the post although i find it of interest, in the respective opinions of all those that have spoken, i must say that i find it of most interest that the origin of hung gar is being relaited to hak fu mun, or fu chau pai.
it is easy to say that these systems are reliated, due to there closeness with the use of fu ying, and that chee sin sim si was also a player of fu ying, however the history of hung gar is rather clear in its lineage down to the present day sifu’s.
the inferance that hung gar has been changed due to the developement through wong fei hung, and for this reason hung gar (of canton, which i again have never heard being used until the late 90’s)is not similiar to what it used to be, is most concerning.
the mou (postures) and faht (techniques), of the style where known to wong fei hung from his father, who it is genereally agreed to was trained mainly by lok ah choi.
however before hung hsi gwan passed away at the age of 90, in hua sien county, in kwantung province, lok ah choi was also trained with and by hung as well as chee sin sim see.
wongs meetings with many sifu’s of differing styles due to his fathers’ great ability, is also to be mentioned, then to say that wong fei hung would have changed the art so much that it would not or did not relate to the original style from both hung hsi gwan and lok ah choi, both having the same teacher chee sin sim si, is absurd due to the tradition of the day, and the respect to the art that wong fei hung would have had, for the art and the chinese tradition of respect.
this idea, seems to be a growing issue these days,how unfortunate.
lam tsai wing made it perfectly clear that what he taught was from wong fei hung and the sui lam gee , and those forms that he brought into the style later, when he opened his own gwoon and with the jin wu association where an addition, not a change of direction.
tang fang was also of the same calabire of thought, to that end, he was known to have said he would not teach what he had not learned from wong fei hung.
tang fang only went to lam tsai wing out of curiosity to see what he was doing, and learned some of these extra additions that lam tsai wing was doing , but also made it clear that they where not from the original siu lam gee carriculm that wong fei hung had taught. others also taught by wong fei hung, like dang yi , are known likwise to have made similiar comments.
lets not get confused with the thought process of modern day thinking people,and the ways of the elders,and there belief structre and processes they did in those days.
yes wong fei hung created extra forms, but no he did not create the postures of faht that are in these forms, they came from siu lam gee and witht the name of hung gar, but there origins are from chi sin sim si.
the postures of tit sien kuen, even though differing from those of tit kiu sams lineage, are still with the same intent, movement and postures.
to that end, if the issue of what came first, the chicken or the egg, then speculate on this, if you wish; but do not bring the names of the elders into question, and there contribution to the arts
peace
[This message has been edited by bean curd (edited 08-27-2000).]