Yik kam slt part 3 Release to the public

1848
1848 era Wck slt part three ( short strike art , This part is also the yik kam Wck woodern dummy set) with kuit

YKSLT Part 3

Yb1
Enemy is strong while I am weak, using seal throat hand
Yb2
Double palm breaking the incoming force in an even way
Yb3
Left and right elbow issue with slant body
Yb4
Erect right elbow guard the heart area
Yb5
Tearing hands is for breaking the long bridge.
Yb6
Gang sau has yin yang within
Yb7
Withdraw hand , lock leg , poison snake tongue
Yb8
Concatenate stack punches strike in a hard and soft way

https://m.youtube.com/watch?v=EH5Ojhxh5yQ&feature=youtube_gdata

Currently we know it is very likely this part is based on fujian white crane and emei 12 zhuang’s cloud set and wind set.

Watch the following feeding crane of Taiwan interview will see how the application of the move in this set.

https://www.youtube.com/watch?v=8L25OZbEErM - Video Tube for YouTube - iPhone/iPad

The first move of this part,

Kuit says
Yb1
Enemy is strong while I am weak, using seal throat hand

This is where the term “sealing throat hand” is kept in the YKSLT.

Similar posture with PSWCK as in the attached photo provide by Jim Roselando

Lord help me I thought Hendrik had left…I guess it was too good to be true.

Sealing the throat is, of course, an equalizer strategy against a much stronger opponent. A speed strike designed for dire circumstances. :slight_smile:

@Hendrik

You have made a number of claims here that you will have to substantiate or retract:

  1. Prove that Shaolin “copied” the term Zhaoyang from White Crane and didn’t just happen to use the same term although completely unrelated.

  2. Prove that your Wing Chun use of the term Zhaoyang was “inherited” from White Cane and not copied or just coincidentally used in the same way as in Shaolin.

  3. Explain the significance and function of the Zhaoyang hand in White Crane and how it is the same in your Wing Chun, not just in name and appearance.

  4. Similar to point 2. Prove your Wing Chun inherited the crossed arm technique from Emei and didn’t copy or coincidentally use it in the same way as Shaolin. Not just pictures and poems. Who taught what to whom, when and where?

  5. Explain the application of the crossed arm technique in Shaolin and prove how it differs from the application of it in Emei and your Wing Chun.

If you are unable to do this, you need to take back your baseless claims or admit them as only your wishful thinking.

http://www.kungfumagazine.com/forum/showthread.php?67778-Are-Emei-Budda-counsel-hands-from-Song-Shan-Shaolin

Those are your issues, do your own research, And no one needs your approval on anything.
You are certainly free to speculate as you like, however, I have no interest in your imagination.

I certainly will delete this thread if this thread is going off topic like you try to take it.
Start your own thread instead of try to mess up this one with your private agenda.

Btw, what is your real name, your sifu name , and your lineage? May be it is time for you to start your own thread to share about your own lineage.

[QUOTE=LFJ;1274183]@Hendrik

You have made a number of claims here that you will have to substantiate or retract:

  1. Prove that Shaolin “copied” the term Zhaoyang from White Crane and didn’t just happen to use the same term although completely unrelated.

  2. Prove that your Wing Chun use of the term Zhaoyang was “inherited” from White Cane and not copied or just coincidentally used in the same way as in Shaolin.

  3. Explain the significance and function of the Zhaoyang hand in White Crane and how it is the same in your Wing Chun, not just in name and appearance.

  4. Similar to point 2. Prove your Wing Chun inherited the crossed arm technique from Emei and didn’t copy or coincidentally use it in the same way as Shaolin. Not just pictures and poems. Who taught what to whom, when and where?

  5. Explain the application of the crossed arm technique in Shaolin and prove how it differs from the application of it in Emei and your Wing Chun.

If you are unable to do this, you need to take back your baseless claims or admit them as only your wishful thinking.

http://www.kungfumagazine.com/forum/showthread.php?67778-Are-Emei-Budda-counsel-hands-from-Song-Shan-Shaolin[/QUOTE]

Those are your issues, do your own research, And no one needs your approval on anything.
You are certainly free to speculate as you like, however, I have no interest in your imagination.

Hes done his research, hes challenging your claims by asking for PROOF

http://www.thefreedictionary.com/proof

I certainly will delete this thread if this thread is going off topic like you try to take it.

Youll delete it as soon as you get asked too may questions that you dont like

[QUOTE=Hendrik;1274162]Currently we know it is very likely this part is based on fujian white crane and emei 12 zhuang’s cloud set and wind set.

Watch the following feeding crane of Taiwan interview will see how the application of the move in this set.

https://www.youtube.com/watch?v=8L25OZbEErM - Video Tube for YouTube - iPhone/iPad[/QUOTE]

The clouds have obscured the crane. Only if the crane breaks wind will it clear up the clouds to reveal the truth. Is it you who paints a snake and adds legs or the ancestors?

Hendrik,

Nothing, I mean nothing you write here or anywhere else for that matters holds any validity outside of your own mind.

Please take your rubbish elsewhere as the Wing Chun Forum has been a great place since you left.

[QUOTE=Minghequan;1274198]Hendrik,

Nothing, I mean nothing you write here or anywhere else for that matters holds any validity outside of your own mind.

Please take your rubbish elsewhere as the Wing Chun Forum has been a great place since you left.[/QUOTE]

RUBBISH, RUBBISH, RUBBISH!!! Is not one man’s trash anothers treasure?!

the Wing Chun Forum has been a great place since you left

So great that everyone left. I wish I had success like that in my life.

One rotten apple gone in a bushell full of rotten apples doesn’t change the fact that you still have a bushell full of rotten apples.

[QUOTE=Hendrik;1274184]I certainly will delete this thread if this thread is going off topic like you try to take it.
Start your own thread instead of try to mess up this one with your private agenda.
[/QUOTE]

Hendrik this is a discussion forum. I think what you may be looking for is blogging software. You can start a blog over at WordPress. WordPress has a feature that involves turning on or off comments, and setting the need for approving comments before they are posted.

This seems to be more along the lines of what you desire in internet interaction. I think between your YouTube channel, and maybe a blog, you should have what you need to present your WCK family info to whoever is interested.

This forum, however, has a different purpose. It is not a blog for any one individual member. It is a discussion forum. Therefore I will kindly ask that you treat it as such, and not as a blog.

:slight_smile: Would like to see this thread bereft (as in “F”) of the old WC forum flaming. Interested in seeing more of the Yik Kam lineage translation work from the old documentation that Hendrik is privy to. I don’t care at this point if TCMA WingChun is derived from the Russian Ballet, everyone knows of Hendrik by now, he is being quite constrained at this point.

you guys do know hendrick has autism right? he literally cannot stop posting these things, its an uncontrollable compulsion.

complex arguments dont work against autistics, ignore them or break them.

[QUOTE=LFJ;1274183]@Hendrik

You have made a number of claims here that you will have to substantiate or retract:

  1. Prove that Shaolin “copied” the term Zhaoyang from White Crane and didn’t just happen to use the same term although completely unrelated.

[/QUOTE]

chaoyang just means uppercut. this crazy autistic pulls random stuff out of his ass.

[QUOTE=Hendrik;1274160]1848
1848 era Wck slt part three ( short strike art , This part is also the yik kam Wck woodern dummy set) with kuit

YKSLT Part 3

Yb1
Enemy is strong while I am weak, using seal throat hand
Yb2
Double palm breaking the incoming force in an even way
Yb3
Left and right elbow issue with slant body
Yb4
Erect right elbow guard the heart area
Yb5
Tearing hands is for breaking the long bridge.
Yb6
Gang sau has yin yang within
Yb7
Withdraw hand , lock leg , poison snake tongue
Yb8
Concatenate stack punches strike in a hard and soft way

https://m.youtube.com/watch?v=EH5Ojhxh5yQ&feature=youtube_gdata[/QUOTE]

I don’t think this guy really practicing this YKSLT part 3 over 30 years. He seems a newbie on playing, not smoothly enough. As what I said, should be copying from GM Cheung, Gm Ku and Sifu Wayne Yung to assemble his YKSLT part 3. If he had the full set YKSLT, why he cannot present all in one time, need release one by one and makes his YKSLT mysterious to the public. A liar is always a liar!!!

[QUOTE=bawang;1274388]chaoyang just means uppercut.[/QUOTE]

It’s not chao. Different character.

[QUOTE=LFJ;1274403]It’s not chao. Different character.[/QUOTE]

they both mean uppercut FOO

[QUOTE=bawang;1274411]they both mean uppercut FOO[/QUOTE]

Given that you don’t even know what exactly is being referred to (two completely unrelated things actually), this doesn’t sound as smart here, unless you can explain how the zhaoyang hand in White Crane is an uppercut…

[QUOTE=LFJ;1274456]Given that you don’t even know what exactly is being referred to (two completely unrelated things actually), this doesn’t sound as smart here, unless you can explain how the zhaoyang hand in White Crane is an uppercut…[/QUOTE]

this is kung fu we talking about here. where a fighting stance is interpreted as a double uppercut and a takedown is terpreted as punch the feet.

i have a feeling u mean the chaoyang hand from qijiguang 32 changquan. yes, foo, it is an uppecut aka sky cannon.

it looks like you are also some sort of autistic, hendrick is your muse. im trying to help you here. if u wanna keep letting hendrick waste your time go ahead. but we are talking about a guy that says he trains shaolin tree hugging skill (lifting a 200 pound stone cylinder) by physically hugging a tree and absorbing its qi.

How is the zhaoyang () hand in Fujian White Crane an uppercut?