten to death I am sorry but I am just trying to get as much info. as possible before I make a decision.

Thanks

Hello!
Some will answer it is the style and some will tell you it is the person! but first ,you need a real style for that person and shaolin do is certainly not “real”…
I found two schools in your area…
San Antonio

* Realistic Self-Defense "Wing Chun Concepts"
  826 SW 38th St., San Antonio, TX 78237
  Tel: (210) 434-8521
  Contact: Rick Sanchez
  Notes: System very well taught out to develop person's sensitivity to touch, speed of reaction, and economy of motion ... designed for women, men and preteens. Your action determines my reaction.
* San Antonio Wing Tsun Academy
  1308 Austin Hwy, San Antonio, TX 78209
  Tel: (210) 822-0035
  Contact: William Parker
  Notes: William Parker is a 2nd Level Technician under the AWTO and is a direct student of Grandmaster Leung Ting and a private student of Sifu Emin Boztepe. Call for class schedule

There may be others but if not,I think it is better to travel a little and take private lessons in an other city than practicing some bogus martial art.
good luck

IMO… its more than just style vs person… what about the instructor??? Is his goals for you the same as the one’s you have for yourself… do u wanna learn how to fight and he just wants to teach u a bunch of forms and collect your dues… do u wanna learn to do butterfly kicks and he wants you to be the next Cung Le(since he’s so popular right now)… do u want a history lesson and some dude to worship and clean up after :confused:… do u wanna be bound by technique and tradition or be allowed to explore how your body reacts and respond to situations… will said teacher allow you to explore or will he berate you for not using HIS kung fu… just a few things to think about… Good Luck…

I agree it is mostly the teacher that determines the quality of the student… not the art. It is not ALL the teacher… because the student must be diligent and sincere.

I will go out on a limb and say there are probably NO bad arts… just people who teach them or learn them poorly.

Find the best teacher you can.

this sounds good/promising

Vale Tudo Rangel Team
1821 Bandera Rd, San Antonio, TX
Phone: (210)433-5755

As old jong pointed out:

Sifu William Parker, 4th Level Technician
Glenn Tillman, 1st Level Technician
Dr. Roberto Aranibar, 1st Level Technician
Website: http://www.leungtingwingtsun.net/sawt
Phone: (210) 822-0035

Except I got his website :stuck_out_tongue:

Also there are 2 other WT schools in San Antonio under Emin Boztepe.

Mauricio Blake
210-843-5253
mblake76@msn.com

Nico Lahood
210-316-6316 or 210-613-6316
Nicolahood72@hotmail.com

When all else fails, open up the phone book under martial art. But, as everyone who comes here saying “I dont know what to study”, we always say “Study what you find comfortable.” I find WT comfortable over say…Hung Gar. I’m not saying Hung Gar is evil, I just am not comfortable with it.

Thanks everybody for your replies and info. Actually I am going this evening to check the wing tsun that William Parker teaches. He is a bit out of the way for me but it sounds like this may be the best option. I will look into the other wing chun schools as well.

Thanks again

To say that the style does not matter, or that there are no bad styles is ridiculous.

Let’s say I created a style which I called Ballet-fu (after going to the ballet one night I had an epiphany). It has lots of high kicks, flowery movements and you have to be super agile, athletic and flexible to perform it. I also don’t allow any sparring, as ballet-fu techniques are far too dangerous. It’s never been tested in challenge matches, and the few times that a student has had to use it in a fight they were beaten to a pulp- not because the art was weak though but because the student had obviously not trained hard enough.

Do you really think that Ballet-fu is going to be a match, be equal , to boxing, or bjj, or Muay Thai, or a style that emphazises heavy sparring and conditioning, as well as it’s exponents having had a lot of actual fight experience and bringing that experience back into the art ?
C’mon !!!

Stop trying to be so PC. There are obviously styles that don’t work as well as other styles in fights.

Man’s got a point. But I think most styles can be pretty effective if they’re trained well, with bad intent. :slight_smile:

In which case, its the person using the style, how it gels with them.

“Do you really think that Ballet-fu is going to be a match, be equal , to boxing, or bjj, or Muay Thai”

Well no. But the reason those arts are so effective is IMO not because of some technical advantage, but simply excellent down-to-earth training. Find an art that trains like any of these arts and you’ll be fine. I’m taking tai chi. I had my first lesson yesterday. The first thing he did was throw me on my arse in a hundred different ways to demostrate what his art was about. Today he phoned to find out how many times a week I can practice. I know I’m onto a good thing.

Some people will tell you “if it feels right, it is” but I don’t believe that, unless you have experience. You have to have some knowledge to back up a good feeling, otherwise you think you’re eating caviar from a gold spoon while all you’re doing is sucking sh!t off the floor. I know, I’ve done it.

A style presents you with a theory and framework for fighting. Obviously the quality of the fighter depends on how they train and fight, but if the theory is flawed then the fighter will eventually encounter problems.

Stop trying to be so PC. There are obviously styles that don’t work as well as other styles in fights.
but if the student AND the teacher is on the same page than ‘Ballet Fu’ is effective for what it does… athleticism… explosiveness… balance… and whatever else… a style is not bad because it doesn’t fit YOUR criteria for a GOOD style… there are a bunch of dancers in the MA world right now and they a happy doing just that…

Originally posted by TheGhostDog
[B]To say that the style does not matter, or that there are no bad styles is ridiculous.

Let’s say I created a style which I called Ballet-fu (after going to the ballet one night I had an epiphany). It has lots of high kicks, flowery movements and you have to be super agile, athletic and flexible to perform it. I also don’t allow any sparring, as ballet-fu techniques are far too dangerous. It’s never been tested in challenge matches, and the few times that a student has had to use it in a fight they were beaten to a pulp- not because the art was weak though but because the student had obviously not trained hard enough.

Do you really think that Ballet-fu is going to be a match, be equal , to boxing, or bjj, or Muay Thai, or a style that emphazises heavy sparring and conditioning, as well as it’s exponents having had a lot of actual fight experience and bringing that experience back into the art ?
C’mon !!!

Stop trying to be so PC. There are obviously styles that don’t work as well as other styles in fights. [/B]

The fact that you had to make up your own style for this post disproves your own point.

You couldn’t think of any existing style that fit the bill? Take taekwondo. Lots of really lackluster taekwondo out there. And yet, many of us know a taekwondo guy or two not to be trifled with. Which serves as evidence that the right person coupled with the right coaches can go a long way. Regardless of style.

Stuart B.

Sometimes, but I believe not very often, the style could be the weak point. More often it is the person practicin the art. This was illustrated to me while I was studying wing chun and saw there were a heck of a lot of mediocre people out there doing it, and a rare few who really were good at it. Those that really were good at it may have had some amount of natural talent, but more then anything else they all worked very hard at it and very consistantly.

Well, if you want to say is some style better than other, you could look at it this way: does the style have certain techniques that are usefull in real combat and how complete the system in the style is. If the style doesn’t teach you how to block a strike thats comming from your side, maybe you can’t/don’t know how to block it and the next thing you feel is a fist in your face. Ofcourse in this situation your reflex comes in hand and you block it.

But if the person is phatetic fighter and hes training a “good” style, the problem is in the person.

It’s both

Some people couldn’t be good fighters even with the best training. Likewise, some people would be good fighters no matter what they did. Thus, it must be the person. Right?

Wrong. Some styles are decidedly effective than others (either due to training methods, techniques or attitude). Take two guys with reasonably similar physical and mental attributes, put one in a boxing gym and the other in, say, a northern Shaolin school. Smart money’d be on the boxer for at least the first few years. Thus, it must be the style.

More accurately, both are equally important. Furthermore, a third leg of the stool is a good coach.

Apoweyn,
The reason I didn’t name a style was because I didn’t want to hurt anyone’s feelings cause I’m such a nice guy :).
The main reason I made up an art was to show some of the common problems associated with martial arts i.e, the system is based on a flawed premise, the system is not tested to prove its effectiveness, the system is not continually tested to ensure that the art evolves and doesn’t become stagnant.

As I said, some people seem to take the view that it is the individual, not the system that is flawed. This is incorrect. Please note however that an individual obviously plays a part, however no system is perfect.

What is so hard to believe that an art could be based on a false premise ? The founders of martial arts were not gods, they were ordinary people who believed that what they developed was a viable form of self-defense. Unless they tested each and every component of their art in a fight many times, certain parts of that art are going to be based on theory, on “I believe this will work”. They could have very well been wrong ! Students of the founder are then going to take this theory and believe it a fact, believe it had been tested and proven to work.

Take an art such as BJJ. BJJ is constantly evolving because it’s students fight in tournaments, in Vale Tudo matches and in the streets. Thus the techniques are put in a pressure cooker and if they don’t work they are re-examined and either modified or thrown out. BJJ is an art where it’s theory and it’s techniques are constantly being put to the test and the experience of its exponents is being brought back into the art to benefit all students. Any new innovation in BJJ will spread around the globe in 12 months as people see it in tournaments, or NHB matches and then train and evolve it.

Compare this with say, a style of karate. How many karate students are constantly being involved in fights (NHB, streetfights, etc) ? How many instructors are going to change what they do, the way they throw a punch in sparring or in kata based on their students success with it in fights ? Pretty much none, because karate instructors always believe that the founding fathers of their arts knew everything, when this is patently not the case.

So to believe that all arts are equal when some are constantly testing and evolving their art, and others train as if in a vacuum is patently false.

[b]Its certainly the person doing the style (and instruction).

An instructor could teach a guy two punches, and if that guy took those two punches, added his own little spice to the mix and trained hard, he’d kick a lot of @$$.

There’s nothing magical about the martial arts, it all comes down to the training (mental/physical). Better training=better fighter in every case.

Styles truly mean squat.[/b]

ArrowFists couldn’t be more wrong.

Of course some people are going to be naturally good at fighting, but that’s not the point. The point is, some styles are going to be more effective than others in a fight.

E.g. If two people with exactly the same attributes were to train, one in BJJ and one in aikido, for six months then fight, I’d put all my money on the BJJ guy. There would be no contest. Make it ten years - same thing.

GhostDog,

Originally posted by TheGhostDog
Apoweyn, The reason I didn’t name a style was because I didn’t want to hurt anyone’s feelings cause I’m such a nice guy :).

I don’t disbelieve that you’re a nice guy. But do you honestly think that by trivializing the problem (comparing arts you disapprove of with ballet), you’re taking the high road? You aren’t.

The main reason I made up an art was to show some of the common problems associated with martial arts i.e, the system is based on a flawed premise, the system is not tested to prove its effectiveness, the system is not continually tested to ensure that the art evolves and doesn’t become stagnant.

If these problems are so common, you should have been able to describe an actual martial art that features these ‘flawed premises.’ You didn’t even attempt to honestly identify those premises. Instead, you contented yourself with parodying those styles. And that’s not something to be admired. Honest inquiry is good. Belittling isn’t.

As I said, some people seem to take the view that it is the individual, not the system that is flawed. This is incorrect. Please note however that an individual obviously plays a part, however no system is perfect.

I think you’re misunderstanding the assertion. (At least, as I view it.)

What is so hard to believe that an art could be based on a false premise ? The founders of martial arts were not gods, they were ordinary people who believed that what they developed was a viable form of self-defense. Unless they tested each and every component of their art in a fight many times, certain parts of that art are going to be based on theory, on “I believe this will work”. They could have very well been wrong ! Students of the founder are then going to take this theory and believe it a fact, believe it had been tested and proven to work.

Reread that paragraph, if you would. The founders were not gods. They failed to test their theories. Their students took their teachers’ word for it and didn’t test the theories either. And the style became doctrine.

And you’re trying to tell me that the problem begins with the style? That it’s a faulty premise? That’s all backward. It suggests that [booming biblical voice]In the Beginning, there was Style; and it was Bad.[/booming biblical voice]

That’s silly. There wasn’t a flawed premise floating around that people then failed to examine and made into doctrine instead. People were involved from the beginning. Their shortcomings were involved from the beginning. Or maybe they didn’t have shortcomings. And it was the shortcomings of later generations that led to a deterioration. Either way, it comes down to individuals. The style doesn’t exist outside of the individuals who perform it. Individuals fail to test it. And individuals can make the decision to rectify that situation.

Take an art such as BJJ. BJJ is constantly evolving because it’s students fight in tournaments, in Vale Tudo matches and in the streets. Thus the techniques are put in a pressure cooker and if they don’t work they are re-examined and either modified or thrown out. BJJ is an art where it’s theory and it’s techniques are constantly being put to the test and the experience of its exponents is being brought back into the art to benefit all students. Any new innovation in BJJ will spread around the globe in 12 months as people see it in tournaments, or NHB matches and then train and evolve it.

And I wholeheartedly agree that this is a big strength of BJJ. But it’s a big strength that is reliant on the individuals involved. If people in BJJ ever begin to slack off on that, then more theory is going to be allowed to creep in untested. As has happened with any style that gains popular acceptance. As long as all the individuals involved continue to insist on testing in a competitive environment, then all’s well. But that isn’t hardwired into the style. The style doesn’t have the ability to ‘force’ people to uphold that standard. People decide to uphold that standard. And hopefully, they’ll continue to do so.

That said, human nature is such that less dedicated people will creep in and try to capitalize on BJJ’s popularity. Already, there are teachers in my area attempting to teach BJJ without having been competitors. Or combatants. Or whatever. That’s what happens. Students don’t want that kind of pressure. Teachers want more students. So they give the students what they want. Compromises are made. And quality deteriorates. All thanks to the individuals involved.

Compare this with say, a style of karate. How many karate students are constantly being involved in fights (NHB, streetfights, etc) ? How many instructors are going to change what they do, the way they throw a punch in sparring or in kata based on their students success with it in fights ? Pretty much none, because karate instructors always believe that the founding fathers of their arts knew everything, when this is patently not the case.

Again, reread this paragraph. How many karate students… How many instructors… Karate instructors always believe…

People make the decision to believe, not to believe, to test, not to test, to adapt, not to adapt. To believe otherwise is to chalk it up to a hopeless situation. And that’s a fool’s errand. Explain to me the myriad styles of karate. If karate instructors didn’t believe in change, then there would be only one style, right? But there isn’t. People observed things, made decisions, and came out with different results. Shotokan, Goju, Kyokushinkai, etc.

So to believe that all arts are equal when some are constantly testing and evolving their art, and others train as if in a vacuum is patently false.

Many individuals train in a vacuum. Styles don’t train at all.

Personally, I do see people from many different styles testing their premises and making adjustments. And I’ll be the first to admit that we have BJJ largely to thank for that. But even then, it comes down to individuals willing to see that and apply it to their own art. So when a taekwondo teacher recognizes that his hands need work and he could use a couple of good takedown defenses, he works on those things. And the next time, he doesn’t get pummeled at punching range. He doesn’t get taken down so easily. But he still has that strong and quick lead sidekick. He hasn’t been hobbled by the fact that he did taekwondo. As a reasoning person, he observed, tested, and adapted.

So is the faulty premise of taekwondo that it’s too reliant on kicks? Perhaps. Does that mean that a taekwondoka cannot train his hands? Nope. Is he still a taekwondoka? I don’t see why not. So what’s the faulty premise? Taekwondo doesn’t disallow someone from being a good fighter. It’s simply that most people don’t want to test themselves that way. They’d rather stick with familiar territory.

We’re all reasoning people. To suggest that some of us cannot be because of a style is absurd. Styles don’t dictate understanding or choice. People do.

Stuart B.

As they say on mma.tv… apowyn is correct…

E.g. If two people with exactly the same attributes were to train, one in BJJ and one in aikido, for six months then fight, I’d put all my money on the BJJ guy. There would be no contest. Make it ten years - same thing.
this would be assuming that the Aikido was NOT training for competition(a hobbyist) while the BJJ IS training for a competition(a competitor)… give 2 people of similar attributes one based in BJJ… the other based in Aikido… and both training for the rules of the comp… 6 months is a good amount of time to produce 2 good fighters… and once the whistle blows… it will still come down to mano y mano…

but putting a hobbyist vs an athlete regardless of style… which I think you really mean when u put Aikido(which is gear towards a ‘hobby’ status) against BJJ(which is geared toward comps)… the outcome is not that hard to predict… but 2 athletes regardless of style… thats something to see…