Good post, Nospam.
Although for the past 9 years I have been strictly a CLF practitioner, I must admit that in my MA background (which goes back to January of 1977), I had been going through a long searching process. I started out with Kenpo and was in it several years. During this time I also had experience sparring boxers and PKA-style kickboxers that came to the school. At one point I wanted the militaristic discipline of Japanese styles, so for a couple years I did Kenpo concurrently with Shi-to-ryu karate. After the karate years, because in my youth I had shown a natural talent for flexibility/kicking, I spent some time in Tang Soo Do/TKD. Let me say my purpose was never to just accumulate styles like some, but it was a continual search for what, to me, felt “right.”
In '85 I moved to Taiwan and had practiced Northern Mantis (7-Star combined with some 8-Step). It was during this period that my MA progress began to accelerate much faster. This was THE art for me, I thought.
Finally in '93 I took up CLF under my current sifu and of course have not looked back. I did continue the Mantis on my own for a couple years after starting CLF, but found I really needed the time to devote to a single style. Although I had developed qualities of a good Mantis stylist, I had to decide: Spread myself thin trying to master two styles, or really work to excel at one? It was not an easy decision. I had invested years of time, $$, and literally blood, sweat, and hardship to learn all I had previously. I did not take up CLF on a whim.
Looking back, however, all my previous years were NOT wasted. My leaving each previous system was not a case of the teachers being poor. All of my teachers were excellent in what they did, and yes, each contributed in my development to where I am today. No, I do not “mix” or “switch up styles” when I spar like in a movie. The Kenpo was my MA introduction, and there I had drilled in me by my teacher the importance of physical conditioning, contact sparring, air shield/pad drills, flexibility, and open-mindedness toward other MA’s, especially Chinese systems which he encouraged me to investigate.
In Shi-to-ryu I learned I could deal with the harsh (at the time) old-school Japanese discipline and gut-wrenching workouts with nonstop repetition.
Oddly enough, I feel the Korean systems did not teach me any more about kicking/flexibility that i didn’t already have, but during the period I did train at AAU TKD sparring competition. I considered this more of an in-between period. I was really interested in kung fu.
The Mantis taught me the beginnings of relaxed, whole-body power generation, flowing in combinations, in-close fighting using the hands and bridging/breaking the horse, as well as the importance of stance training.
How am I still benefitted by all that today, as a CLF person? On my own I still do the stretching routine I learned in Kenpo, and I still have the important kicks. The Mantis sensitivity and infighting concepts I have kept but changed so that now all the strikes and skills used are CLF, if that makes sense. (I couldn’t use pure Mantis anymore anyway, it always comes out as CLF). Also, I would not have progressed as quickly as i did without having previously done the relaxed power, horse training, etc., of Mantis; though I had to adapt my horses to CLF, the basic strength, mindset and discipline were already there. In fact, my experiences in Mantis has helped my understanding and given me a unique perspective on my CLF. My sifu said I actually came in to CLF TOO relaxed due to the Mantis (the opposite problem for most students), and had to adapt to where now I can go super-relaxed or to any point of “harder” characteristic as needed.
So what was the point? Basically that, although I’m sure there are those who cross-train just to jump from style to style, or to collect styles, or maybe even lack of discipline; my reason was a long-term search that ended with CLF. Maybe I would have been better with 25 years of just the CLF, but when I started Kenpo there was no kung fu in my city, and I didn’t know the difference then, anyway. As such, I naturally bring my own perspective and experiences to CLF that are uniquely my own, as does everyone else. I do NOT mix in other arts. However, I do various drills and concepts that I’ve adapted and adjusted to fit into my CLF.
Jim