Monkey King

Dark Matter and the MONKEY KING

I’m hijacking the Chinese Martial Satellite thread for this because I don’t really understand where diego was going with this 3 years ago and it’s a good title. Plus it’s gotta go on the Monkey King thread too, of course.

CHINA DETECTS WEIRD SPACE SIGNALS WITH ITS DARK MATTER ‘MONKEY KING’ SATELLITE
BY HANNAH OSBORNE ON 11/30/17 AT 8:55 AM

China has detected some weird space signals while hunting for dark matter with its “Monkey King” satellite.

Scientists from the Chinese Academy of Sciences have spent the past two years recording cosmic rays with the Dark Matter Particle Explorer (DAMPE) satellite. After measuring over 3.5 billion high-energy particles, the team has now found a blip in the data—a break in the electron and positron spectrum that could point to the annihilation or decay of dark matter.

Normal matter—everything we can see—accounts for up to 5 percent of the universe. Around 68 percent is dark energy, which is the mystery force thought to be driving the universe’s expansion. The rest, around 27 percent, is dark matter—the mystery substance that we cannot see, but that we know exists because of the gravitational influence it has over galaxies.

Scientists have been trying to detect dark matter for decades through various methods, all of which have so far proved unsuccessful.


Artist impression of China’s dark matter detector satellite.
NATIONAL SPACE SCIENCE CENTER, CHINESE ACADEMY OF SCIENCES

China launched DAMPE—a satellite that sits 310 miles in space and collects data on cosmic rays, which are high-energy radiation particles that mostly come from outside our solar system—in December 2015.

One of the main theories about dark matter is that it may decay into detectable particles, like electrons, positrons and photons, when it is annihilated, something that could potentially be recorded in space with a sensitive detector like DAMPE.

The latest findings, published in Nature, show how there is a spectral break at 0.9 TeV (teraelectron volts) and a potential spike at 1.4 TeV. This discovery narrows down the potential parameters of models relating to events in space like pulsars, supernovas and, as a consequence, the candidates for dark matter.

“Together with data from the cosmic microwave background experiments, high energy gamma-ray measurements, and other astronomical telescopes, the DAMPE data may help to ultimately clarify the connection between the positron anomaly and the annihilation or decay of particle dark matter,” Fan Yizhong, deputy chief designer of DAMPE’s scientific application system, said in a statement.

“DAMPE has opened a new window for observing the high-energy universe, unveiling new physical phenomena beyond our current understanding,” Chang Jin, chief scientist of DAMPE, told Xinhua. "Our data may inspire some new ideas in particle physics and astrophysics. We never expected such signals.”


The aftermath of a typical, short-lived supernova as it fades.
NASA’S GODDARD SPACE FLIGHT CENTER/ESA/HUBBLE/L. CALCADA

Fan added that the spike was highly unusual. “The signals might have originated from either dark matter or pulsars,” he said.

Chang continued: “The spike might indicate that there exists a kind of unknown particle with a mass of about 1.4 TeV. All the 61 elementary particles predicted by the standard model of particle physics have been found. Dark matter particles are beyond the list. So if we find a new elementary particle, it will be a breakthrough in physics. Even if they were from pulsars, it would be quite a strange astrophysical phenomenon that nobody had known before.”

The team will now continue to record cosmic rays to try to confirm their findings. “So far, we are 99.99 percent sure this spike is real, but we need to collect more data. If the statistical probability exceeds 99.99994 percent, it will be a groundbreaking discovery in particle physics and astrophysics,” Chang said.

There’s a fair amount of Chinese satellite and space news. Maybe I’ll just post it all here when I find stuff that might amuse.

ttt 4 2017

Commercializing Religion in China
Communist Party policies encourage the development of temples, monasteries into profitable tourist attractions
By Annie Wu, Epoch Times
December 12, 2017 4:39 pm Last Updated: December 12, 2017 4:39 pm


Chinese monks attend a ceremony at a Shaolin Temple to celebrate the Lunar New Year in Dengfeng County, Henan Province, on January 28, 2017. (STR/AFP/Getty Images)

The kung-fu-fighting monks of Shaolin Temple are world-famous ascetics, depicted in countless movies and television shows.

But under the Chinese Communist Party’s rule, the historic temple has become a shell of its former self. It is no longer a place for spiritual meditation but a business empire, with multiple companies established: a film and television company, painting academy, publishing house, and performing troupe among them.

Shaolin rents out its grounds as a venue for holding events, including a “bikini fashion” beauty pageant in the summer of 2009. That year, the temple also attempted to get listed on the stock exchange. If there was ever something to epitomize the idea of “selling out,” this would be it.

This blatant commercialization of religion has been endorsed by the Chinese regime for decades. In the era of the Cultural Revolution, Chinese Communist Party leader Mao Zedong denounced “old ideas, culture, customs, and habits,” commanding the destruction of countless historic sites, temples, monasteries, and places of cultural significance across the country. But with the opening up of the Chinese economy, local authorities have cashed in on the lucrative potential of people’s growing interest in Buddhist temples and Daoist monasteries. To boost local economies, destroyed structures were reconstructed and developed into tourist sites.

But they’re no longer places of worship. Like with many phenomena in an increasingly materialistic Chinese society, the sole motivation has become making money, from building scenic parks to attract tourists, to selling god statues for people seeking to secure blessings.

Recently, the Chinese Communist Party (CCP) has even recognized this flagrant commercialization is bad optics, and have called on religious organizations to tamp it down. On Nov. 23, 12 departments within the Party’s central authorities—including the Propaganda Department, United Front, Cyberspace Administration, and National Tourism Administration—published rules forbidding Buddhist and Daoist organizations to be operated as corporations. It prohibited business capital, personal investments, or contracts, as well as the sale of expensive tickets for admission into temple grounds, or services such as selling the first stick of incense to be placed in the censer, believed to bring good luck.

Monks Colluding with the Party

Decades of the warping of religion has already left its mark. The Party allowed the existence of Buddhist and Daoist organizations in order to keep up the facade of religious freedom, when in reality, it has appointed abbots as puppets of the Party.

Shi Yongxin, abbot of Shaolin Temple, is the most well-known example. He held several administrative posts, including deputy president of the Buddhist Association of China, the CCP-led body that supervises Buddhism activities, and president of the Henan Province division of the association. Shaolin is located in Dengfeng County, Henan Province. Former CCP leader Jiang Zemin also appointed him as a representative to the Party’s rubber-stamp legislature, the National People’s Congress.


Shi Yongxin (center) attends the Chinese Kungfu Star TV Contest held at Shaolin Temple on September 9, 2006. (China Photos/Getty Images)

According to an expose published in the Chinese business publication Caixin in August 2015, Shi had a close relationship with Jiang, the Henan party boss Li Changchun, and the Buddhist Association president Zhao Puchu. It was under Zhao’s instructions that Shi turned Shaolin Temple into a business empire, the report said.

Since the CCP took over Tibet, the Tibetan Buddhist lamas all need to be recognized and approved by the central authorities. To get approval, some Tibetan monasteries have resorted to bribing and currying favor with CCP officials. Chief among them is Zhu Weiqun, who was the deputy head of the United Front Work Department and tasked with handling Tibet affairs.

Tourism Above All

Meanwhile, notable temples have been forcibly seized by local officials to be aggressively developed and promoted as sightseeing destinations. The four sacred mountains of Buddhism, Mt. Wutai, Emei, Jiuhua, and Putuo, have all been developed into tourist-friendly attractions by local authorities or state-owned firms.

Xingjiao Temple in Xi’an City, Shaanxi Province is known for housing the remains of the Tang Dynasty monk Xuanzang, whose journey to India to seek Buddhist scriptures inspired the famous novel “Journey to the West.” When local authorities sought for the temple to be recognized as a UNESCO heritage site, they proposed for large parts of the complex to be demolished and replaced with a newer building, according to a report by the South China Morning Post.


An aerial view of the Xingjiao Temple in Shaanxi Province on April 13, 2013. (STR/AFP/Getty Images)

In some instances, tourism plans have backfired. At the 1,700-year-old Famen Temple, also in Shaanxi, local authorities built a scenic park nearby. However, the huge debt they incurred forced them to hire fake monks to roam the grounds and collect donations from visitors.

At the Panlong Temple in Yunnan, monks were so fed up with the flocks of tourists that they shut the doors, posting this message for visitors: “Due to the fact that the Jinning County and Jincheng Township governments wish to commercialize and corporatize the Panlong Temple, disrupting the temple’s order, the temple has decided today to temporarily shut the gates for a quiet meditation environment.”

Some temples have become completely occupied by local authorities, from the Administration of Cultural Heritage seizing precious artifacts, to the forestry and tourism department taking charge of the surrounding lands.

Current affairs commentator Li Linyi noted that many local officials are motivated by wanting to score political points and gain promotions by contributing to the GDP (Gross Domestic Product) target. Tourism is an easy way for them to do so.

Prayers for Blessings

Why have places of worship become so popular? Li noted that many Chinese have turned to a higher being in hopes of gaining fortune and blessings. At the Nainai Temple in Hebei Province, patrons can sign contracts with the temple to construct a statue and altar depicting whatever god they’d like, whether it’s a “car god,” “study god,” or “government official god.”

Hong Kong newspaper Apple Daily noted in a Nov. 24 article that former CCP leader Jiang Zemin and his underlings often visited Mt. Jiuhua and Shaolin Temple to alleviate their guilt about their corruption.

Zhang Ting, Xue Fei, and Luo Ya contributed to this report.

Before anyone gets too worked up on this Shaolin commercialism post, keep in mind that the source is Epoch Times.

I’m also copying this to the Monkey King thread for the Xingjiao Temple reference.

The Monkey King - animated feature film by Stephen Chow

Chow has done Monkey so many times. There’s Journey to the West: Conquering Demons, and prior to that, he did A Chinese Odyssey Part One - Pandora’s Box (1995 101) & A Chinese Odyssey Part Two - Cinderella (1995 ), both of which I reviewed on that same thread.

Stephen Chow Developing Epic ‘Monkey King’ With Pearl Studio
Shanghai-based Pearl Studio also confirms Albert Tsai, Tensing Norgay Trainor and Tsai Chin join Chloe Bennet in ‘Abominable’
By Jamie Lang @idonthaveaband


CREDIT: ELZER & ASSOCIATES

ANNECY, France — Legendary Chinese director Stephen Chow, the man behind 2004’s dark-horse hit “Kung Fu Hustle,” is in development on ‘The Monkey King’ with Pearl Studio, the Shanghai-based animation company announced Thursday at the Annecy Intl. Animation Film Festival.

The studio also unveiled that young actor Albert Tsai (“Trophy Wife,” “Dr. Ken”), Tensing Norgay Trainor, the grandson of Tensing Norgay, the first man to reach the summit of Everest with Sir Edmund Hillary, and Tsai Chin will be joining “Agents of Shield’s” Chloe Bennet in its upcoming feature “Abominable.”

The announcements came as Pearl detailed its upcoming slate of animated feature productions, backstory and ambitions, straight from the mouths of animation legends Jill Culton and Glen Keane.

“The Monkey King” is penned by animated-animal feature experts Ron Friedman and Steve Bencich, whose past credits include “Brother Bear” and “Chicken Little.” The film is an effort to bring to the world, a character described by Pearl as “one of China’s most mythical, mystical and mischievous superheroes.”

Chow’s “involvement in this very special project, which is beloved throughout Asia, is a true coup,” said Peilin Chou, chief creative officer for Pearl Studio. She added: “We know that he will bring all the comedy and scope that makes this adventure legend so special and translate ‘The Monkey King’ into an enchanting and exciting global animated event.”

The presentation kicked off with Pearl’s chief creative officer Peilin Chou introducing the audience to the Chinese studio and outlining their ambitious goal.

Pearl started out as DreamWorks Oriental, and co-produced “Kung Fu Panda 3,” a film that on its release became the highest-grossing animated film of all time in China.

A good deal of the presentation was dedicated to framing China’s place in the global animation marketplace today. While Pearl is, at its core, a Chinese company, there is no mandate to create specifically Chinese content,

“None of our films are for China only. Our films are English-first. We look for themes which are universal and can travel around the world,” said Chou.

Another key point of order in Peilin’s talk was the importance of diversity at Pearl Studio. In its Shanghai headquarters alone there are staff from over 25 countries. And, its current development slate features female protagonists in more than half of its films.

Once the overview had finished, Chou passed the mic to Jill Culton, director of Chinese animated road movie “Abominable,” a co-production with DreamWorks Animation, who presented first-look animatics and excerpts, all set to pop music. Culton has a sterling C.V. in animation, having worked on such films as “Toy Story,” “A Bug’s Life,” “Toy Story 2,” and “Monsters Inc.”

The plot has the 16-year-old female protagonist rescuing a kidnapped Yeti and tracking across China to get him back to his home on Everest.

“We have seen hundreds of road-trips across America,” Culton pointed out, “but no one has taken us on a tour of all the beautiful places in China.”

“This film is a very personal, character-driven tale, set in an epic landscape that lends itself beautifully to animation.” said DreamWorks Feature Animation Group president Chris deFaria in a statement. “Ultimately, this is a film about finding your way home, and the unbreakable bond that forms between these characters during a life changing adventure. These additional voice actors bring considerable emotion and comedy to this story.”

“Abominable” is scheduled for worldwide release through Universal Pictures Sept 27 2019.

Glen Keane, an Academy Award winner for “Dear Basketball,” received the presentation’s largest ovation before talked through his upcoming film, “Over the Moon,” inspired by one of China’s most beloved myths. Keane spent decades at Disney, and was a key contributor to one of that company’s golden ages having worked on such seminal films as “The Fox and the Hound,” “The Little Mermaid,” “Aladdin,” “Pocahontas” and many, many more.

After explaining his animation process, sharing a slideshow of his trip to China with Pearl, and a few early pieces of art that will influence the film, he treated the at-capacity room to a real-time sketching of the film’s protagonist, projected onto the theater’s screen.

“Over the Moon” will be distributed theatrically in Greater China, and by Netflix worldwide.

Li Yi-hsin

From Monkey King to Cantonese opera puppets, Hong Kong performer has a hand in centuries-old craft
Li Yi-hsin is a descendant of a family thats been performing the art for five generations, and does not intend to slow down amid changing times
PUBLISHED : Tuesday, 12 June, 2018, 10:01am
UPDATED : Tuesday, 12 June, 2018, 10:00am
Eddie Lee

A pair of costumed glove puppets come alive the moment they are in the hands of Li Yi-hsin.

On my left is Pagoda-bearing Heavenly King Li Jing. The other is the Mighty Miracle God, the puppeteer said.

Both are characters in Monkey Creates Havoc in Heaven, an adaptation of the earlier chapters of the famous Chinese mythological novel Journey to the West.

Li, who has performed thousands of traditional Chinese puppet shows during the past 50 years, said his repertoire included many works based on Chinese classical novels.


Li Yi-hsin has performed thousands of traditional Chinese puppet shows. Photo: Dickson Lee

The Hong Kong-based master comes from a family that has been performing glove puppet plays in China for nearly 300 years.

The grandfather of my grandfather developed the southern style of glove puppetry. I am a member of the fifth generation, said Li, who learned the craft from his grandfather, father and uncles.


Hand puppeteers have to master depicting emotions through movements as the expressions on the dolls are static. Photo: Dickson Lee

My grandfather was an all-rounder, while my father and uncles were good at manipulating the puppets gestures and acrobatic movements respectively, he said.

Apart from performing regularly in Hong Kong and overseas, the 70-year-old puppeteer also put a lot of work into grooming the next crop of puppet masters.

Over the years I have taught more than 100 students. I want them to fully understand and master the art, rather than just scratch the surface, Li said.

It is more than about making a living. We must pass down the traditional art.

[QUOTE]It is more than about making a living. We must pass down the traditional artLI YI-HSIN, PUPPETEER

Li has been nominated by Hong Kong Theatre Works which he is in partnership with for the South China Morning Posts Spirit of Hong Kong Awards, which honour inspirational individuals and groups that make the city a better place to live in.

He is named under the Cultural Preservation category, which recognises people who have made a sustainable impact on cultural conservation.

According to Li, his teachings centre on hand movement to convey emotions, as the puppets do not have changing facial expressions. His students have to acquire the arts basic manipulation skills.

The dan, or the female role, has to maintain ladylike behaviour, he said. The sheng, or the male role, must stride like a gentleman.


The elaborate costumes of hand puppets. Photo: Dickson Lee

It would take years of training to be able to present every nuance of the expression style, according to Li.

However, he said he believed glove puppetry could adapt and move with the times.

We may incorporate lines of Cantonese opera into our plays to suit the tastes of [Hong Kong] audiences, Li said.

Whats most important is that we respect the traditions, and retain the essence and the basic skills of Chinese glove puppetry.[/QUOTE]

THREADS:
martial puppet shows
Monkey King

Monkey King

The Little Prince of Qitian - another take on the Monkey King.

[URL=“http://news.mtime.com/2018/10/24/1585447.html”]

2018-10-24 23:14:10 Mtime 23


3D

    A·

   A·2J. David StemDavid N Weiss



  Chuck Williams

  

  3

googtrans

China, the United States, Japan and the United States, “Journey to the West” adapted animation film
“Qi Tian Xiao Tai Zi” project “Do not provoke ants” director directed
2018-10-24 23:14:10 Source: Mtime Time Network 23

Former Bona Film and Japans Toei Animation officially announced the co-production of The Little Prince of Qitian at the Tokyo Film Festival, and the films creative team came from Hollywood.

The picture above is the 3D conceptual model of Qi Tian Xiao Tai Zi.

******According to the information of the radio and television project, an animated film “Qi Tian Xiao Tai Zi”, a “Journey to the West” co-authored by China, the United States and Japan, has been officially established. The film was filmed by Bona Film and Japans Toei Animation, directed by John A. Davis, director of Dont Make Ants.

******Previously, Bona Film and Japans Toei Animation officially announced the co-production of The Little Prince of Qitian at the Tokyo Film Festival, and the films creative team came from Hollywood. The director was directed by John A. Davis, director of “Don’t provoke ants”, and participated in the scripts by J. David Stem and David N Weiss, screenwriters of “Shrek 2”.

******In addition, one of the designers of the “Sonic the Hedgehog”, Oshima Naoto, will lead the character design. The former Pixar and Disney’s Chuck Williams will participate in the production, and the animation will be completed by an experienced Chinese animation studio.

******The story of the film is inspired by “Journey to the West”. According to the synopsis of the project information, the story will tell that the son of Qitian Dasheng is not up to the air, when the aliens invade the earth, and the Great Holy Spirit sends it to protect the earth. During the encounter with Alice’s brother and sister, they have been attacked by aliens on their way to lead them to find their parents. After the old sand and pigs joined in, they fought side by side to defeat the story of the growth of the foreign prince.

******It is reported that the film has been developed for three years and it takes about two years to complete.

Monkey King

Marvel At China’s Own Iron Man Type Movie
Brian Ashcraft
Yesterday 7:05am Filed to: IRON MAN


GIF:
Sure, Iron Man 3 was filmed partly in China, but thats still a Marvel movie and an American superhero. Tomorrow, the country is releasing its own movie inspired one of its greatest heroes, revamped with an Iron Man-style suit.

This is Armored Warfare God: Sun Wukong. Also known as the Monkey King, Sun Wukong is one of the classic characters of Chinese legend and lore.

[QUOTE]

@AceTaiwan
Follow @AceTaiwan
More

https://www.techbang.com/posts/63382-chinese-film-mechatronic-waratahs-monkey-king-this-shape-is-determined-not-to-iron-people?from=home_news

8:40 PM - 16 Dec 2018

Not only is Sun Wukong the main character in one of Chinas greatest works Journey to the West, but he also inspired and spawned Goku in Dragon Ball.

Now, the Sun Wukong character has been reworked for modern Chinese cinema audiences, complete with an Iron Man type suit, monkey motif mask and questionable CGI. It certainly does not appear connected with Marvel!

//youtu.be/e_BJutwV0Bs

As ET Today reports, the reaction online in China has been harsh, with Marvel fans calling out the filmmakers.


Screenshot: CH51


Screenshot: CH51

Chinese language media has been quick to point out obvious similarities with the Iron Man movies.

Armored Warfare God: Sun Wukong comes out tomorrow in China.[/QUOTE]

I wanna see this. :stuck_out_tongue:

THREADS
Armored Warfare God: Sun Wukong
Chinese Counterfeits, Fakes & Knock-Offs
Monkey King

I still wanna see this

This Iron Man knockoff got laughed off the internet
Zheping Huang
JAN 02, 2019
A new CGI movie adaptation of beloved Chinese classic Journey to the West has met an untimely demise. Meant to be a futuristic spin on the mythological classic, the movie instead got laughed off the internet because its armor-clad hero looks a little too much like Iron Man, from Marvel Comics franchise.

The film, titled Armored War God Monkey King, was expected to stream exclusively on Tencent Video over the festive period, but got yanked before debut, as Marvel fans in the world’s largest internet market pelted it online.


Photo: QQ

The promotional trailer of the film drew much flak online after it showed the Monkey King, also known as Sun Wukong, getting a makeover that included wearing a bright red-and-gold armored suit and headgear, with an artificial intelligence-powered assistant and display—similar to that used by Iron Man, the superhero alter ego of business magnate Tony Stark in the Marvel Cinematic Universe.

Armored War God also features a hi-tech version of antagonist Yang Jian, the three-eyed god in the novel. Yang wears a silver-coloured, full-body armor that people thought was way too similar to War Machine, Iron Man’s buddy.


Yang Jian (L) and Sun Wukong, in the trailer. / Photo: QQ

How dare you?

The trailer ignited outrage in China’s internet community. “Stan Lee passed away not that long ago. How dare you?” one wrote on microblogging site Weibo, referring to the late iconic Marvel comic books writer, editor, and publisher.

The film’s producers, Daishu Movie of Beijing, and Guangzhou-based Grandmet Presentation, said they took inspiration from Iron Man, the Transformers film franchise and Japan’s Gundam series of giant robots.


The movie poster, before debut. / Photo: QQ

“We can make armored heroes that belong to China,” the producers said in one of the film’s promotional videos. “No matter how difficult the process is, we’ll carry with us our childhood dreams, presenting to the world a Chinese-made smart armor.”

But that attempt to tap into nationalist sentiment did not prevent their film from being yanked off the schedule of Tencent Video, which also removed the unpopular trailer.

The official Weibo account promoting the film was also deleted.

Neither Tencent nor the producers responded to our request for comment.


Sun Wukong’s AI-inspired dashboard, similar to what Iron Man uses in Marvel movies. / Photo: QQ

Sorting out intellectual property rights as online video soars

The widespread criticism of Armored War God has come as intellectual property rights remain a key issue in China’s trade war with the US.

US President Donald Trump has repeatedly lashed out at China’s lax IPR protection laws, forced technology transfer and alleged IP theft, saying they cost the United States as much as US$600 billion each year.

Development work on Armored War God started in 2016 and film production took a month, with more than 200 people involved in post-production work, according to a press release cited by Chinese media.

To be sure, China’s online film market has been booming, helped by the wide adoption of online streaming services like Tencent Video, Baidu-backed iQiyi and Youku Tudou, a subsidiary of Alibaba Group Holding. These platforms are tapping into Chinese consumers’ growing appetite for original content. Alibaba is the parent company of the South China Morning Post.

Still, it is not uncommon for Chinese studios to take inspiration from Hollywood and their domestic peers. For example, a 2016 Chinese online film called Mad Sheila ripped-off the plot and some characters from Oscar-winning post-apocalyptic action film Mad Max: Fury Road.

After Chinese comedy film I Am Not Madame Bovary became a hit two years ago, copycat films followed, sporting titles like I Am Madame Bovary and Who Killed Madame Bovary?.

This story was adapted from an original article published in the South China Morning Post.

Zheping Huang
Zheping is a technology reporter covering cryptocurrency, blockchain and gaming for the South China Morning Post. He is a contributor to Inkstone. Previously he wrote about China for Quartz.

THREADS
Armored Warfare God: Sun Wukong
Chinese Counterfeits, Fakes & Knock-Offs
Monkey King

A Korean Odyssey

//youtu.be/EnHMWsTF4u0

Anyone watch this? I just read where it’s a Korean take on Monkey King and that it’s available on Netflix. It’s got to be better than The New Legends of Monkey.

Pigsy!

New for 2019! Year of the Pig T-shirts & Hoodies!

Monkey King
Year of the Pig

This book money king is awesome! Thanks for recommendations. But, I would not agree with the author in one statement - that you shouldn’t take loans. Loans sometimes may be the only solution for you. Especially if we’re talking about Payday & Installment Loans, these are the most powerful instruments on the market right now.

Our newest exclusive web article

HAPPY LUNAR NEW YEAR! READ Chinese New Year 2019: Year of the Dirty Pig by Gene Ching

THREADS
Year of the Pig 2019
9 teeth rake
Monkey King

Thanks for sharing, ghostexorcist

I’m copying your A comparison of Sun Wukong and Wu Song post to our two relevant threads: Monkey King & The Water Margin / Outlaws of the Marsh.

Song

I know he’s just got two posts as of this one, but I’m giving Song Yadong is own thread beyond just Shaolin in the Ring and Cage & China MMA. I’m also copying this to our Monkey King thread for cross-ref.

[URL=“https://www.scmp.com/sport/martial-arts/mixed-martial-arts/article/3017611/ufc-239-chinas-song-yadong-inspired-jet-li”]
UFC 239: Chinas Song Yadong inspired by Jet Li and the Monkey King is out to conquer the world
The 21-year-old Chinese phenom blows veteran fighter away in Las Vegas and sets his sights on UFC Shenzhen
Kung Fu Monkey trained outside Shaolin Temple as a child before turning up at Team Alpha Male and Hall of Famer Urijah Faber is his biggest fan
Mathew Scott
Published: 7:59pm, 7 Jul, 2019


Song Yadong celebrates a win at UFC Singapore. Photo: Handout

If Alejandro Turbo Perez had managed to eye the clock just before his head hit the canvas he might have seen that 2:04 of the first round had elapsed in his bout against Song Kung Fu Monkey Yadong.
Whats more likely, though, is that Mexicans lights were already out, and that he woke seconds later simply wondering what the hell had hit him.
Fans across North America were left pondering the very same thing.
Not much had been known, stateside, about the 21-year-old bantamweight (14-3, two no contests) before Sundays heroics at the T-Mobile Arena in Las Vegas and a huge right hand ended the night for a Perez who was eight years older and of considerable more experience, in UFC terms at least, at 21-8-1.

[QUOTE]Embedded video

Niall McGrath

@niallmcgrath4
Heres the finish from Yadong

pic.twitter.com/G5lnX98R9h #UFC239

27
5:17 PM - Jul 6, 2019
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Hall of Famer Urijah Faber had been preaching from the MMA pulpit ever since Song turned up at his Team Alpha Male gym in Sacramento asking for his skill set to be fine-tuned.
In Vegas over the past week Faber had been telling all who listened what Song was all about, continuing a sermon that started in Singapore back in June last year, not too long after hed started working with the Chinese fighter.


Song Yadong at UFC Shanghai. Photo: Handout

All this kid wants to do is learn, Faber said back then. You teach him something and he wants to practise again and again. You almost have to force him out of the gym.
But Asia and China in particular has over the past 18 months taken the rising star from Tianjin to heart, as has the worlds premier promotion as it spreads its reach through the region, and into the Middle Kingdom.
As the second-youngest fighter on the UFCs books Song stood smiling, once his arm had been raised and his record in the promotion had been stretched to a 4-0 that now includes two performance of the night bonuses. Song just keeps stepping up.

I was practising that punch. My coach made that call for me to train that specific technique, Yadong said. I was prepared to fight all three rounds. I didnt expect to finish the fight so fast. Im very happy with the win. I want to fight a top 10 opponent next.
Hes certainly earned it and the UFC certainly know theyre on to a good thing.
Theres the Song origin story, for starters.


Song Yadong poses on the scale during the UFC Fight Night weigh-in at the Mandarin Oriental on in Singapore in June 2018. Photo: Jeff Bottari/Zuffa LLC via Getty Images

So keen was the young Song on finding a career as a fighter that his family agreed to send him to the kung fu schools that line the walls of the famed Shaolin Temple when he was just nine years old. It was a tough life, long hours of training and chores.
But Song says that it still wasnt enough. He wanted not so much to train but to fight.
I had watched a lot of kung fu movies, so I wanted to be like my heroes, like Jet Li, Song said last year. I went to Shaolin and I trained, getting up each day at 5am. It was harder than I ever expected. I left Shaolin after two years and then I learned about MMA. I like the action, I like the fact every fight tests you and that you always have to work to be the best fighter you can be.


Song Yadong (right) in action at UFC Singapore. Photo: Handout

And so the journey shifted to MMA and to a fake ID that had Song inside the MMA cage at the age of 15. He drifted through the regional promotions while still a wide-eyed teen from One Championship, through Kunlun Fight and Wu Lin Feng. But then came a late call-up as the UFC made its debut in Shanghai in November 2017.
Little, again, was known about Song until, that is, he demolished Indias Bharat Daring Khandare (5-3) and looked for all the world that he was born to fight among the worlds best, despite the fact he was still 19.
After Sundays fight, and after hardly raising a sweat, Song called on the UFC also to throw him back into the fray as part of its Shenzhen card on August 31.


Song Yadong is now 4-0 in the UFC. Photo: Handout

That event features a first for China as Zhang Magnum Weili (19-1), who faces Brazilian champ Jessica Andrade (20-6) for her strawweight belt and looks to be crowned the first UFC champion from her nation.
Last month, the UFC opened the doors on its multimillion dollar Performance Institute in Shanghai, with boss Dana White declaring itll be a game-changer for local fighters.
Song will no doubt see whats on offer there, as will his good friend and Team Alpha Male gym pal Liu Pingyuan (13-5), the fellow bantamweight whos up next for China, against American Jonathan Martinez (10-2) on the UFC Fight Night 155 card in Sacramento on July 13.

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Chinese fighters are on a 15-6 UFC record since the start of 2018, and Song for one believes things are only just getting started.
I will be working towards the belt, he told the media after Sundays win. I dont know when it will happen but Ill be working hard, waiting for the chance to happen.[/QUOTE]
****, this weekend in Sacto, but I’m already booked for the ITKFA Championships.

Monkey King

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Monkey King

First forum review. Now on Amazon Prime.

I should trust Wang Baoqiang more. He’s a Shaolin-trained celebrity who grew up in Shaolin village. Maybe he was one of the thousands of kids I saw when I was there. Now he’s leading the pack of pop Kung Fu Comedies, now that Jackie and Stephen have faded in their humor. In some ways, BiI is what Jackie’s Kung Fu Yoga and Stephen’s Journey to the West aspired to be, with that distinct Baoqiang ‘buddy flick’ formula. It’s PRC meets Bollywood, colorful (yes, several dance numbers), fightful (yes, swordfights and some decent one-er wire-fu), scenic (yes, obligatory ancient ruin locations), crass (yes, **** jokes), racist (yes, poor mexicans in the chili eating contest), cliche (yes, buddy-break-ups-&-reconciliations), cheesey (yes, cartoonish cgi), foreign (yes, a few hairpin turns outside our cultural box), long-winded (yes, even at only 99 min runtime) and epic (yes, this is a wicked spin on the Monkey King and Hanuman legends).

It’s far from perfect, but it’s a taste of what PRC thinks might win Chinese audiences and crossover to Bollywood, with absolutely no consideration for the Hollywood market. And it did $100M in PRC so not too far off the mark (can’t find India Box stats).

As a huge fan of Journey to the West and the Ramayana, the monkey king aspect really worked for me. I’m not confident it works for anyone not well familiar with the trappings of the Chinese and Indian filmmaking or those legends. Note that this is very much a Chinese New Year flick.

I’m attaching the trailer but I’d advise NOT watching it if you intend to watch this movie. The trailer has a lot of joke spoilers.

//youtu.be/VstuqrPn_W0

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Sun Wukong, Nezha, and More Feature in Shanghai Animation Studios’ Winter Sports Prom

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Winter Olympics 2022

Some fan fiction

Journey to the West
AMERICAN DEMONS

I have not read this but maybe someone here will and review it.

New translation from Julia Lovell


Monkey King: Journey to the West
Wu Ch’eng-en Julia Lovell (Translator)
One of the world’s greatest fantasy novels and a rollicking classic of Chinese literature, in a sparkling new translation and published in a Clothbound Classics edition.

A shape-shifting trickster on a kung-fu quest for eternal life, Monkey King is one of the most memorable superheroes in world literature. High-spirited and omni-talented, he can transform himself into whatever he chooses and turn each of his body’s 84,000 hairs into an army of clones. But his penchant for mischief repeatedly gets him into trouble, and when he raids Heaven’s Orchard of Immortal Peaches, the Buddha pins him beneath a mountain. Five hundred years later, Monkey King is finally given a chance to redeem himself: he must protect the pious monk Tripitaka on his journey in search of precious Buddhist sutras that will bring enlightenment to the Chinese empire.

Joined by two other fallen immortals - Pigsy, a rice-loving flying pig, and Sandy, a depressive river-sand monster - Monkey King does battle with Red Boy, Princess Jade-Face, the Monstress Dowager, and all manner of dragons, ogres, wizards and femmes fatales; navigates the perils of Fire-Cloud Cave, the River of Flowing Sand and the Water-Crystal Palace; and is serially captured, lacquered, sautéed, steamed and liquefied - but always hatches an ingenious plan to get himself and his fellow pilgrims out of their latest jam.

Comparable to The Canterbury Tales or Don Quixote, Monkey King is at once a gripping adventure, a comic satire and a spring of spiritual insight. With this new translation by the award-winning Julia Lovell, the irrepressible rogue hero of one of the Four Great Classical Novels of Chinese literature has the potential to vault, with his signature cloud-somersault, into the hearts of a whole new generation of readers.

This Monkey King thread has evolved into a master thread for Journey to the West. Maybe I should change the title some day…

Monkey King

Read my latest interviews for Den of Geek: DC Introduces New Hero in Festival of Heroes: The Asian Superhero Celebration

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Netflix

…in 2023? That seems like a long time from now.

May 20, 2021 9:00am PT
Stephen Chows Monkey King, Plus Boons and Curses and Mech Cadet, Coming to Netflix in 2023

By Elaine Low


Netflix
Three new animated feature films and series from Asian American creators are coming to Netflix in 2023, including Stephen Chows The Monkey King, starring the voice talents of Jimmy O. Yang, Bowen Yang, Jolie Hoang-Rappaport, Jo Koy, Ron Yuan, Hoon Lee, Stephanie Hsu, Andrew Pang, Andrew Kishino, Jodi Long, James Sie and BD Wong.

The Monkey King is inspired by the famous Chinese tale Journey to the West, in which a special monkey fights gods, demons, dragons and his own hubris. The film is executive produced by Chow, with Over the Moons Peilin Chou and How to Train Your Dragon 2s Kendra Haaland producing. Anthony Stacchi (The Boxtrolls) is directing.

The Monkey King has endured for generations with his unique character and spirit, said Chow. Im so excited to be collaborating with Tony, Peilin, and everyone at Netflix to bring this joyful tale to audiences worldwide!

Additionally, Boons and Curses and Mech Cadets are also hitting Netflix in 2023. From creator and executive producer Jaydeep Hasrajani and series co-executive producer Jake Goldman, Boons and Curses is a comedy-action animated series set in the magical land of Maya, where a cosmic war looms. Inspired by ancient South Asia, the adventure comedy centers on a three-foot-tall hero made of butter, who takes on Raj and his monstrous army. The show is described as: Claiming to be a cursed warrior from another time, Baan may have been transformed into solid ghee but he wont let that stop him! Teaming up with Rani, a young thief with delusions of grandeur, Baan must use every arrow in his quiver if he wants to defeat the Raj.

Growing up, I used to think of the hyphen in Indian-American as a separator between two parts of myself, said Hasrajani. With Boons and Curses I want to turn that hyphen from a wall into a bridge, not just for me, but for anybody who has ever felt that they were caught between two worlds. Using the beauty of South Asian mythology, folktales, and culture, our talented and passionate crew is so eager to share an exciting and hilarious adventure that can resonate with everyone the world over.

Mech Cadets is an animated series based on the Boom! Studios series Mech Cadet Yu from Greg Pak and Takeshi Miyazawa, executive produced by Boom! Studios, Japanese studio Polygon Pictures Inc. and Aaron Lam, who also serves as the writer and an executive producer.

Set 50 years in the future, after a terrifying alien species attack, teenager Stanford Yu works as a janitor at the Sky Corps Military Academy. But hes only dreamed of one thing his entire life to pilot a Robo Mech, giant robots from outer-space who came to our aid. When he finally gets his shot, Stanford and his classmates must put aside all personal differences and work together as a team in order to defend humanity against a new invasion of aliens.

It is important for us to create stories that exemplify our teams diverse voices and art as a studio based in Tokyo, Japan, said Polygons Jack Liang. As part of our mission to do what no other has done, in unparalleled quality, for all the world to see and enjoy, we are ecstatic to have alongside with us, our supervising director, Tohru Patrick Awa, writer and executive producer, Aaron Lam and our talented diverse team of writers, to visualize the wonderful story created by Greg Pak, Takeshi Miyazawa and Boom! Studios. We all are honored to
work with Netflix, and to tell a story that we hope will inspire future storytellers around the world.

Said Netflix Animation manager Jane Lee: These films and series join our incredible slate of animation from world class Asian American creators with different styles, unique voices, and a broad range of stories to tell including Academy Award-nominated film Over the Moon from Glen Keane, Gennie Rim and Peilin Chou; City of Ghosts from Elizabeth Ito; and upcoming series and films like Centaurworld from Megan Nicole Dong; Oni from Daisuke Dice Tsutsumi; Ghee
Happy from Sanjay Patel; Witch Boy from Minkyu Lee; and Steps from Alyce Tzue.

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