Role of Jiang Fa in development of Chen Taijiquan

Backbreaker.

AFAIK, the Yang 2-man form was created post Yang Chen-Fu and is a fairly new addition to Yang style, Chen does not have it.

I agree that Guang Ping looks very similar to Chen style, I think one of the posters on here might be able to shed a bit more light on this.
:wink:

The Taiji styles are not static and new forms and sub-styles are still being created and added.

Also many teachers are trying to advance the art and you will see great variances in their forms between their early and late studies.

How many forms there are truly in each style and similar I think is only known to the Families and really high-level practicioners.

I think that this thread has gotten a bit off of topic and into a Chen vs. Yang argument which was not my intention.

I don’t think that anyone disputes that Chen has influence from some other external arts whether it is from Honan Shaolin Temple, General Qi Jiang, Tai Tzu Quan or somewhere else. The Chen Family had there own style of martial arts that was external in nature. It may have had influence from several external elements.

The other styles of Taiji seem to have lost these external elements over time. Chen seems to have lost them to some extent too ie the missing long fist set. But still retains them in the Pao Chui form, etc. Perhaps they are not crucial to understanding the internal elements?

The question remains as to where the Internal Elements of Taiji Chuan came from?

Wu Dang mountain? Jiang Fa? Zhang Sen Fang? ’

It seems that internal “cultivation” arts existed before Chen Wang Ting so where did the influence come from into Chen village?

Doesn’t have to be WuDang but then where?

Fu-Pow.

I don’t think it really turned into a Chen vs Yang argument.
AFAIK, Chen TJQ has more unarmed sets than just the Yi-Lu & Er-Lu sets, like the 108 long form.

Personally, I think that the internal side came from a variety of sources, giving the location and position of Chen family boxing in the CMA world.
Many people went to the village to study boxing there and many Chen members during their travels and work came into contact with many other MA.

In the end I don’t think it can only be attributed to only one person or maybe even one generation.

Just my thoughts.

If current Chen masters can catch a bird in their palm and prevent it from flying away , only then shall I beleive they posses the true Neidangong according to the Tai Chi classics.(:smiley: I’mjoking,not serious)

I’ll tell you what. If they catch that bird, I’ll cook it and we can sit around taking shots of wu liang ye. After drinking a couple shots of that, we won’t be thinking much about the origins of taijiquan, Jiang Fa etc. etc..

For sure we’ll learn the true meaning of INTERNAL!

Gan Bei!:eek:

Wudang Tai Chi Chuan

Hello, I have just started Wudang Zhao Bao Tai Chi Chuan a few weeks ago. The master’s name is Zhao Wiedong. His lineage traces directly to and past Jian Fa to Zhang Sanfeng. (I do not have the chart with me now but if anyone is interested I can post it later) In my second meeting/lesson with him he gave me his lineage and told me the story of Jian Fa and the transmission of Tai Chi to the Chen village.

Jain Fa was a rebel against the government and had to go into hiding. Chen Wang Ting took Jian Fa in and hid him for several years. This was at a great risk to Chen Wang Ting and his family. Because of this Jian Fa then taught the requirements to the Wudang internal style which was not called Tai Chuan at the time. It was at this time Chen Wang Ting added the principles of Wudang Tai Chi to his family’s “Cannon Fist”.

At first I just chalked this up to one of many stories I have heard about the origin and history of Tai Chi. Master Zhao did say that it was the oral history from the Zhao Bao village. I, and as most historians are, very suspect when it comes to any oral history for obvious reasons. But as I have gotten to know Master Zhao, Wudang Tai Chi, and how it is transmitted (taught), I am starting to give it more credibility as requirements for learning Wudang Tai Chi are very strict as it is handed down thru the generations, and it leaves no room for your own interpretation.

As for the form, IMOP it is defiantly different then the other Tai Chi styles even though some of the movements may look similar.

If anyone is interested I can post more. I have over 25 years in the Chinese martial arts with 10 in Tai Chi so I am not starting this as a novice. Though I feel excited as a novice, as I have found a really cool Tai Chi style.

I find it interesting that as you learn more and more , the story becomes more beleivable instead of the other way around. I’ve never seen any Zhao Bao taiji and know basically nothing about it . I do find it interesting to hear about Wudang and Chang San Feng . Alot has been said about how Chen family members in the past were great warriors or army generals , and it’s probably true but it also seems obvious that Taiji has roots in things like Shaolin and Wudang also. I don’t hear about archery being practiced anymore in taiji and it seems warfare without guns is obsolete now . But it probably shows that the founders of chen style dealt with serious business for whatever reasons

    Aso , what about the taiji classics?Are they fake?Were they written by who they say they were written by?They sound to me like the authors definately knew taiji well and were also somewhat excited about their skill. I have heard people say that taiji was developed by a regular peasant and is not related to wudang.It just seems to me though , that there is influence from both daoist and buddhist styles.

Originally posted by backbreaker
[B]I find it interesting that as you learn more and more , the story becomes more beleivable instead of the other way around. I’ve never seen any Zhao Bao taiji and know basically nothing about it . I do find it interesting to hear about Wudang and Chang San Feng . Alot has been said about how Chen family members in the past were great warriors or army generals , and it’s probably true but it also seems obvious that Taiji has roots in things like Shaolin and Wudang also. I don’t hear about archery being practiced anymore in taiji and it seems warfare without guns is obsolete now . But it probably shows that the founders of chen style dealt with serious business for whatever reasons

    Aso , what about the taiji classics?Are they fake?Were they written by who they say they were written by?They sound to me like the authors definately knew taiji well and were also somewhat excited about their skill. I have heard people say that taiji was developed by a regular peasant and is not related to wudang.It just seems to me though , that there is influence from both daoist and buddhist styles.

[/B]

It’s not that the story becomes more believable, it is the credibility of how the story got to me that has gained the credit.

Everything I have learned about the Wudang style so far is pure Taoist and does not seem to have any Shaolin influence. If the Wudang merged with the Chen style that is where the Shaolin influence would come into Tai Chi.

No I do not think the classics are fake. I think all the family styles are good Tai Chi. IMOP they all have their own requirements and method of developing their skills. Just as the Wudang style has its own requirements. What has caught my attention though, is the strictness of the Wudang requirements as in, “this has how its been done for generations and there is no deviation if there is a deviation it is not Wudang Tai Chi.” The deviation may be better but it is no longer Wudang Tai Chi. Thus it is with that mind set I give more weight to the fact that the oral transmissions were transmitted with out deviation.

So with my past experience I feel I can say that the Wudang Tai Chi is the same but different. I did the Chen style for about a year and I feel I can say that there is no Chen in the Wudang. Up until a few weeks ago I was doing the Yang style.

In terms of ZhaoBao style taijiquan, Zhaobao village and those that practice taiji there also have their own political motivations for claiming the history that ROLLBACK is stating. It is however well known outside of as well as inside of zhaoboa village that the originator or “zhaobao” style taijiquan learned xiaojia from Chen village which is very near, then took it back to Zhaobao village. This is fairly common knowledge, that is why zhaobao is often noted as a branch of Chen taijiquan. There is little point to argue this stuff really, people believe and accept what they want to or have a reason to.

In terms of FU POW’s question:
he said:
"The other styles of Taiji seem to have lost these external elements over time. Chen seems to have lost them to some extent too ie the missing long fist set. But still retains them in the Pao Chui form, etc. Perhaps they are not crucial to understanding the internal elements?

The question remains as to where the Internal Elements of Taiji Chuan came from?"


The problem with this question is that it is based on preconceptions that are inherently flawed in their view of the Chen family art and “internal” and “external.” To assert that Taijiquan is “internal” and other arts such as chen paochui are “external” is skewed. The Chen art does not make that distinction, instead training a set #1 that is both hard and soft with more emphasis on soft and containing body training methods that made it known as internal. The Paochui set #2 is as well both hard and soft though with more emphasis on hard, and containing the same body training methods that made it known as internal.

Paochui, connon pounding in Chen taijiquan is equally as internal as the other forms and methods, it uses exactly the same body methods as the other forms, though with more specific intent towards hitting and expressing power, this power comes directly from the internal training of the other sets as well.

Have other branches have actually lost the element of power expression and striking with force that all martial arts including internal must have to actually fight a real opponent? I really dont know, but it is this interpretation of “internal” as meaning soft or unable to strike that is creating the confusion. If one wants to strike, they are going to need power, if one wants to change and use an opponents force against them they are going to need softness.
These two elements can be explained as a type of yin&yang cycle that really should and historically does exists in Taijiquan. However, neither one of thse elements is what defines this art as “internal,” it is the UNION of these two elements and the body&breath method of Taijiquan that defines it as internal.

To separate the elments of yin and yang and then define the yang elements as “external” is to not clearly grasp the Yin&yang concept within Chen or really any taijiquan. Beyond that, to question beyond the limits of historical availablity only asks for speculation.
In the end it just does not matter, if you want to accept facts in their limited availablitiy you can form a basic opinion based on them, if you want a complete history, or one that suits your needs, you willl have to speculate and invent, which many people have no problem doing.

I personally would suggest to beginners and seekers that they accept what is available and practice hard, because neither historical fact, nor ego and speculative legend will give you gongfu, take what you read with a grain of salt and find a good teacher if you can and practice hard.

M

www.taijigongfu.com