One of my shidi sent me this - it’s too precious not to post here. Van Damme.
LOL! Pretty funny!![]()
So let me get this straight, Van Damme isn’t the greatest ever.
Now that’s very funny!
I’ll say this for Jet Li. Despite my criticism of his acting skills elsewhere in this folder, he’s not nearly as painful to watch as Jean Claude Van Damme.
Originally posted by Chang Style Novice
I’ll say this for Jet Li. Despite my criticism of his acting skills elsewhere in this folder, he’s not nearly as painful to watch as Jean Claude Van Damme.
Someone having their eyes gouged out with blunt, rusty spoons isn’t as painful to watch as JCVD.
Funny you should mention eye gouges..
Remember when JCVD got sued for blinding a stuntman in a choreographed fight? Ouch.
mad article
im not gonna embarass myself by listing how many of those i have seen :eek:
i remember that Gene - it was some guy from Cyborg… also remember when he got mugged TWICE?
dawood
Speaking of bizarre and scandalous ex-celebrity news, did anyone hear about Don Johnson getting stopped at a german airport last month with eight billion dollars in liquid assets (bearer bonds and so on) in a suitcase?
Yes, that’s billion with a b as in boy. I haven’t heard any follow up stories on that, but I’ll bet the tale behind his moving that kind of scrilla is a doozy.
If memory serves, when authorities asked him why he was carrying so much he said “I’m buying a car” to which they replied “It looks like your buying the factory.”
Re: Funny you should mention eye gouges..
Originally posted by GeneChing
Remember when JCVD got sued for blinding a stuntman in a choreographed fight? Ouch.
Seriously? What’s the story behind that one?
more JCVD from my friend…
He’s been sending me more JCVD stuff - here you go!
that’s really hilarious! the part about a “musical training montage…” was the best. for such a terrible actor, he’s got a lot of movies under his belt. still sucks though
Dang he has a lot of movies
Ironically I have never seen Bloodsport. The only JCVD movies I have seen are Kickboxer, Streetfighter, Time Cop and The Quest (which was like a remake of Bloodsport).
According to the Internet Movie Database
http://us.imdb.com/Bio?Van%20Damme,%20Jean-Claude
The eye thing was
In 1989, he was sued for “willfully” gouging the eye of an extra in a swordfight while filming Cyborg.
From the site Philbert linked:
His fight scenes are so intense that he won’t film them in the U.S. for fear of being sued.
LOL.
I’d sue the pr!ck if he pulled one of the crazy splits things while fighting me.
Will Xuanzang make the Oscar cut?
If Hollywood really wants to pander to China it will…I mean, come on. Skiptrace? :rolleyes:
China’s Oscar Selection ‘Xuanzang’ Wins Big at Inaugural Golden Screen Awards
6:43 PM PDT 11/4/2016 by Valerie Zhou

John Li
Rob Schneider
The ceremony, presented by the U.S.-China Film & TV Industry Expo, honored the period epic in five categories, including best co-production.
The inaugural Golden Screen Awards, which specifically focuses on co-productions between the U.S. and China, took place Thursday at L.A. Live. Held by the U.S.-China Film & TV Industry Expo in partnership with the Motion Picture Association (MPA), China Film Co-Production Corporation and The Hollywood Reporter, Xuanzang was the biggest winner, receiving best co-production film, director, cinematography, actor and production design honors.
The film, which depicts the perilous journey of the legendary Chinese monk who brought Buddhism from India to China, is the latter country’s official Academy Award foreign-language submission this year. “This is a great opportunity for us," said director Huo Jianqi, "but I don’t think too much about the result, as long as this film can spread the spirit of Xuanzang.”
Paula Patton, who starred in the U.S.-China co-production film Warcraft, attended the ceremony, which was hosted by Rob Schneider.
“It’s great to be in Hollywood, the entertainment capital of the world. Hollywood is proud to be an equal-opportunity spender of other people’s money,” joked Schneider in his edgy remarks. “First we took money from Germany, then from France. Then we raped Japan pretty good. Now we are delighted to take China. Bend them over, for as much money as we could steal from them.”
Other films receiving awards included Three, Mountain Cry, Skiptrace and Kung Fu Panda 3.
A complete list of winners follows:
Best Co-Production Film
Da Tang Xuan Zang
Best Director
Huo Jianqi (Da Tang Xuan Zang)
Best Screenplay
Yau Nai Hoi / Lau HoLeung / Mark Tinshu (Three)
Best Cinematography
Su Ming (Da Tang Xuan Zang)
Best Actor
Huang Xiaoming (Da Tang Xuan Zang)
Best Actress
Lang Yueting (Mountain Cry)
Best Supporting Actor
Eric Tsang (Skiptrace)
Best Supporting Actress
Fan Bingbing (Skiptrace)
Best Production Design
Wu Ming (Da Tang Xuan Zang)
Best Animation
Kung Fu Panda 3
Oscar nominated?
We’ll see how far this gets. I would be impressed if it makes it into the finalists.
Oscars: 92 Films Submitted in Foreign-Language Category
10:09 AM PDT 10/5/2017 by Gregg Kilday

Tim Boyle/Getty
Nominations will be announced Jan. 23.
A record 92 countries have submitted films for consideration in the foreign-language film category for the 90th Academy Awards.
Haiti, Honduras, Lao People’s Democratic Republic, Mozambique, Senegal and Syria have all submitted films for the first time.
The 2017 submissions are:
Afghanistan, A Letter to the President, Roya Sadat, director;
Albania, Daybreak, Gentian Koçi, director;
Algeria, Road to Istanbul, Rachid Bouchareb, director;
Argentina, Zama, Lucrecia Martel, director;
Armenia, Yeva, Anahit Abad, director;
Australia, The Space Between, Ruth Borgobello, director;
Austria, Happy End, Michael Haneke, director;
Azerbaijan, Pomegranate Orchard, Ilgar Najaf, director;
Bangladesh, The Cage, Akram Khan, director;
Belgium, Racer and the Jailbird, Michaël R. Roskam, director;
Bolivia, Dark Skull, Kiro Russo, director;
Bosnia and Herzegovina, Men Don’t Cry, Alen Drljevi, director;
Brazil, Bingo – The King of the Mornings, Daniel Rezende, director;
Bulgaria, Glory, Petar Valchanov, Kristina Grozeva, directors;
Cambodia, First They Killed My Father, Angelina Jolie, director;
Canada, Hochelaga, Land of Souls, François Girard, director;
Chile, A Fantastic Woman, Sebastián Lelio, director;
China, Wolf Warrior 2, Wu Jing, director;
Colombia, Guilty Men, Iván D. Gaona, director;
Costa Rica, The Sound of Things, Ariel Escalante, director;
Croatia, Quit Staring at My Plate, Hana Juši, director;
Czech Republic, Ice Mother, Bohdan Sláma, director;
Denmark, You Disappear, Peter Schønau Fog, director;
Dominican Republic, Wood******s, Jose Maria Cabral, director;
Ecuador, Alba, Ana Cristina Barragán, director;
Egypt, Sheikh Jackson, Amr Salama, director;
Estonia, November, Rainer Sarnet, director;
Finland, Tom of Finland, Dome Karukoski, director;
France, BPM (Beats Per Minute), Robin Campillo, director;
Georgia, Scary Mother, Ana Urushadze, director;
Germany, In the Fade, Fatih Akin, director;
Greece, Amerika Square, Yannis Sakaridis, director;
Haiti, Ayiti Mon Amour, Guetty Felin, director;
Honduras, Morazán, Hispano Durón, director;
Hong Kong, Mad World, Wong Chun, director;
Hungary, On Body and Soul, Ildikó Enyedi, director;
Iceland, Under the Tree, Hafsteinn Gunnar Sigurðsson, director;
India, Newton, Amit V Masurkar, director;
Indonesia, Turah, Wicaksono Wisnu Legowo, director;
Iran, Breath, Narges Abyar, director;
Iraq, Reseba – The Dark Wind, Hussein Hassan, director;
Ireland, Song of Granite, Pat Collins, director;
Israel, Foxtrot, Samuel Maoz, director;
Italy, A Ciambra, Jonas Carpignano, director;
Japan, Her Love Boils Bathwater, Ryota Nakano, director;
Kazakhstan, The Road to Mother, Akhan Satayev, director;
Kenya, Kati Kati, Mbithi Masya, director;
Kosovo, Unwanted, Edon Rizvanolli, director;
Kyrgyzstan, Centaur, Aktan Arym Kubat, director;
Lao People’s Democratic Republic, Dearest Sister, Mattie Do, director;
Latvia, The Chronicles of Melanie, Viestur Kairish, director;
Lebanon, The Insult, Ziad Doueiri, director;
Lithuania, Frost, Sharunas Bartas, director;
Luxembourg, Barrage, Laura Schroeder, director;
Mexico, Tempestad, Tatiana Huezo, director;
Mongolia, The Children of Genghis, Zolbayar Dorj, director;
Morocco, Razzia, Nabil Ayouch, director;
Mozambique, The Train of Salt and Sugar, Licinio Azevedo, director;
Nepal, White Sun, Deepak Rauniyar, director;
Netherlands, Layla M., Mijke de Jong, director;
New Zealand, One Thousand Ropes, Tusi Tamasese, director;
Norway, Thelma, Joachim Trier, director;
Pakistan, Saawan, Farhan Alam, director;
Palestine, Wajib, Annemarie Jacir, director;
Panama, Beyond Brotherhood, Arianne Benedetti, director;
Paraguay, Los Buscadores, Juan Carlos Maneglia, Tana Schembori, directors;
Peru, Rosa Chumbe, Jonatan Relayze, director;
Philippines, Birdshot, Mikhail Red, director;
Poland, Spoor, Agnieszka Holland, Kasia Adamik, directors;
Portugal, Saint George, Marco Martins, director;
Romania, Fixeur, Adrian Sitaru, director;
Russia, Loveless, Andrey Zvyagintsev, director;
Senegal, Félicité, Alain Gomis, director;
Serbia, Requiem for Mrs. J., Bojan Vuletic, director;
Singapore, Pop Aye, Kirsten Tan, director;
Slovakia, The Line, Peter Bebjak, director;
Slovenia, The Miner, Hanna A. W. Slak, director;
South Africa, The Wound, John Trengove, director;
South Korea, A Taxi Driver, Jang Hoon, director;
Spain, Summer 1993, Carla Simón, director;
Sweden, The Square, Ruben Östlund, director;
Switzerland, The Divine Order, Petra Volpe, director;
Syria, Little Gandhi, Sam Kadi, director;
Taiwan, Small Talk, Hui-Chen Huang, director;
Thailand, By the Time It Gets Dark, Anocha Suwichakornpong, director;
Tunisia, The Last of Us, Ala Eddine Slim, director;
Turkey, Ayla: The Daughter of War, Can Ulkay, director;
Ukraine, Black Level, Valentyn Vasyanovych, director;
United Kingdom, My Pure Land, Sarmad Masud, director;
Uruguay, Another Story of the World, Guillermo Casanova, director;
Venezuela, El Inca, Ignacio Castillo Cottin, director;
Vietnam, Father and Son, Luong Dinh Dung, director.
Nominations for the 90th Academy Awards will be announced on Tuesday, Jan. 23.
The 90th Oscars will be held on Sunday, March 4, at the Dolby Theatre at Hollywood & Highland Center in Hollywood, and will be televised live on ABC.
The Academy Awards
Finally! So deserved. Congrats to Jackie!
1 SEP 2016 5:46 pm
ACADEMY ANNOUNCES JACKIE CHAN, ANNE COATES, LYNN STALMASTER, AND FREDERICK WISEMAN WILL RECEIVE 2016 GOVERNORS AWARDS
BY. MICHELINE GOLDSTEIN
The Board of Governors of the Academy of Motion Picture Arts and Sciences voted on August 30th to present Honorary Awards to actor Jackie Chan, film editor Anne V. Coates, casting director Lynn Stalmaster and documentary filmmaker Frederick Wiseman. The four Oscar® statuettes will be presented at the Academy’s 8th Annual Governors Awards on Saturday, November 12, at the Ray Dolby Ballroom at Hollywood & Highland Center®.
“The Honorary Award was created for artists like Jackie Chan, Anne Coates, Lynn Stalmaster and Frederick Wiseman true pioneers and legends in their crafts,” said Academy President Cheryl Boone Isaacs. “The Board is proud to honor their extraordinary achievements, and we look forward to celebrating with them at the Governors Awards in November.”
After making his motion picture debut at the age of eight, Chan brought his childhood training with the Peking Opera to a distinctive international career. He starred in and sometimes wrote, directed and produced more than 30 martial arts features in his native Hong Kong, charming audiences with his dazzling athleticism, inventive stunt work and boundless charisma. Since Rumble in the Bronx in 1996, he has gone on to enormous worldwide success with the Rush Hour movies, Shanghai Noon, Shanghai Knights, Around the World in 80 Days, The Karate Kid and the Kung Fu Panda series of animated films.
A native of Reigate, England, Coates worked her way up to lead editor on a handful of features before collaborating with David Lean on Lawrence of Arabia and winning her first Oscar. In her more than 60 years as a film editor, she has worked side by side with many leading directors on an impressive range of films, including Sidney Lumet (Murder on the Orient Express), Richard Attenborough (Chaplin) and Steven Soderbergh (Erin Brockovich). She also earned four additional Oscar nominations, for Becket, The Elephant Man, In the Line of Fire and Out of Sight.
Stalmaster, a one-time stage and screen actor from Omaha, Nebraska, began working in casting in the mid-1950s. Over the next five decades, he applied his talents to more than 200 feature films, including such classics as Inherit the Wind, In the Heat of the Night, The Graduate, Fiddler on the Roof, Harold and Maude, Deliverance, Coming Home, Tootsie and The Right Stuff. He has enjoyed multiple collaborations with directors Stanley Kramer, Robert Wise, Hal Ashby, Norman Jewison and Sydney Pollack, and has been instrumental in the careers of such celebrated actors as Jon Voight, Richard Dreyfuss, Scott Wilson, Jill Clayburgh, Christopher Reeve and John Travolta.
From his home base in Cambridge, Massachusetts, Wiseman has made one film almost every year since 1967, illuminating lives in the context of social, cultural and government institutions. He created a sensation with his first documentary feature, Titicut Follies, which went behind the scenes at Bridgewater State Hospital for the criminally insane. The film established an unobtrusive, observational storytelling style that has strongly identified his work, from the gritty (Law and Order, Public Housing, Domestic Violence) to the uplifting (La Danse The Paris Opera Ballet, National Gallery, In Jackson Heights).
The Honorary Award, an Oscar statuette, is given “to honor extraordinary distinction in lifetime achievement, exceptional contributions to the state of motion picture arts and sciences, or for outstanding service to the Academy.”
More than 30 martial arts movies? More like over a 100. :rolleyes:
Jackie’s Oscar is this Saturday
Really short interview.

FILE - In this Dec. 18, 2013, file photo, Hong Kong actor Jackie Chan smiles during a news conference to promote his new film “Police Story 2013,” in Kuala Lumpur, Malaysia. On Saturday, Nov. 12, 2016, Chan will accept an honorary Academy Award from the film academy’s Board of Governors. (Lai Seng Sin, File/Associated Press)
By Sandy Cohen|AP November 8 at 2:10 PM
LOS ANGELES — As an action star, Jackie Chan never expected to get an Oscar.
So he considers receiving an honorary Academy Award from the film academy’s Board of Governors his proudest professional achievement.
Chan will accept his Oscar statuette Saturday at the eighth annual Governors Awards. Film editor Anne Coates, casting director Lynn Stalmaster and documentarian Frederick Wiseman are also receiving honorary Academy Awards, which recognize lifetime achievement and contributions to the film industry.
“I never imagined that I’d receive such an award,” Chan said. “I still remember my very first proudest moment was when I received an award for stunt choreography. At that time, I didn’t know much about directing, I just knew how to do action and fighting sequences and stunts. Receiving this honorary award has raised my feelings to another level.”
The 62-year-old writer, director, producer and actor reflected on his career in an email interview with The Associated Press from his home base in Hong Kong. He plans to be in Los Angeles to accept his award in person.
AP: What was your most challenging film to make and why?
Chan: “Rumble in the Bronx” had a lot of action choreography, fighting sequences, and dangerous stunts. In “Operation Condor” I filmed in extreme temperatures of over 40 degrees Celsius in the desert. I had a near death accident while doing a stunt in “Armor of God.” In “Rush Hour,” I found the English dialogue most challenging.
AP: How does making movies in Hong Kong differ from Hollywood’s approach to film?
Chan: I find Hollywood’s approach to film production very systematic and organized. Of course, being organized is a good thing, but sometimes I feel restrained within set rules. Hong Kong filmmaking is more dynamic because things can be changed on the set while we’re still filming. It’s more flexible and encourages creativity, and if we think of something that might work, we try it right away.
AP: What changes in the industry have been most surprising to you?
Chan: Because I’ve been in the film industry for over 50 years, the most significant change I’ve noticed is the change from using 35mm film to digital technology, and even 3D filming. The improvement of technology has changed how films are now made. What we used to use back then is now part of history. I’m still fascinated by digital technology and the amount of work that can be done in post-production with CG (computer-generated) effects.
AP: What has been was your most exciting Hollywood experience?
Chan: All my experiences in Hollywood have been interesting and exciting. I’ve learned so many new things in Hollywood, made new friends and family, such as my American Chinese brother Brett Ratner. I’ve had many great memorable moments while working in Hollywood. I guess the most fun was making the “Rush Hour” series.
Follow AP Entertainment Writer Sandy Cohen at www.twitter.com/APSandy .
