Lycanthropy and the Martial Arts

In a great many reported cases of lycanthropy, better known as Werewolfism, the accused were said to have used “black magic” to unleash their inner beast, transforming their outer appearance, and to have committed acts of terror that no normal man would. There were certain Viking warriors who donned the skins of wolves and bears and ingested powerful hallucinogenic and psychotic substances in order to achieve the same, and they utilized this inner beast to fight in battles, often fighting so furiously it is said that they killed many men and yet came out unharmed themselves. The enemies’ weapons “would not bite.” In some peoples with shamanic traditions, animal totems are found for people to empower them with the spirit of the animal.

The theory of the Triune Brain, which states that we have three levels of our brain, Reptilian, Mammalian, and Human, is very much related to this phenomena. The specific section we are concerned with here is the Reptile Brain, the Brain Stem, consisting of the medulla oblongata, the pons, and the mesencephalon. It controls motor, sensory and reflex functions. The pons is a liaison between different parts of the brain and facilitates coordination between left and right sides of the body as well as those of the face and jaw. The medulla oblongata connects the brain and spinal cord, and controls several involuntary functions such as heartbeat, breathing, and temperature regulation. The mesencephalon, or midbrain, controls some seeing and hearing reflexes. The reptilian brain is concerned with survival; fight, flight, or reproduction.

What does this have to do with lycanthropy? In the sense of shape-shifting and “black magic,” nothing at all. But when it comes to the mind-state of animals, it means a lot.

According to Erle Montaigue, in his book Advanced Dim-Mak: The Finer Points of Death-Point Striking , after he published information on the Triune Brain and its relevence to martial arts training, a man wrote him, claiming that he had “…visited a part of Borneo where a native priest was able to place young men into trances that caused them to be like wild boars and allowed them to enter their reptilian brains. This was a rite of manhood, and it’s purpose was to enable the young men to understand the animal world by becoming animals themselves.” While in this mind state, the young men were able to eat things deadly to humans with no ill effects, and supposedly do other things as well that were not listed, though I expect them to be along the lines of legends of werewolves and Berzerkers, such as acts requiring improved strength and reflexes.

LaVey’s essay, How to Become a Werewolf; The Fundamentals of Lycanthropic Metamorphosis; Their Principles and Their Application , begins, “Anyone is a potential werewolf. Under emotional stress civilized human qualities regress to basic animal reaction, and a threshold of potential physical change is reached.” He then goes on to list requirements for metamorphosis, including a preparation phase which involves inducing extreme emotional changes, meant to alter the state of the mind enough to unleash the power of the reptilian brain. The emotional triggers he lists as causing this altered state are the three principle emotions of sex, sentiment, and wonder. Which correspond to reproduction, fight, and flight repectively.

Now, we in the martial arts are able to enter this mind state without the outside aid of a shaman or drugs, and we only need to touch upon the emotional aspects LaVey focuses on.

Physically, we affect postural changes which allow us to enter the reptilian brain. A slight widening of the eyes, drawing the ears back, bowing the back, hollowing the chest, spreading the fingers, opening and sitting the kuas, etc. These things are all done to bring Yang energy up so it can be utilized, especially things like spreading the fingers.

The written Classics passed down to us by past masters, like, Chiang Jung-chiao, tell us to do specific physical things. We are told to move like a dragon, gaze like a monkey, sit like a tiger, and overturn like the eagle. Stuck in there with instructions for movement, are instructions for what to do with the eyes. For those who practice animal forms, watch a television special on monkeys, and the next time you practice your monkey form do with your eyes what the monkey does with his. Remember when you change directions, to look out of the corner of your eyes before moving in that direction without turning your head. If you pull your ears back (provided you can) a bit, do so.

Also on the physical level, we train in natural flowing movements so that they become second nature to us, programming our reptile brain to use those movements instead of others. Have you ever finished a good session of double push hands and felt your arms wanting to move on their own? Have you ever finished your forms practice and can’t remember practicing your form, though you know you’ve done it, or felt like you left movements out and remembrance of them seems more like a dream than actually remembering? Those are signs that indicate that the “internal” part of your art is coming to bear. Here, we are turning control of the body momentarly over to the part of the brain that controls reflexes.

Mentally, we clear the mind of extraneous thought as we train the body to move without concious command, as thought is a hindrance to reflex action and instinct. If you put your hand in an open flame, you can force yourself to keep your hand there despite the pain. But if you simply get too close to the flame accidentally, or brush up against a hot coal or something, your body reacts instantly without thought, and the reptile brain, controls your movement, bypassing the concious mind.

The two emotions that seem to stimulate the quickest physical response are fear and aggression. When surprised or already fearful, we tend to react lightning fast without thought. The same thing happens when we are in an aggressive or angry mood; we react without thought. When we are born, we already have certain subconcious defensive actions. Generally, they do not have any real defensive capability. Things like cowering and putting your hands in front of your face only attempt to minimize physical damage. They do not neutralize the attack. These things are what we react with when we are fearful or aggressive. But these movements can be deprogrammed out of our system, or at least written over with useful movements. And that’s where the martial arts come in.

We train in certain methods designed to replace useless or ineffective movement with useful movement. Training methods such as push hands are an example. For instance, we train in the Plough method of push hands to turn a cowering movement where we simply raise the hands to cover the face, into an aggressive reaction where we thrust the hands forward into the attacker’s throat.

A side note here: I was teaching a student the Yang Taiji San Shou two man set, and we came to the neutralize and push section. I was describing what the movement was used for and demonstrated, and then asked him to do the movement to the attack I was going to do. He reacted with the opening method of Plough push hands, barging in and thrusting his hands into my throat! He apologized… but I was ecstatic!

We can’t just train these methods without the proper mindset. We must be doing the right things physically to access the reptile brain. This includes clearing the mind of concious thought. Thought is a hindrance between the subconcious and movement, and eliminating it opens the door both ways, so that we can both react quicker with proper defenses, and program better movements for reactions. In Taiji, this kind of training comes to bear later on, when we begin practicing the San Shou set with the movements out of sequence. By the time we begin doing this, we are supposed to have already started actually trying to strike our partner with full power during the set. So a proper reaction is necessary.

To deal with the emotional part of this, we should focus more on harnessing the reaction caused by fear than anger. Aggression can easily come from either in an instant, but striking someone out of anger is not really a good thing. To incorporate this into our training, we should incorporate a sort of “hide-and-seek” method. Many now train with hard contact to get used to hitting and being hit, and also how to handle someone who knows how to fight. Self-defence courses now include training to turn fear into aggression. We’ve all seen the training with the oversized helmet for rape defence classes. These things are necessary for learning how to handle real situations and how to utilize emotion instead of being hindered by it. However, I feel that the final test given to students of this kind of training should not be a one-time thing. I think that test, or something similar, should be incorporated into training. I have experimented with a friend of mine, though he does not know it, and have taught him a few blocking and attack techniques with no obvious connection to each other, the Bagua square stopping method being the main one. Over a period of 6 months after teaching him these methods, I would attack him “out of nowhere,” and most times he would react with a proper block or strike. He has gotten so good at blocking now that I can rarely get in for a strike. I believe that this sort of conditioning or reaction training should be a little more serious in that fear and/or surprise should be a factor, with the trainee thinking he might actually be hurt if he doesn’t react with something good. Personally, I tell my students to actually try and strike me during training so I can get this kind of training. I have found that certain techniques just happen for me, and that certain target areas are natural for me to aim for.

Hang on, I’m not done with this thing! Give me a few minutes to post the rest!

Dang character limits!:mad:

Part 2 of the first post…

Now, on top of this, LaVey writes, “snort, snarl, roar, grunt -make all the unsavory sounds you want.” I have trouble getting this across to people for some reason, but the breath must be in harmony with the movement. If the movement is violent, so must trhe breath be. And I say that if you are doing an animalistic movement, it is okay to sound like an animal. I do not mean to neigh like a horse or cry like an eagle. I mean that you should not be afraid to make animalistic noises. Some people try to hold their breath or otherwise control it, and therefore cannot acheive power or gain access to the reptile brain. That is why doing so is frowned upon in the Classics.

As well, LaVey writes, “As you progressively become more imbued with the sensation of being an animal, you will actually feel certain areas of your body responding in an manner alien to human anatomy. Your legs will become haunches. Your arms will become forelimbs for claws or paws that crave to grasp at the nearest thing. Your countenance will change. Your facial muscles will begin to twitch into beastial grimaces. All of your senses will become more acute.” These things sound to me like descriptions of sitting the kua or “sitting like a tiger,” the Dragon Palm and Eagle Claw, and the intent being expressed through the eyes and the facial expression, which is something many masters are noted for exhibiting, such as Yang Shao-hou, who was said to go from contentment to anger, and from quiet breathing to shouting, from slow and graceful movements to movements like a cannon shot. And using the reptile brain, the senses become more acute, especially while using the “monkey gaze,” or what we call Eagle Vision, and the slightest movement or sound is very annoying.

Anyway, I’m sorry if this thing seems disjointed or incoherent, as it was interrupted several times. But in a nutshell, this is why I mentioned LaVey’s writings on Lycanthropy.

Jesus-mary-josseph, is this last years term paper!
:confused:

Good stuff, Sam - thanks!

interesting

Some of it is not unfamiliar. Got my interest. I’m going to give it a good read later. Thanks for an interesting post.

Cody

Good post, Sam. On that note, I’m off to go see Noam Chomsky’s “Manufacturing Consent”.

It’s hard to describe here but the closet I have seen to that are the fighters at the Green Dragon Temple in Chicago.

The methods and training in Chi Dao Ch’uan was very focused on not just moving like an animal but the spirit aspect was stress highly by full contact bare knuckle blood matches and specifc mediations.

I myself, tend to make primal growls when confronted by danger or when I am suprisied or aggressive, sounds weird but I still do it to this day, either it was always their or the training let it out and it stayed.

It does have benefits.

nice topic sam.

i’m a relatively new student of psychology, so i daresay that there are people here with a better take than mine. that said, your post puts me in mind of something i was reading for class a while back.

essentially, what it was saying is that sometimes we act and appear in a way that is inconsistent with our internal state. no big revelation there. we all know people who, for example, seem very happy-go-lucky on the outside, then we come to find out that they’re actually a bit depressed. or we see people who appear to be extremely self confident, but if we get to know them, we discover that they have at least as many self doubts as anybody else.

anyway, on some level, we’re aware of that discrepancy. and we seek to reconcile it. it seems logical that someone feeling depressed would change their behavior to reflect that fact. yeah? but, apparently, the opposite is very often true. the mind recognizes that the body is doing something different, so the mind changes to be in sync with the body. that means that we have a mechanism for engineering our moods and mindsets (to some degree).

that’s probably no big surprise to a lot of martial artists though. if you think about it, much of what we do is designed to create a certain mindset using physical action. it’s one of the benefits of forms training (move with focus and you’ll feel more focused).

it makes sense, then, that if a fighter recognized the value of being more ferocious, or more agile, or more precise, or more tricky, then he’d identify physical models of those attributes. and when he emulated those models, there would be a discrepancy in the mind. ‘i’m acting ferocious, but i don’t feel ferocious.’ but in time, the mind would move to close that discrepancy, and would actually become more ferocious.

animal gung fu practitioners use this tactic, to my mind. even rickson gracie uses this tactic. in an interview i read, he talks about visualizing himself as a cat in order to feel more agile, flexible, quick, etc.

stuart b.

slightly off topic but..

I made a sword for Lavey back in my sword making days. He was quite a character. His checks read something like “C of S.” I sold him a skull dagger and made a shamishir for him.

An intriging topic, this. I have a hard time distinguishing between lycanthropy vs. something like familiars or animal spirit guides here. Certainly we are to take on the characteristics of animals if we practice imitation boxing, but I want to be able to use my dragon fist at times when there isn’t a full moon, if you get my drift. It just gets too mystical…

I think what Apoweyn mentioned is one of the best reasons for practicing the animal styles. Mental or emotional imbalances can be balanced. That might happen with other styles anyway, but it would probably be easier to focus on the part that needs fixing with an animal style that focuses specifically on that aspect.

I’ve heard things about the Green Dragon Society that make their training sound more hardcore than anyone who just says, “I train HARDCORE, MAN!” I’ve heard that they make students fight full contact one against many for rank tests and stuff like that. If this is true, then those guys definitely have tapped into animal spirit.

Gene,
Even Michael J. Fox learned how to do it without the full moon!:wink:

I only read the first part but that was cool…

thanks sam.

the relationship between the mind and the body implied in martial arts was one of the big things that drew me to psychology in the first place.

Sam:
Very interesting thread.
I have often wondered a bit about this myself. Such as when training the tiger one must not only perform movements but actually “become” the tiger to make it “alive” rather than dead imitation.
Or how some monkey stylists, after many years of practice, seem to actually become monkey-like in mannerisms.

On a different note, there are those who believe that lycanthropy can have to do with more of an external influence rather than accessing our ancient survival brain…i.e., inviting or becoming possessed by an evil or animal spirit, etc.

Certainly we can also learn much by observing wild animals, particularly the predatory variety, on TV. How the big cats stalk their prey with utmost patience. Or how even something as small as a mouse, if given no chance of escape, will turn and aggressively attack a fully-grown person with all its ferocity. And yes, such a single-minded determination for survival can make even a little mouse scary for most humans to deal with empty-handed.

Oftentimes when we have a single-minded determination and even adding in natural growling or animal sounds, it can help to focus and reduce fear. Similar to how the Japanese kiai is supposed to instantaneously fuse your spirit and purpose and focus all the energy into the attack without further hesitation or fear.
Jim

i gotta bump this thing. there’s some interesting stuff in here.

Sam

That was one obscure reference and I’m embarrassed I understood it. Anyway, see where it got Mr. Fox in the end…

This reminds me of something I read about Willem De Thouar’s Kuntao Silat. There’s a story that when William or his teacher was starting out his sifu required him to fight one of these little monkeys that were all over the place. He was very confident that he would kick the monkey’s as$ but then the monkey went nuts/savage and was very difficult to defeat. So, part of this Kun tao silat training is to cultivate or contact, in my understanding, that innate savagery within all of us.

Okay guys, I find this both interesting and a bit scary. Is it possible for this inner aggression to to get out of control when you do not want it to? If so, then is there any way to always keep it under control?

The methods and training in Chi Dao Ch’uan was very focused on not just moving like an animal but the spirit aspect was stress highly by full contact bare knuckle blood matches and specifc mediations

that’s pretty much how I remember it. I studied with the GDS for a year or so. Chi Tao Chuan is pretty cool. If nothing else I got over being afraid to get hit while I was studying there.

Is it possible for this inner aggression to to get out of control when you do not want it to?

I have kind of wondered about that myself in the past. After I left the GDS I got into 2 fights a couple of weeks apart. I could have avoided both of them and I was the first person to start swinging both times.

One of the most important things we learn in the martial arts is Timing. On a physical level, we learn the right moment to act or react with our defense. If we are too soon, we will be defeated, and if we are too late, we already are defeated. We learn through our experiences along the road to mastery when and why to do things. This reptilian part of our conciousness only surfaces when we are sufficiently threatened. If you get into an argument with someone who is across the room from you, and both your tempers flare, you are not in immediate or life-threatening danger, and you are not going to enter this state of mind. If you are closer to the person, and the same situation ensues, you might, but it is because you now perceive the other person to be a threat to you. Still, you are unlikely to use physical force unless something about the other person says it is necessary. For many people, it actually takes a physical attack upon them before they can recognize that they are in danger. For some reason, they just do not recognize that they are in danger, perhaps because they have not trained as realistically and violently as they need to and so they perceive everything to be a game.

As an example, I sometimes get hit in the face in push hands, or poked in the eye. And this is a training method most people think of as a peaceful sensitivity exercise. While it is a sensitivity exercise, it is not necessarily a peaceful or soft exercise. It can be done violently, and some of my favorite types of push hands are done with fa-jing, explosively and violently. Maybe other people should expand their repetoire of push hands to include more violent types, so that they have a balance of violent and not violent in their training. From what I understand, people with healthy sparring regimens do not have this kind of problem. They are exposed to enough violence that they can differentiate between when they need to be violent and when they don’t.

In any case, there are some people out there who I believe should refrain from training in entering this state of mind. The thing is, that these people are constantly living on the brink of this state all the time, and do not need it. They simply haven’t evolved that far past it to have to train in accessing it, I guess; it just comes too naturally to them.