Let me give you a brief…if possible, histoy of attempts to improve Chinese Martial Arts (CMA) in the US.
Way back when about 1984 or 1985, there were NO CMA events. You had to go to things like NASKA and deal with Karate judges for form and fighting. If you were lucky, you might have ONE division for ALL CMA forms and ONE for ALL weapons. GET REAL…
Then we in Houston tried something novel. We formed the Southwest Regional Chinese Martial Arts Association. We then ended up in 1985 with the FIRST CMA ONLY competition. It was held at the Hofheinz Pavilion at Univerisyt of Houston. I was the technical coordinator of the event. We tried to gather as many of the qualified teachers for judges as possible. Jeff Bolt was the organizer and promoter.
It was rough but it was the first of its kind. The scope of the organization was too small and was ONLY for traditional wushu. then in a year or so, we held the first CMA ONLY national event at the Wyndham hotel in Houston. It was the largest of its kind and the FIRST one to be held in something other than a gymnasium. In fact, the hotel ballroom and convention center events of today were patterned after this one. It was a technical success but a financial failur. Jeff Bolt (my teacher at the time) spent a good while digging out of the red ink. But from this came the formation of the USCMAC (US Chinese Martial Arts Council). We continued to work on the rules for competition. We began to try to get TRADITIONAL WUSHU folks from across the country involved and we also began to include CONTEMPORARY WUSHU divisions in the plans. The TRADITIONAL divisions ran according to traditional rules and the Contemporary divisions ran according to the IWuF rules. People like Nick Gracenin, Pat Rice, Jimmy Wong, Liang Shouyu, and others began to be heavily involved.
Then, Philip Starr with the AAU came in with his words of “Lets work together” WE all took him at his word. Then a few months later he is setting the AAU against the USCMAC for his own personal gain. This caused things to stagnate for a couple of years.
In 1989, there was another large event in Houston. At that time, Grandmaster Wang Jurong attended from Shanghai…as judge in Chief. She was then selected to head the USCMAC as honorary advisor.
Then in 1993 or 1994…memory for dates is what it is… NACMAF and USCMAC joined forces. NACMAF was headed by Anthony Goh and had been running according to some haphazard rules.
Madame Wang remained as the advisor and the head official at all national events. Anthony Goh became president with Jeff Bolt as vice-president. Jeff Bolt could have easily been the president then if he had wished…but he was wanting to take a lesser role and work on improving things rather than adminstrative stuff.
Folks like Tai Yim, Brendan Lai, Chan Poi, etc… were involved. Then, one by one, Anthony Goh alienated them. It was typically his way or the highway. Others of us worked at keeping things going and improving the rules.
I personally wrote the first software programs to automate the management of a CMA competition. Goh then had one of his folks rework the ideas but in such a way that it did more to mess things up than to streamline the event.
I continued with others such as Vince and Daphne Curtis, Tim Niiler, Ty Nunez, and many more to develop the rules…and push for judges training and certification. Most of the board was for it but NOT Goh.
In 1999, Goh took some liberties with nominating an ineligible person to sit on the IWuF technical committee as well as in using USAWKF letterhead to call for the removal of then IWuF chairman, Li Jie WITHOUT approval or a vote from the highest USAWKF body, the Board of Directors.
Jeff Bolt was requested and convinced to call for a vote to request Goh to resign. The vote was held and Goh was requested to resign unanimously. Some board Members then rescinded their vote and Liu Yu and Jimmy Wong, in disgust with Goh and the turncoat members who would not stand their ground, resigned. Jeff Bolt spoke with them about how important it was to stay united and they rescinded their resignations…
Goh has maintained that the vote was illegal. It has been held legally several times since and has resulted in Goh being removed. Goh still refuses to recognize it.
As far as the US is concerned, Goh has no real control. The only thing he has is a seat on the CONTEMPORARY WUSHU’s PRC organization, the IWuF and the PANAM council…but this is only for the Contemporary Wushu competitiros for the USA Team.
once Goh was gone, we reworked the rules and events and improved them.
The court case was NOT where Goh won. It was requesting a court injuction for Goh to cease and desist. However, Maryland law, where the USAWKF was incorporated, requires the plaintiffs to prove that without the injunction, the organization will be irreparably harmed - perhaps driven into non-existence or bankruptcy…or ruined reputation wise… This was not done to the court’s level although the case was possible to remove Goh…but this can run into tens of thaousands of dollars…for what?
The board has chosen to continue on to improve things regardless of Goh.
Goh supported people who worked to have crooked judging…I personally ran afoul and had many arguments with such people. An event is ONLY as good as the honesty and sincerity of the judges. Without that, it is worthless.
We have worked on getting ANYONE involved who wants to make things better.
Try WWW.USAWKF.COM NOT .ORG… and send Jeff Bolt E-mail for any information or ideas. He WILL respond. Try the same thing with Goh…see how long you wait.
"A required certification for judging might not be a bad thing, either. "
That is exactly the direction we are going. We are trying to make it so that at any event, the judges are INVITED by their qualifications. If you are not qualified and invited, you don’t judge…gone are the days of “This is my teachers brother…he can judge too”
"People could be required to become certified to judge particular forms or styles in competitions. As long as you can actually get them to go through the process and actually be at the tournaments so that you get some results from the system, I don’t see what’s wrong with that. "
That is the direction we are going. Having people go from competitor, to judge in training…where you have to work at EACH job in the event so you know what happens administratively…and then training with video and demos of what to look for and how to score…so it is consistent. This takes time to develop…and many of us have other jobs…
"Leading coaches in the arts should be willing to help set up standards and judging criteria. Interstyle criteria would then be in order for those characteristics judges should look for that are common to all styles, as well as style specific criteria so they know what special characteristics should be present in specific styles. "
You would think so…but many times, the best judges are NOT the most exalted teachers. Judging requires a broader level of knowledge and a more open mind. For example, I had one competition where in a Trad. Northern Division, a competitor came out and did Trad. Fanziquan. Fanzi is Trad. northern…but I only had ONE judge besides myself who knew what they had seen. That type of thing requires training.
“With input from a number of sources, no one school or sub-style or whatever would be able to dominate through influence, only through superior performance.”
EXACLTY!!!