Kun tao is the Indonesian, Phillipino form originated from Fujian Shaolin Temple.
This is the style of Southern Shaolin kung fu that karate originated from. Archeological and historical evidence have dated that Okinawa karate is from this style.
Kun tao is originally known as Ngor Chor or as some spell it…ngo cho(r).
In Malaysia the holder of this art is Datuk Master Chee Kim Thong and in Phillipines the current teachers are Alex Co.
Ngor chor kun became go ju ryu in Japan and also Ueichi ryu.
The current expert exponent and keeper of this great art is Datuk master Chee Kim Thong of Malaysia. For those of you who may have heard of him, his first disciple is Yap Cheng Hai and amongst many others…Yap Leong. Even Wong Kiew Kit have consulted Master Chee.
So who is Datuk master Chee Kim Thong?
All those in the Southern Shaolin range in China know about him. In the west, his name is very pronounced as well.
Grand Master Chee Kim Thong, who was awarded the title National Living Treasure of China (by the Chinese Government) due to his unrivalled knowledge and abilities.
The government have invited him back several times to the Southern Shaolin to preserve the arts of the South.
What is Wu Chu Chuan (Cantonese) or Wuzuquan (Mandarin) or Ngor Chor Kun (Fujian dialect, they are all the same…just different pronounciation due to dialects.
History:
Shaolin Wu Zu Quan, or Five Ancestors Fist is, as its name suggests, based on the combination of five major systems. These systems evolved as a result of five great masters combining their knowledge to create a single system under the direction of the famous Bak Yu-Feng in the Yuan Dynasty (1271-1367). Each of the Masters discovered that the others were skilled in a way different to their own, and realised that together, they could contribute the strong points of their art toward the development of a single system.
Tat Choon (Bodhidharma) : meditation and breathing techniques utilised for the development of Qi
(pronounced ‘chee’ : this is the body’s intrinsic energy, and is literally ‘the stuff of life’). These exercises also lead to the development of hand skills.
Luohan (or The Immortal) : techniques are based on dynamic body movements and correct posture.
Tai Chor : this was the martial nickname of the first Emperor of the Sung Dynasty (Chao K’ang
Yin) - a very famous and skilled Martial Arts practitioner whose techniques employed tremendous
accuracy with every action executed proportionately and with the minimum of wasted effort.
Peh Hoke (White Crane) : based on the methods by which the majestic and graceful bird defends
itself using unpredictable and tricky movements. The finger and hand techniques of Wu Zu Quan
owe much to the White Crane.
Soo Heng Cheh (Monkey) : the relaxed wrist for blocking and striking and the agility and
sure-footedness of the monkey provides the basis for the system’s stepping, allowing smooth yet
speedy movement in and out of the opponent’s fighting range.
Shaolin Wu Zu Quan is a Martial Art which relies not merely on physical strength, but on precise
and well-defined movements which are only fully effective when executed in a relaxed and efficient
manner. Thus, contrary to common opinion, female practitioners are paticularly adept in this
particular system. This point was exemplified by a legendary figure in Chinese Martial Arts (Hian
Loo) who is referred to simply as ‘The Lady in the Green Dress’. This figure added refinement to
the systems mentioned above and epitomises the virtue of humility.