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Like I’ve been saying “After over a decade of dormancy, Diesel is relaunching the xXx franchise in hopes of gaining global respect with more ridiculous action, or at least a decent box office return. And that means China. China is the second largest film market. The first thing you see at the start of xXx: Return of Xander Cage are the logos for China’s Huahua Media and Shanghai Film Group.” xXx: Return of Xander Cage: Donnie, Tony, Bisping and Deepika by Gene Ching
Vin Diesel Surprise: ‘xXx’ Sequel Could Be China’s Biggest Hollywood Hit This Year
Franchise superstar competes with his own all-time China box office record set by “Furious 7” in 2015
Matt Pressberg | February 1, 2017 @ 4:30 PM
Paramount
Paramount’s action thriller “xXx: Return of Xander Cage” arrives in China on Feb. 10, right after the Lunar New Year. And with a Hollywood headliner that has a massive Chinese fanbase, a couple local A-listers and insane stunts that should be catnip to the country’s action-loving audience, the studio is positioning the film to make a loud entrance in the Year of the Rooster.
The film, which stars Vin Diesel, Nina Dobrev, Ruby Rose, Deepika Padukone and Chinese superstars Donnie Yen and Kris Wu, certainly has the ingredients to be one of the biggest Hollywood movies to ever play in China. That would put “xXx” up against Paramount’s “Transformers: Age of Extinction,” which reeled in a then-record $320 million at the Chinese box office when it debuted in 2014, and Diesel’s “Furious 7,” which raced to $391 million in the Middle Kingdom and remains an all-time record for an imported film.
Nic Crawley, the president of international marketing and distribution at Paramount, didn’t demur when asked whether “xXx” has a chance to hit those lofty numbers.
“This has China written all over it,” Crawley told TheWrap.
And there are a bunch of factors pointing in that direction, including a favorable release date, which is granted at the whims of China’s state censors. “xXx” hits theaters right after China’s annual New Year blackout, during which only homegrown films are permitted, with an audience likely hungry for something different.
“We have high hopes that they saw in this movie a movie that can do really well there,” Crawley said. “I feel they treated us so kindly by giving us that date.”
Crawley said Paramount is trying to take advantage of the flurry of activity in the country around the holiday, particularly the hundreds of millions of people who are expected to travel around China.
“We’re trying to make sure we’re in train stations and airports,” Crawley said. “We have digital and online content. Also, and most important to me: Let’s make sure our trailer is up with many of these great local movies and seen by as many of the cinema-going audience as possible.”
However, one important local market indicator could dampen some of the optimism surrounding “xXx’s” box office potential: online presales.
Jonathan Papish, an industry analyst at China Film Insider, says the film is starting to get a healthy amount of buzz and could comfortably land in the $100 million to $150 million range, but said there’s nothing in the presales data that would indicate anything like the “Furious 7” windfall.
“Presales started more than a week ago and are only up to about $75,000,” Papish said. “Kris Wu commands a huge online presence and his fans are known to purchase tickets ahead of time, but we just aren’t seeing that with ‘xXx.’ Of course, presales could pick up once hype from the popular Chinese New Year movies dies down.”
To compare, “Warcraft,” which made $221 million in China, had $3 million in presales more than a week out from its opening.
Paramount
Some of that slow start is likely due to Chinese New Year hangover, but Paramount has also yet to fully unleash Diesel and crew on the Chinese market, where he’s a megastar best known for playing Dom Toretto in the “Fast and Furious” movies. Diesel and the rest of the film’s headliners will travel to Beijing next week for press events and fan screenings.
“Vin has a massive following in China,” Crawley said. “What Vin has done with the ‘Fast and Furious’ franchise is phenomenal. He’s such a leader and spokesperson for that franchise. We know he was equally excited to bring Xander Cage back to the big screen. Of course, it’s reminiscent of some of the ‘Fast and Furious’ material.”
Diesel, who was the first actor to get 100 million Facebook likes, may be a huge name to China’s netizens, but he has work to do to promote “xXx.” The film’s official account on China’s Twitter analogue Weibo hasn’t exactly set the internet on fire despite plenty of effort.
“‘xXx’s’ official Weibo is the most active I’ve ever seen for a Hollywood movie,” Papish said. “They formed the account all the way back in November 2015 and have been posting content nearly ten times per day for a few months. That said, they’ve only racked up 31,000 followers in all that time.”
Diesel’s co-stars Yen and Wu should help expand the film’s audience by tapping into their devoted local fan bases. But Yen’s role in “Rogue One: A Star Wars Story” couldn’t singlehandedly save the film at the Chinese box office: it sputtered, making just $62 million there. Crawley thinks Diesel and the film’s female stars, including Dobrev, who has a significant following in China, should mitigate that.
“Where China has an emotional connection to ‘Transformers,’ it doesn’t seem they have quite a connection to the ‘Star Wars’ franchise,” Crawley said. “Our movie — because of Vin, because of Kris, because of our actresses — we find ways to connect with different audiences.”
The stunts in “xXx,” which include Vin Diesel skiing through a tropical jungle, also seem tailor-made for China’s young-skewing theatrical audience. Crawley said the film’s aesthetic is certainly in China’s sweet spot, but also in other international markets.
“As the head of international, this is just exactly the type of movie we want,” he said, comparing the stunts in “xXx” to those in “Mission: Impossible – Rogue Nation,” which made $136 million in China.
Paramount can also count on a secret weapon beyond Diesel and Yen, marketing partner (and new slate financier) Huahua Media. Huahua’s marketing expertise, which included original songs and TV tie-ins, helped propel previous Paramount films like “Transformers: Age of Extinction” — which had the biggest-ever box office gross for a Hollywood movie in China when it premiered in 2014 — to banner performances in the Middle Kingdom. Paramount and Huahua are revisiting some of the same tactics this time around, and focusing on the third- and fourth-tier cities well beyond Beijing and Shanghai that can often determine whether a movie succeeds or flops in China.
“We know music helps, hence we had Kris Wu record a track called ‘Juice,'” Crawley said. “We shot the music video here in L.A. and Vin’s in the video.”
Papish said Paramount was smart to bring in Huahua and focus on the third and fourth-tier cities, but he would be surprised if “xXx’s” box office comes close to “Age of Extinction.” That’s not entirely the movie’s fault — China’s box office slowed down last year after years of double-digit growth, up just 4 percent in local currency and actually down year-over-year when converted to dollars, as reduced online ticket subsidies took a toll.
“Don’t get me wrong, this film is still going to be a surprising success at the box office, and I think Paramount was right to partner with Huahua to target lower-tiered cities, but $300 million plus?” Papish said. “Come on!”
But word of mouth can push a film to a surprising performance in China, even when presales don’t indicate an opening-weekend bonanza. “Zootopia” took advantage of that, especially in lower-tier cities, and the film made more in its second and third weeks than it did during its opening seven days on its way to $236 million at the Chinese box office, making the animated hit the second-highest grossing film of the year there. And with popular, social media-savvy stars like Diesel, Yen and Wu, “xXx” is well positioned to generate plenty of buzz — maybe enough to stay in China’s theaters long enough to threaten some of its biggest-ever Hollywood imports.
“It’s the word of mouth that will bring you in and keep you on screen,” Crawley said. “You have to open big and you have to stay strong day-by-day. Or the powers that be will start dropping you off screen.”
Censors, meet Vin Diesel’s fan base.
