Finally, OB2 hits the U.S.
And in come the reviews…
“Ong Bak 2” a treat for martial arts fans
Tue Oct 20, 2009 1:42am EDT
By Daniel Eagan
NEW YORK (Hollywood Reporter) - A hit throughout Southeast Asia when it was released last year, “Ong Bak 2” is a throwback to the kung fu flicks of a previous generation. First-rate action scenes alternate with florid melodrama, and jaw-dropping stunts try to compensate for saccharine plot twists. An excellent vehicle for martial-arts champ Tony Jaa (the screen name for Panom Yeerum), “Ong Bak 2,” opening Friday (October 23) from Magnet Releasing, will please action fans while drawing barely a glance from mainstream viewers.
The original “Ong Bak,” which also starred Jaa, was a thriller set in present-day Bangkok and dealt with smuggling, poaching, drugs and slavery. While it hits on many of the same topics, “Ong Bak 2” takes place in the 15th century and is built around a political feud between decadent rulers and their opponents.
Jaa plays Tien, forced on the run as a child after his parents are murdered, and then raised in a rebel gang led by Chernung (Sorapong Chatree). Headquartered in a majestic jungle hideout, the Garuda Wing Cliff rebels operate much like Robin Hood’s men, staging raids on local despots and liberating enslaved peasants. Tien works his way up to leader of the gang, then sets out on his own quest for vengeance.
It takes almost a half-hour for Jaa to appear on screen, and for large stretches his acting, including his fighting, feels a bit perfunctory. Kung fu aficionados will appreciate the sequences showing Tien’s martial arts training, captured in loving detail.
The action is surrounded by impressive filmmaking. Jaa jumps across a herd of elephants, leads attacks on enormous castles and takes part in elaborate ethnic dances, supported all the while by strong production design, wonderful costumes and assured editing.
Like the original, “Ong Bak 2” leads up to a slam-bang finale in which Jaa takes on dozens of opponents in a fight to the finish. Here’s where his skill and dedication come into focus. Even the most jaded viewer can’t help but be astonished at Jaa’s athleticism as he leaps, spins, flips and at one point takes a three-story fall.
You are not likely to see a better display of martial arts combat on screen for some time, even if you have to put up with some excruciating contrivances to get to it.
Ong Bak 2: The Beginning’
* Originally published October 19, 2009 at 1:16 p.m., updated October 19, 2009 at 2:21 p.m.
Friday 10-23 release () —
ByCary Darling
McClatchy Newspapers
(MCT)
The climactic scene in “Ong Bak 2: The Beginning,” a fierce battle between the put-upon Tien (played by actor/director Tony Jaa) and an ever-expanding hive of willing yet incompetent ninjas, is such a brutal and beautiful explosion of choreography and kung-fu craziness that it qualifies as one of the best martial-arts fight scenes ever.
Apparently, Jaa and co-director/writer Panna Rittikrai thought so, too, because they really didn’t come up with much of a movie to go with it. A sequel in name only to “Ong-Bak: Muay Thai Warrior,” the global hit from a few years back that made Jaa a star among action-film enthusiasts, Ong Bak 2 is really just an excuse for several jaw-dropping set pieces that show off Jaa’s killin’ skills.
Set in medieval Thailand, when warring clans fought for power, the film attempts to tell the story of Tien, a man who is torn from his family, raised to be a warrior, and then sets out for revenge. But it’s all so muddled, convoluted, and needlessly self-important, it’s hard to tell what’s going on and why.
But when push comes to shove, which it does early and often in “Ong Bak 2,” none of that really matters. It’s all about the fighting, which is the only thing Jaa fans care about anyway. (Although some might also be enthralled by the handsome cinematography.) And the beatdowns — sometimes involving elephants who just happen to be friends of Tien’s — are epic.
Still, if there’s an “Ong Bak 3,” Jaa might take a cue from the year’s other knockout kung-fu film, “Chocolate” (incidentally, directed by original “Ong-Bak” director Prachya Pinkaew), and come up with a simple yet engaging story viewers might actually care about. Until then, get ready to rumble