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Judge Pen
02-09-2005, 04:43 PM
Honestly, Serene Dragon, peer review is essential in any field. Why not get out there and practice with other martial artists that study other styles? There's no reason not to if the opportunities are available.

Judge Pen
02-09-2005, 05:37 PM
But, the Battle of Atlanta has a Division for Men 30-39. There's a thought. . . . I wonder if my knee will be ok by then. . . .

How much do you weigh, MK? :D

MasterKiller
02-09-2005, 06:02 PM
Between 175 and 178, depending on how many Dr. Pepper's I've had during the week. :D

Judge Pen
02-09-2005, 06:13 PM
Dam n. We would be in a different weight class. I'm at 190 now, but should be down to 180 by October.

serene_dragon
02-09-2005, 08:13 PM
The fastest way to find out about someone is to put forth a closed minded remark and observe the response.

Im not at all closed minded as I have let on, I have taken other styles untill i found the one that best works for me. I do enjoy tourn. I try to go at least once or twice a year (if time and money permits) I do agree there is alot you can get out of a tourn. (especially open)
and everyone had a good point to make on this topic. The bigger the variety the more educational the experience is the way I really feel.

Which brings me to the point that I would like to make, there is no one perfect style for everyone. The Style I am in is right for me, but it may not be right for starchaser, MK, or some of you other guys, and what works for you may not work for me.

So why do some of you guys feel the need to put down other systems/styles? I personally think the variety of different systems is a good thing.

(all the sighs was humorous)

wdl
02-09-2005, 08:50 PM
Originally posted by serene_dragon
The fastest way to find out about someone is to put forth a closed minded remark and observe the response.


Manipulative, fancy that.

Once again another reason why you can't believe 100% of what anyone tells you online unless you've met them in person know how to judge them.

-Will

wdl
02-09-2005, 08:50 PM
Originally posted by wdl
Manipulative, fancy that.

Once again another reason why you can't believe 100% of what anyone tells you online unless you've met them in person know how to judge them or they come with good references.

-Will

Judge Pen
02-09-2005, 08:53 PM
I sighed too when I read your post because it was a stupid post. Glad to know you have more sense about you, but I'll never pay attention to anything you post here for fear of being misled.

As far as putting down systems and styles, some people here are just plain arses. Others put down a style because of the ridiculous things said about it. That's why you should always think carefully about how you represent yourself. It reflects on your teachers whether you want it to or not.

Brad
02-09-2005, 09:24 PM
Can Shaolin-Do really be called a style or system? It's an organization claiming to teach many different styles/systems. I just think people should stop calling Shaolin-Do a style. Anyway, that's all I've got to say for now :p

Judge Pen
02-09-2005, 09:34 PM
Hey Brad, how's the leg?

wdl
02-09-2005, 09:35 PM
Originally posted by Brad
Can Shaolin-Do really be called a style or system? It's an organization claiming to teach many different styles/systems. I just think people should stop calling Shaolin-Do a style. Anyway, that's all I've got to say for now :p


Style, maybe not. System yes. There is an order to it. It starts basic and works it's way from there. It's follows a typical development path like most systems do. Stances, punches, kicks etc. Basic movements then long forms. You don't get your hands on an edged weapon until about a year+ etc.

-Will

Golden Tiger
02-09-2005, 09:57 PM
Originally posted by Brad
Can Shaolin-Do really be called a style or system? It's an organization claiming to teach many different styles/systems. I just think people should stop calling Shaolin-Do a style. Anyway, that's all I've got to say for now :p

Brad, I officially give you permission to stop calling Shaolin-Do a style, system and any other name that you don't care for. Consider it a late Christmas present.........ho ho ho

Starchaser107
02-09-2005, 10:21 PM
from what I have seen of shaolin-do I would say it classifies as a style. Even based on the statement that it is an "organization" that teaches various styles. There is a codified way of movement that unifies everything under the umbrella od s-d and makes it different from the systems themselves.
In other words, for example the way s-d does "long fist" is similar in s-d circles, but different enough from the way other places that do long fist to consider how s-d does it a style.
this is just from my observation of course.

cho
02-10-2005, 05:12 AM
It most definitely is a style and system. Its origins are just not what they claim to be, and that's what bugs everyone.

Brad
02-10-2005, 06:54 PM
I see everyones points, but does teaching another style really badly classify it as a style on its own? From what I've observed the different styles that they teach are supposed to have their own unique properties and training methods. I guess there's some things within Shaolin-Do that are unique to Shaolin-Do(some stuff in the basic training probably, like their short forms, and some other forms like "10,000 bees attack" (which I'm dying to see, by the way ;)). With the taiji and chang quan(for example), they seem to be practicing legit forms and are trying to use legit training methods... it's not another style though, it's just that their missing stuff from their systems. Guess it's all how you look at it though...

Judge Pen
02-10-2005, 08:27 PM
Originally posted by Brad
I guess there's some things within Shaolin-Do that are unique to Shaolin-Do(some stuff in the basic training probably, like their short forms, and some other forms like "10,000 bees attack" (which I'm dying to see, by the way ;)).

No one has seen that form in SD from what I gather. I'd be first in line to see that one too.

IN the older days of SD, when everyone trained directly with the The brothers I think the basics of each unqiue form and style were taught. The older guys (no offense GT and BM2) talk of training for 6 months on drills and excercies before being taught a new form. Nowadays, the teachers usually just teach to form and pay a little lip service to what distinguishes them from another form. I think that's the biggest problem with our system; people get too forms hungry (students to learn them and teachers to teach them) and never focus on the basics.

As for shortform, you are right. They are the fundamental "spine" of SD as a system or style or whatever you want to define it as.

Toby
02-11-2005, 02:44 AM
Originally posted by Judge Pen
I think that's the biggest problem with our system; people get too forms hungry (students to learn them and teachers to teach them) and never focus on the basics.In my system I've got 2 1/3 forms in 2 1/3 years. Haven't learnt anything new in 10mths or so. We mostly just drill and spar.

shen ku
02-11-2005, 05:01 AM
JP you are all to right about people getting form hungry,
but i do try to attend all of GM SIN's seminars if for no other reason that to get togather with like minded people,
but no matter how many forms i learn i continue to go back to the basics. every thing i have done has always made me look back and find similar moves or tech. in the upper forms as i could see in the lower forms (just would always be a little harder version )

oldmonkey
02-11-2005, 05:35 AM
Stylistic variation is more the rule than the exception, even within the same lineage.

Take Yang style T’ai Chi for example. Cheng Man Ching made changes to the form and his students represent an interesting range of stylistic variation...looking at William C.C. Chen, T. T. Liang, Robert Chuckrow, and Herman Kauz just to mention a few. That variety hasn’t diminished the art. Evolution and change is what keeps an art alive. SD is no different in this regard.

So many martial arts trace their origins to Shaolin. Just because they are different, doesn’t invalidate them. It's a strength, not a weakness.

Judge Pen
02-11-2005, 02:53 PM
Originally posted by oldmonkey
Stylistic variation is more the rule than the exception, even within the same lineage.

Take Yang style T’ai Chi for example. Cheng Man Ching made changes to the form and his students represent an interesting range of stylistic variation...looking at William C.C. Chen, T. T. Liang, Robert Chuckrow, and Herman Kauz just to mention a few. That variety hasn’t diminished the art. Evolution and change is what keeps an art alive. SD is no different in this regard.


Nicely put.

MasterKiller
02-11-2005, 04:16 PM
Originally posted by oldmonkey
So many martial arts trace their origins to Shaolin. Just because they are different, doesn’t invalidate them. There is a difference between tracing your lineage to Shaolin, which a lot of styles can certainly do, and claiming you have the complete and final Shaolin transmission as it was taught before the last Fukien burning, especially when Fukien was probably destroyed 300 or so years ago and your style looks like a *******ized version of all the other legitmate and documented styles that can rightly claim Shaolin roots. In my opinion.

wdl
02-11-2005, 07:23 PM
Has anyone gotten someone that can read Indo to translate the 2000 Jurus article on GM Sin?

-Will

Golden Tiger
02-11-2005, 07:40 PM
Originally posted by Judge Pen

The older guys (no offense GT and BM2)

Like a fine wine.......

oldmonkey
02-11-2005, 09:22 PM
MK, you say "probably destroyed"....?

When you have to qualify your opinion with words like "probably" your argument flies out the window. Probability has nothing to do with it.

What YOU think happened is limited by your imagination and your personal bias.

You don't like it. That's the sum total of your opinion. That your are suspicious only reveals that you have a suspicious nature.

It's o.k., you don't have to like it...but your hypothesis is meaningless.

MasterKiller
02-11-2005, 10:09 PM
Originally posted by oldmonkey
MK, you say "probably destroyed"....?

When you have to qualify your opinion with words like "probably" your argument flies out the window. Probability has nothing to do with it. I said "Probably" because there is no physical evidence it even existed. Consentual history places it's destruction around 1647, but since there is no physical evidence, it can't be nailed down exactly.

At any rate, SD's claim that it was destroyed circa 1890 should be more easily verifiable...So where's the ruins...?

Starchaser107
02-11-2005, 10:10 PM
what!!!?!

MasterKiller
02-11-2005, 10:19 PM
That your are suspicious only reveals that you have a suspicious nature. Yeah, riiiiiight. No one outside of SD circles lends any credence to the bull**** history you try to pass off as fact. Even the REAL history about the Indonsian law banning Chinese arts doesn't fit into the SD version of the account by about 50 years or so. Every piece of history that comes out of your organization is laughable. And you wonder why people are suspicious? Maybe you're just too gullible. Or stupid. Or both.

Judge Pen
02-11-2005, 10:21 PM
Wasn't there an article in KFM a few years back regarding the archeological evidence of a southern temple in Fujian? I saw a reference to that article on this forum once, but never got to read the article myself.

Also, isn't there speculation that there may have been more than one temple in Fujian?

Oldmonkey, I understood why MK qualified his statement. Several styles claim lineage to a Southern temple that may or may not have existed. Most, if not all, have the destruction of that temple occurring well before SD's history claims.

MasterKiller
02-11-2005, 10:26 PM
Originally posted by Judge Pen
Wasn't there an article in KFM a few years back regarding the archeological evidence of a southern temple in Fujian? I saw a reference to that article on this forum once, but never got to read the article myself. Not everyone agrees that the ruins in question are indeed the fabled Fukien Temple. Some people have been very eager to jump on the claim. Others are being more reserved until all the facts are in. At any rate, the destruction of those ruins is placed well before the SD timeline.

Also, isn't there speculation that there may have been more than one temple in Fujian? There seems to be evidence that there were several smaller adjunct temples. None of them were destroyed anywhere near the timeframe SD claims, as far as I know. Whether or not they had a martial legacy is a different can of worms altogether.

Judge Pen
02-11-2005, 10:28 PM
Originally posted by MasterKiller
Even the REAL history about the Indonsian law banning Chinese arts doesn't fit into the SD version of the account by about 50 years or so.

My e-mail correspondence with Dr. Davies who authored the article that MK keeps referring to:

From: Philip Davies
[mailto:Philip.Davies@brunel.ac.uk]
Sent: Wednesday, April 28, 2004 7:29 AM
To:[Judge Pen's private e-mail account]
Subject: FW: Kung Fu, Kung Tao, and Shaolin-Do

Dear [Judge Pen]

Thank you for your letter. I have seen some published materials about and by Mr. Sin, but can't speak with any direct knowledge of its art and its antecedents. I have, however, lived and worked in Singapore, Malaysia and spent time in Java researching the kuntao tradition in which I have trained (and have also dealt extensively with the International Pencak Silat Federation in Jakarta who are the main martial arts body in Indonesia).

First off, let me say a couple of things to give some wider context. A lot of the Indonesian systems brought to the west have 'nebulous'
histories, as
do arts practiced commonly in Southeast Asia today.
Some schools are
very
systematic about tracking their linneage (Cimande in West Java can trace every single teacher back to 'Mbah Khair c.1750) while other arts like Matjan Putih (White Tiger Silat) are recent recombinations of skills in which sometimes even the teacher has lost track of what he learned from whom. Indonesians and Malays view their systems as 'living arts' in which new schools, permutations and combinations come into existence while others die out. They are also less concerned with exact genealogies than East Asian traditions. And this will undoubtedly have influenced the Indonesianised 'peranakan' Chinese, as will the tendency to permutate and combine rather than preserve in aspic as it were. As a result, just about every art that came west with the post-revolutionary diaspora has some nebulosity in its background; the Kuntao Matjan of my own tradition, Carel Faulhaber (via Paatje Richard Kudding), Willem de Thouars Kuntao-Silat, the late Willem Reeders 'Royal Family' Kuntao, the late Willi Wetzel's regrettably spelled '****ao' (part of his effective but idiosyncratic 'pukulan cimande chuan fa') and even the de Thouars version of Serak all have patchy and incomplete histories, and mostly oral rather than documentary history to work from at that. This is no criticism; matters aren't a lot different in Southeast Asia either. So the Shaolin do/Sin Kwang The' situation is pretty consistent with the broader field of kuntao.

OK, now as regards the ban on Chinese arts, technically the legislation after the Generals' Coup prohibited Chinese art and literature and public displays of Chinese culture (lion dance, ghost festival &c). The actual legislation is a matter of public record, and while I do not have the legislative specifics to hand, I am sure you could get the exact legislation from a specialist Indonesianist (perhaps someone like Leo Suryadinata at the National University of Singapore who specialises in the contemporary history of the Indonesian Chinese). You could also find more specific background in my academic article on kuntao which was in the summer 2000 edition of the _Journal of Asian Martial Arts_ (which, unlike KF-QG magazine, has full citations for sources in its articles). The ban on Chinese martial arts was an incidental application of legislation designed to prohibit Chinese publishing and political communication. According to O'ong Maryono, who published a good book on Pencak Silat shortly after my own articles came out, under the ban the Pencak Silat organisation tried to incorporate Chinese kung-fu within silat, but unsuccessfully.
They felt the
Chinese
were too influential within silat, while other Chinese teachers simply refused to cooperate and a lot went underground. A lot did not, however, and a lot of kuntao continued to be practiced as an 'open secret' on the don't-ask'don't-tell kind of principle. To complicate matters, some of the leading pencak silat systems established since the 1940s are openly based on kung-fu, such as Perisai Diri (Surabaya), Persai Sakti
(Semarang) and
Bangau
Putih (Bandung).

I'm not aware of any local prior bans, but it's possible that Chinese martial arts got supressed by the Japanese during their wartime occupation.
From the movements and internal history of arts like Garuda Emas Kuntao (Golden Eagle kuntao in Semarang) and the careers of leading boxers like Liu Song, Lim Tjoei Kang and Lou Ban Tang in Jakarta, Semarang and Solo it looks pretty unlikely that there was much active repression of kuntao apart from the general suppression of the Chinese on racial grounds much as one would have seen in Taiwan or Shanghai. There were, however, intermittent purges, pogroms and persecutions of the ethnic Chinese, most notable being the massacres during the anti-Chinese riots of the 1880s.

All of that being said, however, I don't really think that 'Japananising'
kung fu or calling it Shaolin Do would have deceived anybody in Indonesia.
Chinese boxing is too well known throughout the region, and most silat practitioners I know can spot Chinese styles or Chinese-influenced techniques (many will privately admit they believe Silat derives from kung fu originally), and Shaolin is a very, very well known name. A lot of arts in Java took on Japanese traits during the occupation, and after, when the high degree of Japanese martial arts organisation and the obvious power of arts like Judo and Karate set a kind of standard to which a lot of Indonesians felt they should aspire (hence Japanese-infuenced composite arts like PORBIKAWA). So the Japanisation may have been more a reflection of an endemic eclecticism than any real strategy of concealment.

Just to complicate matters further again, a lot of kuntao arts adopted Japanese characteristics when they began to be taught in the west.
This was
partly because of trying to provide an appearance that Western audiences familiar mainly with Japanese systems could relate to, and partly because Western students responded very poorly to the Indonesian and Chinese approaches to teaching basics. Teachers found westerners more interested in arts with Japanese and Korean style kicks than arcane, close-range handwork, and they found it easier to get westerners to learn long, Japanese forward steps, back-stances, kiba dachi &c than trying to get them to do Chinese horse-training (hours in static postures) or repetitive but complex Indonesian footwork drills. As a result, you find Willem Reeders building a lot of his teaching around a base of ****o Ryo karate and pictures of Kuntao Matjan students in Holland (where Japanisation was even more pronounced because of the central national role of the Judokwai) doing forward stances with Japanese-style high blocks (neither of which occur in the traditional form of the art).

I don't know if this helps at all,

Best regards,

Philip H.J. Davies

Judge Pen
02-11-2005, 10:31 PM
Originally posted by MasterKiller
Not everyone agrees that the ruins in question are indeed the fabled Fukien Temple. Some people have been very eager to jump on the claim. Others are being more reserved until all the facts are in. At any rate, the destruction of those ruins is placed well before the SD timeline.

There seems to be evidence that there were several smaller adjunct temples. None of them were destroyed anywhere near the timeframe SD claims, as far as I know. Whether or not they had a martial legacy is a different can of worms altogether.

Lot's of room for error and interpretation in what we do know of the southern temples. In short, it proves and "disproves" nothing.

MasterKiller
02-11-2005, 10:34 PM
All of that being said, however, I don't really think that 'Japananising' kung fu or calling it Shaolin Do would have deceived anybody in Indonesia. Chinese boxing is too well known throughout the region, and most silat practitioners I know can spot Chinese styles or Chinese-influenced techniques (many will privately admit they believe Silat derives from kung fu originally), and Shaolin is a very, very well known name.I wondered why you never posted his email...until now.

Judge Pen
02-11-2005, 10:41 PM
Nah, what he said was what several, including themeecer have argued was part of the gi wearing thing (convenience and familiarity for Americans). Again, I don't try to get too caught up in the history or lineage part of SD. It's unverifiable by any independent sources. If I wanted to delete that portion of the e-mail, I could have and no one but me and Dr. Davies would have known the difference. I had actually lost that e-mail and asked Radhotni to forward it to me since I had forwarded it to him. He recently did that and I posted it once the topic came back around.

Sorry MK, I've nothing to hide. :cool:

MasterKiller
02-11-2005, 10:45 PM
Originally posted by Judge Pen
Nah, what he said was what several, including themeecer have argued was part of the gi wearing thing (convenience and familiarity for Americans). Again, I don't try to get too caught up in the history or lineage part of SD. It's unverifiable by any independent sources. If I wanted to delete that portion of the e-mail, I could have and no one but me and Dr. Davies would have known the difference. I had actually lost that e-mail and asked Radhotni to forward it to me since I had forwarded it to him. He recently did that and I posted it once the topic came back around.

Sorry MK, I've nothing to hide. :cool: So who came up with the lamo story about Ie changing everything to Japanese to fool the Indonesians, then? If you guys tell a different story internally, that it was for Western convienence, why does SD tell a different story externally, that it's to honor Ie's struggle to maintain the Shaolin arts while being persecuted?

And BTW, that whole email pretty much rips the SD claim of original transmission to shreds, not just the paragraph I quoted. It lends more credence to what we've said all along--It's a hodgepodge of other styles.

Judge Pen
02-11-2005, 10:56 PM
Originally posted by MasterKiller
So who came up with the lamo story about Ie changing everything to Japanese to fool the Indonesians, then? If you guys tell a different story internally, that it was for Western convienence, why does SD tell a different story externally, that it's to honor Ie's struggle to maintain the Shaolin arts while being persecuted?

And BTW, that whole email pretty much rips the SD claim of original transmission to shreds, not just the paragraph I quoted. It lends more credence to what we've said all along--It's a hodgepodge of other styles.

The e-mail doesn't comment on SD as a style specifically MK, just the general state of martial arts in Indonesia. Having said that, everyone who studies SD admits it's a patchwork art comprising several styles of CMA. If it was mixed with Japanese techniques no one in the art is saying it. I don't know; I'm nobody in SD, but I am a student who asks questions. Maybe SD mixed karate into it, maybe it only borrowed some of the trappings. No doubt it's history is nebelous which isn't uncommon with any martial art that came through Indonesia.

"First off, let me say a couple of things to give some wider context. A lot of the Indonesian systems brought to the west have 'nebulous'
histories, as
do arts practiced commonly in Southeast Asia today."

As for the bans:

"I'm not aware of any local prior bans, but it's possible that Chinese martial arts got supressed by the Japanese during their wartime occupation"

And for SD's official story regarding hiding the arts:

"According to O'ong Maryono, who published a good book on Pencak Silat shortly after my own articles came out, under the ban the Pencak Silat organisation tried to incorporate Chinese kung-fu within silat, but unsuccessfully.
They felt the
Chinese
were too influential within silat, while other Chinese teachers simply refused to cooperate and a lot went underground. A lot did not, however, and a lot of kuntao continued to be practiced as an 'open secret' on the don't-ask'don't-tell kind of principle."

Maybe it didn't fool anyone like it's said today. Maybe the officials didn't care, but Master Ie thought they did. I don't know. I prefer to talk about technique because much of this stuff is unprovable one way or the other.

MasterKiller
02-11-2005, 11:05 PM
Originally posted by Judge Pen
"First off, let me say a couple of things to give some wider context. A lot of the Indonesian systems brought to the west have 'nebulous' histories, as do arts practiced commonly in Southeast Asia today."

You left off the good part:

while other arts like Matjan Putih (White Tiger Silat) are recent recombinations of skills in which sometimes even the teacher has lost track of what he learned from whom. Indonesians and Malays view their systems as 'living arts' in which new schools, permutations and combinations come into existence while others die out. They are also less concerned with exact genealogies than East Asian traditions. And this will undoubtedly have influenced the Indonesianised 'peranakan' Chinese, as will the tendency to permutate and combine rather than preserve in aspic as it were.

Which would explain why it appears Sin The' keeps adding new forms to the curriculum that more than likely weren't there when he was originially training (24-step Yang is obvious, but I have a feeling he's been adding a whole lot more than he lets on or you guys are willing to admit.) It also implies the "900 forms" thing is just a pretty convenient cover story to mask this practice.

Which shoots a big hole in the "original transmission" theory as well.

Judge Pen
02-11-2005, 11:11 PM
I didn't leave off anything MK. I pasted the e-mail in it's entirety! :p

No one denies that Yang 24 was picked up and taught to SDs students because Sin The wanted us to know the most popular form of Tai Chi. GT said that he was there when Sin The first taught it out. (Again you keep accusing us of hiding stuff that we are not).

As for other stuff, it's been mentioned before: there were several teachers other than Ie Chang Ming. We don't know who taught what in Indonesia. We don't know what, if anything, was picked up later. I don't know and you don't know.

Judge Pen
02-11-2005, 11:13 PM
Originally posted by MasterKiller
I have a feeling he's been adding a whole lot more than he lets on or you guys are willing to admit.

No offense, but your feelings aren't a big concern of mine. I like you logicial arguments though.

MasterKiller
02-11-2005, 11:17 PM
Originally posted by Judge Pen
(Again you keep accusing us of hiding stuff that we are not).
Well, I was thinking more like the Chen fan form...even though Chen has no fan form. Those kinds of things.
No offense, but your feelings aren't a big concern of mine.None taken. It's not like I give a hoot about anyone's feelings here either. It's just the internet.

Judge Pen
02-11-2005, 11:24 PM
I don't know if Chen has a fan form. Fan forms are common though. I have a fan form and I was told it was Chen. . . . . maybe it's not. Maybe it is something that a Chen guy in Indoneisa made up one day and taught it to Ie's students. Maybe Sin The made it up altogether. Maybe it was lost. I don't know. To be fair, you don't know either; you just know that no one in Chen's lineage claims to have a fan form. Does that mean that the form was stolen, made up by Sin The? Made up by someone else? Forgotten by someone? I don't know. I don't pretend to know.

I do know that it's a good form; not my favorite, but good applications for that type of weapon.

MasterKiller
02-11-2005, 11:29 PM
Originally posted by Judge Pen
you just know that no one in Chen's lineage claims to have a fan form. Well, it's not like Chen Taiji is 1,000 years old and went through 6 temple burnings or anything. The lineage is easily traced and verifiable.

Judge Pen
02-11-2005, 11:34 PM
Ok. So it was either forgotten/lost or created outside the official lineage. (I don't know which). I do know it's not uncommon for students of a style, once they reach a certain level, to create forms using the principles of that style. New forms are being created now in style with very respectable lineages. Is this what happend with SD (either by Sin The or by someone else in the system? With this fan form? I don't know, maybe. Maybe not.

MasterKiller
02-11-2005, 11:41 PM
I don't argue with that. People make up forms all the time. I've made up forms for some of my students to perform at shows. I also make sure they know I made it up for them. Leading them to believe otherwise would be dishonest. Paying for a ceremony at Chen village to disguise that dishonesty would be flat out pathetic.

Judge Pen
02-12-2005, 12:20 AM
Paying for a ceremony? I thought that was at Henan for the tablet.

norther practitioner
02-12-2005, 12:22 AM
I do Clark family kung fu and taiji at every tourney....;)

sean_stonehart
02-12-2005, 12:51 AM
Originally posted by Judge Pen
Paying for a ceremony? I thought that was at Henan for the tablet.

Nah ... it was paid for & placed at the wrong location. Big hubub about it...

AndyM
02-12-2005, 03:08 AM
Is it just me, or does this guy resemble Dubbya?

http://www.shaolin-do.com/masters/JMooney.jpg

serene_dragon
02-12-2005, 05:18 AM
---------------------------------------------------------------------------------
So who came up with the lamo story about Ie changing everything to Japanese to fool the Indonesians, then? If you guys tell a different story internally, that it was for Western convienence, why does SD tell a different story externally, that it's to honor Ie's struggle to maintain the Shaolin arts while being persecuted?
__________________________________________________ _

My opinion of this statement

Take 5 people and teach them a kata or tell them a story at the same time and have them perform that kata or tell that story at a later date. Time and time again you will see that there will be differences in the way the kata are performed and the story are told.

This is the way it is in all teaching I suspect.

As an instructor, I see it all the time. The students who do perform the katas the way they was taught is the students you look at to pass on the teachings when their time comes.

I know how I was told the stories go by my instructor and by GM The', and I also know I have heard many different versions of the same stories from other people in the art. I have no concrete proof of who is right or who is wrong. I am not going to argue about it. I am more worried about the training I get than if all the i's are dotted and the t's crossed in the history.(I am very satisfied with the training)

This is just my opinion

shen ku
02-12-2005, 06:10 AM
JP ya there is a tablet in chen village to master sin , and as sean_stonehart said it was paid for by many of the shaolin-do masters, and it was not made as it was ordered and it was not placed where they had been told it would be and some people were ****ed off over it,
and on the chen fan i do remember that at chen village master sin and ? a chen family member?? spoke of that in their linage there had been a fan form and he pointed and a chart of the family as to show at what time it was not passed on, and JP if you get the chance go on one of the china trips with master sin ,trust me you will enjoy it!!

just don't ride the buses in tebit , ask sean_stonehart?

serene_dragon
02-12-2005, 07:14 AM
Shen Ku

You went to China with GM Sin The'. Did you vistit any temples or Shaolin schools while you was there?

If you did there might be a few people reading this thread who are interested in knowing how the masters in the temples treated Grandmaster Sin The'. If they showed him respect as a Grandmaster or if they treated him like just another martial artist visiting the temples.

Maybe you could put your thoughts on the subject.

I only ask because I see some people who have a passion about trying to discredit Grandmaster Sin The' and his teachings.

I am curious as to where this passion comes from, is it people who have been removed from this system who is trying to discredit it or is it just jealousy. Who knows it could be anything.
But I would like to hear your thoughts because you was there.

norther practitioner
02-12-2005, 09:06 AM
or is it just jealousy.

some should do some searches through the archives.... granted some of it is drivel, and some of it is not.

serene_dragon
02-12-2005, 02:23 PM
I am curious as to where this passion comes from, is it people who have been removed from this system who is trying to discredit it or is it just jealousy. Who knows it could be anything.
______________________________________________

I dont mean to imply that it could only be these two reasons if anyone took it that way.

Judge Pen
02-12-2005, 03:44 PM
Sure, Sean, wait until I'm on a 3 hour trip to respond! :D

shen ku
02-12-2005, 05:28 PM
serene_dragon, there are others on here that were on the same trip as i was,and i saw one event one way and they now believe ( after leaving SD on their own, they were not kicked out from what i understand ) that it was meant in a hole different way, so you see ,as others have said , just like a form or a story all things even when seen at the same time may send each person away with a different opinion of the events and what was meant by each persons actions,

Fred Sanford
02-12-2005, 11:43 PM
All I have to say about shaolin-do is that it is a very nice style of karate. I'm impressed, really I am.

shen ku
02-13-2005, 03:52 AM
JP did you find anything on the nashville school

Judge Pen
02-13-2005, 04:48 PM
Originally posted by Fred Sanford
All I have to say about shaolin-do is that it is a very nice style of karate. I'm impressed, really I am.

Thanks Fred. I appreciate any compliment coming from you.

SK, not yet man. I've been swamped, but I'll get you something this week.

Radhnoti
02-13-2005, 04:59 PM
I think that Dr. Davies' e-mail was very supportive of the idea that shaolin-do should be classified as kuntao...

Of course that's been a pet theory of mine, and I may be biased.

From a Willem De Thouars website:

"Kun Tao goes back to ancient China, so it is accurately a Chinese art, but both Chinese and indigenous people in Southeast Asia have practiced and adopted it as their own. And the old men who were trained in what they see as the "pure art" have seen it sanitized and changed; it literally doesn't exist in its original state in China anymore."

This is EXACTLY the attitude that's been passed down (in my opinion) in Shaolin-do. "We have the REAL stuff, no pointless but pretty junk!"
It's not a shaolin-do specific attitude, it's common in kuntao.

Also, to be fair, not all SD teachers seem to have inherited this attitude of superiority, but I've heard enough of them talk to know that MANY have.

Again, just my opinion...backed by a few years experience and research. :eek: :D

serene_dragon
02-13-2005, 06:35 PM
SK
"A man looking for trouble is not much of a problem for someone who is ready for him"
If you know where you heard this statement then you know who I am. Give me a call when you read this

Golden Tiger
02-14-2005, 03:04 PM
Originally posted by serene_dragon
Shen Ku

You went to China with GM Sin The'. Did you vistit any temples or Shaolin schools while you was there?

If you did there might be a few people reading this thread who are interested in knowing how the masters in the temples treated Grandmaster Sin The'. If they showed him respect as a Grandmaster or if they treated him like just another martial artist visiting the temples.


Out of curiosity, I went back and watched the meeting between Master Sin and the Head Abbot when the marker was placed. While most of the speaking was done by the guy from Chinese Tourism, there was a speech given by the head disiple written by the Abbot. It spoke of Shaolin being the birthplace of MA, how they wanted it to spread all over the world, yada yada yada...... The group and the monks exchanged a gift, Master Sin said a few words and that was it.

A couple of observations that I made were:

1. A large group was assembled to meet with and celebrate the placing of the marker (yes, paid for by the group).
2. The head Abbot, obviously not in the best of health due to Parkinson's (or it appeared to be that) was there along with a few of the senior monks.

So what comes to mind is this..... Master Sin and the "style" he promotes seemed not to pi$$ off those at the temple. He was treated with respect and was greeted by the ailing Head Abbot. I wonder if that is standard practice when other tourist show up? Sure, you could say that we "rented" a photo op with the HA but due to his health.....I am not sure.

It has also been said that the monks smiled while laughing under their breath at the demo our group did. That really wouldn't suprise me given the fact that it was made up of those that could afford the trip (ie. actually worked for a living and weren't professional MA's). What they didn't do is boo them off the floor for the so-so performance or the *******ization of CMA...one could argue respect or good manners.

So, "we" have visited the authority on Shaolin MA, didn't get shot at or arrested for what we did, what we claim or who we were, and are still going strong today.

I can live with that.......

sean_stonehart
02-14-2005, 03:30 PM
Originally posted by Golden Tiger
Out of curiosity, I went back and watched the meeting between Master Sin and the Head Abbot when the marker was placed. While most of the speaking was done by the guy from Chinese Tourism, there was a speech given by the head disiple written by the Abbot. It spoke of Shaolin being the birthplace of MA, how they wanted it to spread all over the world, yada yada yada...... The group and the monks exchanged a gift, Master Sin said a few words and that was it.

Yep... saw that video too. Saw the same things.


Originally posted by Golden Tiger

A couple of observations that I made were:

1. A large group was assembled to meet with and celebrate the placing of the marker (yes, paid for by the group).
2. The head Abbot, obviously not in the best of health due to Parkinson's (or it appeared to be that) was there along with a few of the senior monks.


1 -- Yep.
2 -- Yep.

Originally posted by Golden Tiger

So what comes to mind is this..... Master Sin and the "style" he promotes seemed not to pi$$ off those at the temple. He was treated with respect and was greeted by the ailing Head Abbot. I wonder if that is standard practice when other tourist show up? Sure, you could say that we "rented" a photo op with the HA but due to his health.....I am not sure.


Of course he was treated with respect. Most anybody is treated with respect when you drop $$$$ on a place like that. We had a Q&A session & photo op in 2001 with YongXin. Close to 90 Westerners coming in... dropping lots of $$$$ not once, but often. You get a little better than the normal Joe stopping in by the temple.

Originally posted by Golden Tiger

It has also been said that the monks smiled while laughing under their breath at the demo our group did. That really wouldn't suprise me given the fact that it was made up of those that could afford the trip (ie. actually worked for a living and weren't professional MA's). What they didn't do is boo them off the floor for the so-so performance or the *******ization of CMA...one could argue respect or good manners.


Yep... I would guess that they appreciated the effort put in by anybody to study MA, but good manners does go a long way in this world.

Originally posted by Golden Tiger

So, "we" have visited the authority on Shaolin MA, didn't get shot at or arrested for what we did, what we claim or who we were, and are still going strong today.

I can live with that.......

Well... there have been visits made to Shaolin, to Dengfeng, to Xiamen, to Chen Village, to Xian, to Wudang, etc... to be sure. Well documented & covered. There has been lots of speeches by gov't & local officials on how happy they were Master Sin & the groups were there. There have been lots of photo ops with all sorts of people at these locations, even coverage on Chinese National TV. I'm sure in the big picture the money brought in by Master Sin wouldn't be missed, but why **** off a continued source of income. They give a little face to Master Sin & everybody is happy. It just speaks of good manners. It also good economic practices on their parts.

I can live with that too...

Judge Pen
02-14-2005, 04:31 PM
Originally posted by shen ku
JP did you find anything on the nashville school

Here's what was sent to me from a friend who had saved the infromation from the old SDA site. It should still be current:

Nashville Shaolin-do

Donelson-Hermitage YMCA
3001 Lebanon Road
Nashville, TN 37214
(615) 889-2632

Head Instructor: Ernest McClain (2nd Degree Black Belt)
Assistant Instructors: Manuel J. Roman (1st Degree Black Belt), Bob Threadgill (1st Degree Black Belt), Russ Cameron (1st Degree Black Belt)

Classes held Tuesday & Thursday nights
Children - 6:15 to 7:30 pm
Adults - 7:30 to 8:30 pm

wdl
02-14-2005, 06:49 PM
I'm pretty sure that's the right phone number, but I don't think he's at the Y out there anymore. I could however be wrong. I'm almost positive he's changed locations in the past year. For alittle while I don't think he had a location.

-Will

shen ku
02-15-2005, 03:22 AM
JP thanks alot, its good to talk with others within SD and to know that others feel the same about their training again thanks

MonkeySlap Too
02-28-2005, 06:27 AM
All of this is fine and good, but how do you explain how devoid of actual CMA usage Shaolin-Do is? Or how they do millions of 'styles' yet can't get the mechanics correct for any of them? Or the fact they do one-step sparring, fight like Karate guys, move like Karate guys, but do 'Chinese' forms.

It's okay to feel 'good' about yourselves and others who are 'in' the SD group. But it in no way validates SD as a CMA.

I'm sure Jim Jones's followers were sure they were just misunderstood by those pesky outsiders.

Of course, no one would really care if Sin The' didn't make such outrageous claims.

themeecer
02-28-2005, 08:12 AM
All of this is fine and good, but how do you explain how devoid of actual CMA usage Shaolin-Do is? Or how they do millions of 'styles' yet can't get the mechanics correct for any of them? Or the fact they do one-step sparring, fight like Karate guys, move like Karate guys, but do 'Chinese' forms.

You know what .. I started a post detailing what I thought about your opinion and gave up on it. Apparently you find meaning in your life by belittling others and their art. If that makes you feel good, then wonderful. Thank you for the compliment of me doing millions of styles .. I'm really flattered. Kind of creeped out as well .... not sure how you found my school and was able to spy on my classes without me noticing you. Had you paid attention you would see that I personally don't focus on "millions" of styles, I focus on 2 and am incorporating a third one. I know what I study and teach. I have compared what I do to old clips of masters (with your oh so coveted printed lineage) and found it exactly the way I was taught and teach as well. I must have stumbled onto the mechanics somehow because contrary to what you say my mechanics have been tested and proved to be more than adequate. Bah … not a big fan of this web fu crap. Carry on.

Edit: And right now I am much more ticked at the pizza line coward video I saw, than with you SD detractors.

MonkeySlap Too
02-28-2005, 07:05 PM
Hey, sorry your feelings are hurt. I'm not out to 'belittle' anybody. I'm just calling it as I see it. I've 'tasted' SD first hand. It's not CMA. It's not even very good. Just my opinion, but hey, it's an educated one. There hasn't been one good defense of Sin The's claims, or an example of 'good' SD (even that clip of Sin looked exactly like the Atlanta folks everyone in SD turned on.)

Remember, idiot testing does not count when validating an art.

I wouldn't really care, but you guys are lieing the public claiming these 'styles' when in fact you do Karate. Heck, if you called in 'Syncretic Indonesian Karate-Kun Tao' I wouldn't care. But calling it the 'true' Shaolin, and claiming Xing-yi, etc.etc. when honestly, the Xing-yi is hilarious, you've got to question what you are doing. If not in content, at least in ethics.

Brad
02-28-2005, 07:10 PM
Doing something poorly doesn't automatically make it "karate".

Golden Tiger
02-28-2005, 07:39 PM
Or how they do millions of 'styles' yet can't get the mechanics correct for any of them?

I would be more than happy to discuss the mechanics used in any of the styles that SD teaches. All you have to do is ask.


Or the fact they do one-step sparring, fight like Karate guys, move like Karate guys, but do 'Chinese' forms.

I have seen many forms done by both and while we don't have the flowery, dance-like movents of wushu, we certianly don't move like the karateka either.



Of course, no one would really care if Sin The' didn't make such outrageous claims.

While I haven't been able to keep up with his schedule lately, I do know that he will be in Ky. in the month of March. MS duex, you are invited to come down and ask him about these claims person to person. Heck, I'll even put you up at my house. I have the extra room.

MonkeySlap Too
02-28-2005, 07:59 PM
I'd be happy too, although I am in busy season during March. Anything available in late fall? Can you cover air-fare as well? I'm not that interested to spend the money myself, as it seems more for your edification than mine. I'm a gracious guest, and really do get on well people, even those I disagree with.

Or - I am hosting "Silat-A-Palooza" a get together for West Javanese martial arts in San Jose this November. PM me your e-mail, I'll send details.

Or - I'll be at a ACSCA Combat Shuai Chiao tournament in Chicago with a team of fighters. These are friendly competitions, usually devoid of the chest-beating you'll see at some fights. I can even arrange crash-space in Chicago. You'll get to meet some great CMA folks, and if you like take part in informal free-fighting sessions. No tropihies, no awards, just practice against people from around the country. All school welcome.

As far as the mechanics go - where do I start? Everything looks the same in SD. Everything looks like Karate mechanics. The Xing Yi - OMG, what is it? Maybe you could help me understand what the SD guys are doing there... cause it's unlike anything I've ever seen, and the 'old' argument doesn't hold water as a.) I've met guys from the villiages Xing-Yi evolved from and b.) It's just wrong, man for ANY school of Xing Yi.

BRAD: No, I'm just commenting that their movements look like Karate, one-step sparring and all. I find the 'no flowery motions' rationale very funny, as it reinforces my position.

themeecer
02-28-2005, 08:14 PM
The Xing Yi - OMG, what is it? Maybe you could help me understand what the SD guys are doing there... cause it's unlike anything I've ever seen, and the 'old' argument doesn't hold water as a.) I've met guys from the villiages Xing-Yi evolved from and b.) It's just wrong, man for ANY school of Xing Yi.

What Hsing I have you seen? I haven't seen any online clips of a SD practioner doing it. I know what mine looks like, and besides the dragon, mine looks like what I would consider authentic hsing I. (My dragon is improving as my body heals)

Fu-Pow
02-28-2005, 08:41 PM
What Hsing I have you seen? I haven't seen any online clips of a SD practioner doing it. I know what mine looks like, and besides the dragon, mine looks like what I would consider authentic hsing I. (My dragon is improving as my body heals)

Actually, Shaolin Center used to have a "Hsing-Yi" video up.

Unfortunately, they took down all their neat-o vids. They do have a bang up list of new DVDs available.....with some trailers available!

http://www.shaolinlegends.com/videos.html

Have fun kids!

Also, I came across the lineage and I noticed that they've dropped the hairy guy out of the lineage. In addition, a "grandmaster" and "master" are now higher in rank than a "sifu." Who'd a thunk it?

http://www.shaolincenter.com/lineage.html

MonkeySlap Too
02-28-2005, 08:47 PM
Meecer, this is the problem with you guys - what you think it should look like is not relevant. If I said my BJJ looks pretty good I'll get laughed out of town by the BJJers, as I'm only imitating it. If you don't what something is in the first place, it's hard to be a competant judge of it. Peer review, my friend.

Now admittedly there is a wide variety of Xing Yi out there, some more sophisticated than others - but one thing every Xing-Yi guy I know agrees on - what was on that Atlanta site ain't Xing-Yi.

I've met some SD guys - from first hand experience I can tell you - it ain't Xing-Yi. Go post some files over at Empty Flower - don't tell them it's SD. See what happens.

MonkeySlap Too
02-28-2005, 09:05 PM
Look,
I'm also a teacher of KTS DeThouras. It's a hodge podge art. I wrestled with some of things stated about the source material, but it worked, so I did not care. However, when encountering some pretty sophisticated Xing-Yi players - they could see the links to thier art that I did not see. But here is the catch WD just says 'hey this is what I practice.' He NEVER claims to be doing THE original version/ Shaolin version of anything. Just what he does. So if it's a hodge podge of stuff, no one really cares.

But you guys say 'look - this IS Xing Yi, Ba Gua, Preying Mantis, etc... and it just isn't.

Sorry.

themeecer
02-28-2005, 09:27 PM
We are no longer affiliated with the Atlanta school. So I can not vouch for what they are teaching. I wish I could have seen that hsing I clip before it was removed.

But you guys say 'look - this IS Xing Yi, Ba Gua, Preying Mantis, etc... and it just isn't.
Mine is. Period.(At least my Pa Qua and Hsing I is. I'm not a fan of preying mantis.)

Sorry.
No you're not. You people live for this stuff.

lxtruong
02-28-2005, 09:53 PM
For some reason I find that martial artists are overall some of the nosiest bunch I've ever seen. Why should anyone care anything about anyone else's style? Heck, I find that even at the dojo everyone is always up in everyone's business. Head down and keep on punching and kicking, that's my policy.

On a totally unrelated note, I just learned Dragon Hsing-Ie last thursday and it pwns me. I suck.

Golden Tiger
02-28-2005, 09:57 PM
MS2,

I can only say that along with the things I was taught, I was(am) able to generate power, root myself, absorb and deflect (some) energy and do other things asscoiated with the styles I have been shown. Correct or not, it has worked well for me over the past 30 years.

As for your invitation, thanks for the offer. I do get out to the left coast ocassionally also to Chicago so I might try to take you up on your offer. I'll pm you if it looks like a go. As for competing, I gave that up many years ago but a friendly exchange of information would be nice.


Fu-Pow:

Thanks for the link. I rarely go to that site since there was a parting of the ways a while back. It is interesting that that school decided to remove Su Kong from the lineage. It is also interesting that that school was the one that wanted to change uniforms to the frog button ones. Perhaps the pressure to "fit in" as a CMA is guiding their discissions...who know?

Jhapa
02-28-2005, 10:04 PM
dammn, when will this die.................

from what i have seen, SD ba gua(or pa kua) is not even good, poor form, it's all rushed, well what i have seen here in Texas. my schools head instructor's teacher is taught buy elder master leonard, so what he is taught is trickled down to us. the forms that are taught are rushed, you learn it so you can get to the next level. the classes are only an hour long and for the 1st 15 minutes we are doing warm ups and only work on forms for about 20 to 30 minutes. also, why is all instructors called sifu/shifu, i thought only the head instructor is supposed to be called sifu.

MonkeySlap Too
02-28-2005, 10:06 PM
GT - my active competition days are over too... but this is a 'friendly' environment to try new stuff out on resisting opponents..

But if your ever out NorthLeft, give me a PM. If I'm around, Beer is on me. I tried to hook up with JP once, but the one weekend he picked was my High school reunion - which after going, I think I would have rather hung out with JP.


Real question: What is considered the 'core' training in SD? What are the strategy assumptions around it?

MonkeySlap Too
02-28-2005, 10:58 PM
We are no longer affiliated with the Atlanta school. So I can not vouch for what they are teaching. I wish I could have seen that hsing I clip before it was removed.

REPLY: You'll find it looks exactly like all the other SD I've seen, including Sin The's.

Mine is. Period.(At least my Pa Qua and Hsing I is. I'm not a fan of preying mantis.)

REPLY: So you've learned it somewhere else?

No you're not. You people live for this stuff.

REPLY: "you people" - funny. Nope. Just stating the obvious. I've stopped caring a long time ago. And you'll note except for a few obvious frauds (SD, OYD/CMD) and an occasional pr!ck, I pretty much refrain from criticizing anyone. And I'm not criticizisng SD, I'm just reflecting on what it is versus what they say it is. Heck if you go back far enough, I was probably the guy that pointed out how the gi's don't autmatically disqualify it from being CMA or IMA. I'm not out to persecute anybody - I'm just holding thier toes to the fire a little when I think something is dishonest. Sorry. Really, I am.

Judge Pen
03-01-2005, 12:16 AM
I tried to hook up with JP once, but the one weekend he picked was my High school reunion - which after going, I think I would have rather hung out with JP.


Real question: What is considered the 'core' training in SD? What are the strategy assumptions around it?

My gf at the time ended up hanging with me in San Fran and, truth be told, I'd would of rather hung out with you even though I was in no physical condition to dispel any of your ideas of SD. Still can't, but I'm working on it (knee is still healing and all). As for core training, I've said it before, it's the short forms. We spend the longest time on them and they introduce the majority of techniques that are found, with variations, in later forms. As for the "one-step" sparring and sparring techniques, I've always considered these to be drills to isolate techniques from forms: Nothing more. Drilling isn't the exclusive purview of karate, imo.

Jhapa, you are 100% correct. Most forms are rushed and taught sloppily. It's a problem that most SD (my own school included at times) can fall into. GT learned at a different time when they didn't learn as much material and didn't rush through it, so his opinion always has my ear (even the things we don't always see eye to eye on).

And Meece, the Hsing-I clip was of Master Reid. It was linkage. It was the same form as I know, move for move, but I could quibble about the power generation in that clip. But, then again, Master Reid is a very large man and very quick for his size. I have no doubt he could wipe the floor with me.

Judge Pen
03-01-2005, 12:23 AM
REPLY: "you people" - funny. Nope. Just stating the obvious. I've stopped caring a long time ago. And you'll note except for a few obvious frauds (SD, OYD/CMD) and an occasional pr!ck, I pretty much refrain from criticizing anyone. And I'm not criticizisng SD, I'm just reflecting on what it is versus what they say it is. Heck if you go back far enough, I was probably the guy that pointed out how the gi's don't autmatically disqualify it from being CMA or IMA. I'm not out to persecute anybody - I'm just holding thier toes to the fire a little when I think something is dishonest. Sorry. Really, I am.

Yep, you were one of the few here to not fuss about that point with SD as well as note that the story about the Indonesian prosecution could be plausible. And while I could criticize much of Atlanta's forms, there were an equal number that I could not criticize (some of the criticisms were as much or more about the peopel performing them than the way the material was passed down). . . . So I really can't say much to your criticisms. I can share my techniques with you if we ever meet up (with a disclaimer as to what techniques I can't do correctly anyway) and see what your opinions are. If you think it's junk CMA/IMA/JMA then so be it. I'm confident that I can make it work for me against the majority of people out there, but I have no delusions of fighting a MA who trains to fight competitively. I just don't train with that intensity.

One day, I'd love to have some friendly sparring with your group though. That would be fun.

Fu-Pow
03-01-2005, 01:00 AM
Look,
But here is the catch WD just says 'hey this is what I practice.' He NEVER claims to be doing THE original version/ Shaolin version of anything. Just what he does. So if it's a hodge podge of stuff, no one really cares.

But you guys say 'look - this IS Xing Yi, Ba Gua, Preying Mantis, etc... and it just isn't.

Sorry.

That's the crux of the whole matter.

Golden Tiger
03-01-2005, 02:52 PM
MS2,

I would have to echo what JP said about our core training. The short forms. They train you in power, mechanics, speed and stances. Those, in my humble opinion, are the core of any MA. In SD, thats why they are drilled, drilled and drilled some more. Once you have a good understanding on those principles, they can be applied to whatever else you may learn.

As for SD of today vs. the SinThe' Karate Club of yesterday (when I got most of my training), things are very different. Having been around for a longggggg time, I have seen a lot of changes take place. Some good, some bad. I have to agree with who ever said that now things are done too quick and sloppy. Forms are taught in a day now that used to be spread out over weeks, months and years. For what ever reasons (even I have my suspicions) of late there has been a push to teach out as many forms as can be taught and with that, the level of understanding has gone down hill. But, its not my schools, style, system so I have little control over that. Hopefully what will happen is that it will be taught, a few will pick some that interest them the most and in time, they will pick it apart and become good at it. I have my favorites and of those, I feel very confident of. There are also some that I have learned that I could care less about.

So, pick on SD all you want. Heck, thats the only reason I read this board most of the time.

Judge Pen
03-01-2005, 04:46 PM
Eventually I intend to stop learning new material and pick 10 or so empty hand forms (and a few weapon forms for fun) to focus on. My first teacher was a 4th when he passed away and it's a goal of mine to attain that rank before I stop learning new forms.

GT, I only wish I was around when you all did all the drilling and unique excercises for months prior to learning a new form.

MasterKiller
03-01-2005, 05:05 PM
Eventually I intend to stop learning new material and pick 10 or so empty hand forms (and a few weapon forms for fun) to focus on.
I love only having 10 hand sets. I practice the same 10 every work out, and then move on to drilling and sparring. I quit learning new sets about 4 years ago. I know those 10 sets backwards and forwards. I could do them in my sleep. Consequently, I can use the applications when I spar.

Golden Tiger
03-01-2005, 05:19 PM
Back then (and not to get into the "In my day" mode) there wasn't that much out there so there was no hurry to finish one so you could learn the next. Master Sin was very good at teaching the form and the background and VERY good at making us do it over and over and over. Mainly, we were just there to get in shape, learn to fight and weren't that interested in new stuff. When it came along, it was a bonus. Interestingly, a guy told me once that there were 3 people that he respected when it came to sparring out of a roomfull or 20 or so. He named X,Y,Z (I made the cut yiipppeeee). Of the 3, all had been around back in the old days but only one was upper rank. The other two had come and gone and come back a few times over. He went on to say that although they had never injured him, when they hit or kicked, it was solid. When they grabbed him, he was got. If he tried to move them, they were rooted. I wish he had said it to the whole class. Perhaps then it would have elicited a change in the focus. Perhaps not. My advice.....even if you are learning a crap art (SD excluded), focus on the basics. A strong house has to have a stronger foundation.

Somewhere along the line, the attitudes of the students changed. Not so much those under Master Sin at his school but of those else where. Perhaps it was a case of the teachers needing to provide quantity over quality (when and who should teach has been discussed before). Its funny. Back then, some whined about never learning something new and now they whine about learning too much. I think mainly people just like to whine.

Judge Pen
03-01-2005, 05:39 PM
I love only having 10 hand sets. I practice the same 10 every work out, and then move on to drilling and sparring. I quit learning new sets about 4 years ago. I know those 10 sets backwards and forwards. I could do them in my sleep. Consequently, I can use the applications when I spar.

There are a few forms that I am this way on now, but it's only a very small percertage of the forms that I know.

GT, yeah, I guess I do whine about learning too many forms, but it's because I'm afraid that I'm too sloppy with them because I don't have time to perfect all of them.

Brad
03-01-2005, 07:24 PM
Back to the xingyi form for a second...

If I remember correctly, it's a slightly modified legit xingyi form itself but done in a very "un-xingyi" like manner. I think, externally, it's nearly identical to the linking form from "Li Tianji's Skill of Xingyiquan" book (Li Tianji is considered the father of standardized taiji quan, which I think I might have mentioned earlier in this thread). It did give me the feel of how xingyi would be done if a longtime McDojo karate or Tae Kwon Do person learned the film from video. And having met people who did this and trained in a place that did this before, I DO have something to compare it too :D I did like it better than all the other clips on the page in that he was one of the few who I thought, "If he hit me it would probably hurt" and he had some quickness in his form to go along with his strength. With him being a former pro football player though, I'd be shocked if he looked like the others. It takes a lot of athleticism and a strong work ethic to reach that level :)

A lot of the SD forms that I've seen are perfectly legitimate CMA forms underneath, but often it looks like it's been modified just enough with extra(or missing) movement to make it difficult to spot unless you're familiar with the original form.

I pretty sure all this has been said before (over and over and over), but I really don't have anything more interesting to do at the moment :D

I'd really like to see video of what some consider the "core" forms done by "old timers" that you guys basically agree are high quality. Don't you guys ever get frustrated that all people see online are the lesser quality schools? At least that's the vibe I seem to get.

wdl
03-01-2005, 08:20 PM
I did like it better than all the other clips on the page in that he was one of the few who I thought, "If he hit me it would probably hurt" and he had some quickness in his form to go along with his strength. With him being a former pro football player though, I'd be shocked if he looked like the others. It takes a lot of athleticism and a strong work ethic to reach that level :)


I've fought with him as ring center, and yeah, he's a big guy. I'm not huge, but I'm not a little guy either, I'm 6'1 200, and he made me feel little when I squared off to fight. I've also seen him demo several times and I really think he was almost walking through the form in that clip. He can get way more intense than what he is in that clip.

Alot of the Atlanta videos I've got mixed feelings about, especially videos I've got the material from, but that's neither here nor there and none of my business really. Maybe they took the videos after class and were all tired or something, who knows.

-Will

Fu-Pow
03-01-2005, 08:39 PM
A word about forms and styles....

Coming from a style (Choy Lay Fut) that has many, many forms (I think my current personal count is around 30 hand and weapons sets. ) I don't think there is as big of an issue with knowing too many forms. As long as they overlap and work together.

The big problem I see with Shaolin-Do (and I've probably said it before!) is that they are learning a curriculum not just of many forms, but many forms from different styles.

Hua Chuan, Xing Yi, Preying Mantis, Tai Chi Chuan, Tiger and Crane, etc.

All of these styles train different Jins, Attitudes, Strategies. How can you learn them all and apply them effectively?

Just to give you an idea. My first school taught Hung Ga (a predominantly short fist style) and Choy Lay Fut (a predominantly long fist style).

The result: Hung Ga that is too big and Choy Lay Fut that is too small.

And that's just with two closely related Southern Chinese styles!

When you are doing a curriculum that is a huge compendium of different styles from all over China what do you end up with?

In kung fu circles we call schools like Shaolin-Do "Chop Suey." Just like the Chinese dish of the same name..... it is composed of bits and pieces of different stuff and the end result doesn't taste all that good.

Kung fu is about mastery of form but also about the deeper underlying Jin (ie. body mechanic) that supports the form. Also, the attitude and strategy of the style.

When you are learning many different styles in a short amount of time how can you develop the correct Jin and Attitude to support the form? How can you apply the moves effectively in free sparring without the correct Jin or Attitude?

Answer: you can't.

And that is where I see the whole "concept" of Shaolin-Do failing miserably.

Judge Pen
03-01-2005, 08:46 PM
It's a good argument Fu Pow. It is certainly a danger in learning pieces of more than one style. However, several schools (for right or wrong; for good or bad) teach conflicting styles. Most schools have a Tai Chi curiculim no matter what the underlying style is: CLF, long fist, hung gar, mantis etc.). Hsing-Ie and Pa Kua are traditionally taught together even though they are very different, albeit complimentary, styles. Now not all of these schools are bad. Not all of them are good either.

MasterKiller
03-01-2005, 09:10 PM
Most schools have a Tai Chi curiculim no matter what the underlying style is: CLF, long fist, hung gar, mantis etc.). Most schools don't integrate the Taiji into the Kung Fu. It's usually two separate programs. In fact, I don't know any that teach them together. I mean, I took math classes in college, but they weren't mixed into my Lit classes.

Hsing-Ie and Pa Kua are traditionally taught together Says who?

Judge Pen
03-01-2005, 09:21 PM
http://www.hsing-i.com/pa_kua/phist.html

I have read this account from other books on the subject depending on the lineage.

And most SD schools have a seperate Tai Chi class too. It's not until the advanced ranks are you required to learn tai chi as part of the normal curriculim.

Fu-Pow
03-01-2005, 10:00 PM
I Hsing-Ie and Pa Kua are traditionally taught together even though they are very different, albeit complimentary, styles.

Despite what MK said I think that is actually quite common.

Most schools have a Tai Chi curiculim no matter what the underlying style is: CLF, long fist, hung gar, mantis etc.).

I think the reason for that is not to teach another style. It's that many of the so called "external" styles have lost their "internal" teachings. The result is an imbalance of Yang energy. Kung fu teachers see Tai Chi is a way to regain the mind/body balance. Most of the people that teach Taiji as an adjunct to an "external" kung fu style do not understand the martial application of Taiji very well. That see is more as a "health exercise" that compliments their kung fu. At least this has been my experience.

Now not all of these schools are bad. Not all of them are good either.

That's a very good point. And I think part of what makes them "good" or "bad" is how much they can diffferentiate between styles. The catch 22 however is that you have to understand the styles that you are teaching independently VERY WELL in order to keep them separate.

To use myself as an example, I learn Chen Taji from an expert in Chen Taiji. I learn CLF from an expert in Choy Lay Fut. When I try to use Taiji Jin in Choy Lay Fut I get reprimanded from my Choy Lay Fut teacher. When I try to use Choy Lay Fut Jin in Taiji I get knocked down by my Taiji teacher.

Some day I think that I could teach Chen Taiji AND Choy Lay Fut but only because I have taken the time to learn from SPECIALISTS in each of these styles and I am learning to appreciate the differences.

If I have my own school or organization someday I would make students decide. Do you want to do the Choy Lay Fut track or the Chen Taiji track? They would become specialists in one of these styles but not try to learn both at the same time as I have done because it can lead to a lot of confusion. (Kind of hypocritical, I know but I know from experience that it is difficult to pick up even two arts at once.) Once they have mastery over Choy Lay Fut or Taiji (after years and years of training) then they can go back and pick up aspects of the other art as learning something new can often reveal new aspects of something old.

As I understand it your typical Shaolin Do student is learning from teachers that are not "specialists" in any of the styles that they are teaching. They were not even trained by specialists in the style. Its like a viscious cycle, one generation to the next, until the styles kind of mush into a Cop Suey art.

You see what I'm saying?

Each generation of Shaolin-Do becomes like a photocopy of a photocopy of a photocopy. Until you can no longer read the distinct words on the page.

I think thats what is partially upsetting kung fu people about Shaolin-Do. They have worked so hard to preserve and pass on a certain flavor or style of martial arts and they worry it will be lost once it passes into the hands of Chop Suey artists.

Sorry for the all the food analogies I must be getting hungry...almost lunch time! ;)

Golden Tiger
03-01-2005, 10:26 PM
Don't you guys ever get frustrated that all people see online are the lesser quality schools? At least that's the vibe I seem to get.

Not really....I get more frustrated at the schools that post the videos. :(


And Fu, as sad as it makes me, I have to agree with many of the points you made. D*mn, that hurt.

sean_stonehart
03-01-2005, 10:46 PM
Not really....I get more frustrated at the schools that post the videos. :(

Why? They're trying to generate interest & business in the community. Can't fault anybody for that.

However, if there's a discrepancy between the way "A" does set "X" & "B" does set "X" & "A" is supposed to have the correct version, why not show everybody that has seen "B" doing the set, how it's supposed to be done??

wdl
03-01-2005, 11:16 PM
Each generation of Shaolin-Do becomes like a photocopy of a photocopy of a photocopy. Until you can no longer read the distinct words on the page.


Fu, you make good points and most of them I agree with. Sadly it isn't just Shaolin-Do that becomes like a photocopy of a photocopy and so on.

-Will

Radhnoti
03-01-2005, 11:20 PM
Not to jump on any kind of bandwagon here...but I think Fu-Pow was right on with his critique.

Adam Hsu makes similar points in some of his stuff I've read, and (if I recall correctly) he too says that even though he learned different styles at the same time he won't do the same with his students.

Judge Pen
03-02-2005, 12:03 AM
Fu hit the nail on the head. :eek:

And Sean, I know what you are saying. I'm afraid that some people don't want the scrutiny.

Fu-Pow
03-02-2005, 12:12 AM
Sorry to bring down the harshers on you guys. :(

It's not just Shaolin Do! There are many students of martial arts (some on this board) who jump around from style to style, never fully learning any one style.

The difference is that Shaolin Do has institutionalized this kind of learning and so becomes an easy target.

Here's the thing guys....the "viscious cycle" that I describe can end with YOU.

You SD guys could pick one (or two) style(s) that you are most interested in learning from what you've already learned.

Find out who the best teachers are and focus on becoming an expert in that one style.

If you are in an area that is lacking in teachers you might look at traveling and/or attending seminars that are in your area. I know of at least a few students that have become disciples that live nowhere near there teachers.

They learned by visiting and attending seminars and then visiting infrequently for corrections and such.

I'm not saying give up SD completely. If that's the best thing in your area then stick with it for the mean time.

But your goal should be to exceed your current teacher's knowledge in any ONE of the smattering of arts that you are currently learning.

Peace guys. :D

wdl
03-02-2005, 12:35 AM
The difference is that Shaolin Do has institutionalized this kind of learning and so becomes an easy target.

Here's the thing guys....the "viscious cycle" that I describe can end with YOU.

You SD guys could pick one (or two) style(s) that you are most interested in learning from what you've already learned.

Find out who the best teachers are and focus on becoming an expert in that one style.

They learned by visiting and attending seminars and then visiting infrequently for corrections and such.


It's not exactly institutionalized because everyone is encouraged to specialize in something, generally speaking around here atleast(can't speak for other SD areas). Mostly once they've hit first black(about 3.5 years in).

I plan to do something similiar to what you describe. Once I decide what I like and what I want to focus on, I want to expose myself to as many different opinions on the subject as possible and deeply study and analyze it. Visiting, seminars, crossings hands, etc are all part of what I want to do.

-Will

sean_stonehart
03-02-2005, 12:44 AM
Fu hit the nail on the head. :eek:

I know... I've been avoiding acknowledging it... ;)


And Sean, I know what you are saying. I'm afraid that some people don't want the scrutiny.

:eek:

Judge Pen
03-02-2005, 12:47 AM
I do intend to do that with my SD background. Some SD people routinely focus their training and work with other MAs in the areas that they are interested in so they get a new perspective on thier forms and training. It's always good to get out there and learn with other people. WDL is correct. My teacher has no problem with me meeting other teachers and learning from them.

Fu-Pow
03-02-2005, 07:30 PM
:)

Ten characters

MonkeySlap Too
03-02-2005, 08:17 PM
The question to ask: is there any point in 'specializing' in any of the 'styles' taught at SD, since adimittdly, they are not taught by people who actually know and practice the style.

It just doesn't make any sense. Honestly, other than for folks living in a swordsman novel fantasy, I don't see anything in the SD literature to reccomend it for serious training. It would seem you would learn more bad habits that good habits. And if you are required to go outside the school to go 'deeper' into the subject - doesn't that seem like a warning right there? It's one thing to seek out other teachers of the same thing. It's another to seek out instructors to find what your missing, when your 'grandmaster' proclaims he has the true source of complete knowlege. (and we have seen from video clips that he moves EXACTLY like the other SD clips we have seen.0

Just food for thought. I'd be more interested in talking about the 'short forms.' Would anyone mind describing them how they are practised, etc.?

Judge Pen
03-02-2005, 08:58 PM
I know the website and some articles say he is the grandmaster of All shaolin, 900 forms etc. I also know that his specialty is Golden Snake. I've never seen him do his specialty. I don't know if anyone has (if they have, they're not telline). It's possible that the way he moves is influenced by what his specialty is reported to be and that has trickled down into all of his forms. (And by move; I'm not talking about swimming with your pecs). So, maybe if someone wanted to specialize in Golden Snake this would be the place to go if he ever teaches any of his specialty out. Since he hasn't, it's a moot point.

Assuming, for arguments sake, that I wanted to specialize by seeking out another teacher. I like Hsing I, Hua (but I can't do it right), Pa Kua etc. I don't know of a teacher in my area that specialized in this. Knoxville is not the mecca of chinese martial arts. I have Pong Lai 3 hours in either direction and CLF 3 hours south. There's a wushu teacher in knoxville teaching BaGua and Chen Tai Chi. There's Wah Lum. And there's SD. Of the local choices, SD is preferrable to me. If I moved elsewhere where more local options were convenient, then I might decide to empty my cup and try something new.

Fact is, I really enjoy my training. We train hard, spar often, and have fun. I feel confident in my ability to defend myself (whether or not what I'm learning is the undiluted real whatever).

Judge Pen
03-02-2005, 09:09 PM
Short forms:

I have a very nice analysis of short forms at home. When I can, I'll post it here. Basically, They start from a low bo stance. They introduce basic blocks, kicks, punches, sweeps and throws.

The first short form is done in a low bo stance with either you right or left leg forward (we learn both sides) and your opposite hand extended in a fist. While your back hand punches your front hand blocks up and then clears to the side in a head block: the intent is to misdirect and stick to the incoming technique pulling it to the side while opening the door on your opponent for your hand technique while turning your front hip into the attack. All this is done at the same time. The first short form concludes by "blocking down" where both hands curl down with your fist palms facing you and the elbows and forearms covering the body. The point of the elbow can de driven into a foot, leg, arm etc for the block or the techniqe and be used for a type of arm break/arm bar etc. Very simple techniques with alternate applciations. The bo stance is used to build strength and balance while practicing the technique and the application can be done from any stance since you are dealing with basic principles. In fact one of the applications is to start the technique standing up and pull back into the bo using the step to provide leverage and pull your opponent into the technique while using their forward momentum. Throws can be introduced in this way.

This is the first short form taught in SD. We have 30 and the complexity and footwork builds gradually from there.

themeecer
03-02-2005, 09:49 PM
The question to ask: is there any point in 'specializing' in any of the 'styles' taught at SD, since adimittdly, they are not taught by people who actually know and practice the style.

It just doesn't make any sense. Honestly, other than for folks living in a swordsman novel fantasy, I don't see anything in the SD literature to reccomend it for serious training. It would seem you would learn more bad habits that good habits. And if you are required to go outside the school to go 'deeper' into the subject - doesn't that seem like a warning right there? It's one thing to seek out other teachers of the same thing. It's another to seek out instructors to find what your missing, when your 'grandmaster' proclaims he has the true source of complete knowlege. (and we have seen from video clips that he moves EXACTLY like the other SD clips we have seen.0

Just food for thought. I'd be more interested in talking about the 'short forms.' Would anyone mind describing them how they are practised, etc.?
Some of us don't need someone to hold our hand and wipe our noses for us every step of the way. The secrets of the forms are hidden within the forms. Just because you can't do something, it doesn't mean that others can't. Take a person thrown on a deserted island who had one form to master. (And assuming that there are willing participants to practice on) Go back 20 years later and see how he fares. By your assumptions he wouldn't be able to master the form because he didn't have someone to hold his hand the entire time. That is just not true, in my opinion. Heck, think of the people who invented these systems ... they didn't have anyone to walk them through every little baby step, and yet look at what they created.

MasterKiller
03-02-2005, 09:57 PM
Some of us don't need someone to hold our hand and wipe our noses for us every step of the way. The secrets of the forms are hidden within the forms. Just because you can't do something, it doesn't mean that others can't. Take a person thrown on a deserted island who had one form to master. (And assuming that there are willing participants to practice on) Go back 20 years later and see how he fares. By your assumptions he wouldn't be able to master the form because he didn't have someone to hold his hand the entire time. That is just not true, in my opinion. Heck, think of the people who invented these systems ... they didn't have anyone to walk them through every little baby step, and yet look at what they created.

If that person is shown the form incorrectly before they are stranded, what are the chances they'll figure out the incorrect parts and fix it themselves, especially if they have no other frame of reference with which to compare the form?

themeecer
03-02-2005, 10:09 PM
If that person is shown the form incorrectly before they are stranded, what are the chances they'll figure out the incorrect parts and fix it themselves, especially if they have no other frame of reference with which to compare the form?
Who is to say they are taught incorrectly? And if they have someone to practice on, the incorrect parts would show themselves.

Fu-Pow
03-02-2005, 10:11 PM
Take a person thrown on a deserted island who had one form to master. (And assuming that there are willing participants to practice on) Go back 20 years later and see how he fares. By your assumptions he wouldn't be able to master the form because he didn't have someone to hold his hand the entire time. That is just not true, in my opinion. Heck, think of the people who invented these systems ... they didn't have anyone to walk them through every little baby step, and yet look at what they created.

Your example is lacking. Kung Fu doesn't exist in a vacuum like that. Although we like to think that our art came from some Taoist sage living on a hill somewhere Kung Fu is actually a very collaborative art.

Like everything in life "Kung Fu" is composed of Buddha (I), Sangha (We) and Dharma (It(s)).

In martial arts terms....its one part the individual physical work/thought/spirit that you put in, one part the kung fu culture that you immerse yourself in and one part the actual physical path/content/training methods, etc of the style.

I believe you need all of those to reach your potential as a martial artist.

MasterKiller
03-02-2005, 10:18 PM
Who is to say they are taught incorrectly? And if they have someone to practice on, the incorrect parts would show themselves.

A) Well, MonkeySlap, for one. :D

B) You implied the person was left to practice alone, did you not? So how do the kinks get worked out then?

Starchaser107
03-02-2005, 10:21 PM
"In martial arts terms....its one part the individual physical work/thought/spirit that you put in, one part the kung fu culture that you immerse yourself in and one part the actual physical path/content/training methods, etc of the style.

I believe you need all of those to reach your potential as a martial artist."

nice way of looking at it.

themeecer
03-02-2005, 10:22 PM
A) Well, MonkeySlap, for one. :D

B) You implied the person was left to practice alone, did you not? So how do the kinks get worked out then?
a) MonkeySlap has never seen me.

b) Sorry, I tried to indicate that he had someone to practice on.

Starchaser107
03-02-2005, 10:31 PM
with no one there to guide either of them, and nothing to compare it to then it would begin to evolve into a different creature than it began as.

Starchaser107
03-02-2005, 10:33 PM
and it would die with them , if they didn't get saved. unless it's a really big island and there are a few other men and women there on the hypothetical deserted island.

themeecer
03-02-2005, 10:39 PM
I wish I was on my hypothetical island right now. At this moment I am having second thoughts about going back to college for a second degree. With the WWW at my fingertips, the sources I am needing for an economics paper is eluding me. Bah!

MasterKiller
03-02-2005, 10:44 PM
I thought Kentucky was that island paradisewhere men can't marry other men, but they can marry their sisters.

Judge Pen
03-02-2005, 10:46 PM
I thought Kentucky was that island paradisewhere men can't marry other men, but they can marry their sisters.

You have that confused with Alabama.

sean_stonehart
03-02-2005, 11:03 PM
You have that confused with Alabama.

Don't forget the sheep ... you'll insult them if you forget the sheep...

wdl
03-02-2005, 11:19 PM
You have that confused with Alabama.


Oh man, that hurts. You've cut me to the core. :D

-Will

Fu-Pow
03-02-2005, 11:22 PM
"In martial arts terms....its one part the individual physical work/thought/spirit that you put in, one part the kung fu culture that you immerse yourself in and one part the actual physical path/content/training methods, etc of the style.

I believe you need all of those to reach your potential as a martial artist."

nice way of looking at it.

I'm trying to look at martial arts "integrally."

Been doing alot of reading by the philosopher Ken Wilber in the last few years.

Judge Pen
03-02-2005, 11:31 PM
Oh man, that hurts. You've cut me to the core. :D

-Will

Take it out on me at our next sparring class.

wdl
03-02-2005, 11:42 PM
Take it out on me at our next sparring class.

OK! :)

I'll avenge all fellow Alabamians. Not that it'll mean much or I'll get far doing it. :D

And don't stay out with your honey late before the next sparring class. You can't dodge out of this one. :p

-Will

Judge Pen
03-02-2005, 11:55 PM
OK! :)

I'll avenge all fellow Alabamians. Not that it'll mean much or I'll get far doing it. :D

And don't stay out with your honey late before the next sparring class. You can't dodge out of this one. :p

-Will

It was a weekend working out in Atlanta that did me in! Valentines day had nothing to do with it.

wdl
03-02-2005, 11:57 PM
It was a weekend working out in Atlanta that did me in! Valentines day had nothing to do with it.

Yeah right.... On Friday I hear, "I wouldn't miss a good fight for anything, etc". Didn't show Tuesday.... On Wednesday I hear, "I was pooped out". What am I supposed to think? I put two and two together and that equaled one heck of a Valentines for JP! LOL

-Will

MonkeySlap Too
03-03-2005, 12:10 AM
Your statement demonstrates what you do not know. I don't think I'll need to see you to pass judgement on your skill. Your 'knowledge' demonstrates for me everything I need to know.

The desert isle hypothesis does not preclude that you won't learn how to fight - but it will preclude you from actually understanding the 'form'.

Here's the big secret:
The secrets to kung fu fighting skill is NOT in the forms. And if you don't have those keys, you will never unlock the knowledge/skill. Forms are just devices used to help students remember what is in the suitcase. There are benefits to forms training. But the real benefits only come out when you know what was put in the suitcase in the first place.

Look at what Fu Pow is saying and consider it. He's correct on a great many things.

You should think about the morality of the teachers that pass down such nonsense.

themeecer
03-03-2005, 12:27 AM
Your statement demonstrates what you do not know. I don't think I'll need to see you to pass judgement on your skill. Your 'knowledge' demonstrates for me everything I need to know.

The desert isle hypothesis does not preclude that you won't learn how to fight - but it will preclude you from actually understanding the 'form'.

Ok, while I am thumping upside your head with my Hsing I, you are going to be laying on the ground saying ... "yeah but you don't actually understand the form." Freakin hilarious.

Here's the big secret:
The secrets to kung fu fighting skill is NOT in the forms. And if you don't have those keys, you will never unlock the knowledge/skill. Forms are just devices used to help students remember what is in the suitcase. There are benefits to forms training. But the real benefits only come out when you know what was put in the suitcase in the first place.

Your statement demonstrates your 'knowledge,' the secrets are in the forms. Just because you can't seem to find them doesn't mean they don't exist. Forms were created as a method for a teacher to pass his knowledge down to his students and on to future generations. The best way to do that is to allow the students to 'feel' what the teacher feels when he is fighting. So teacher puts together a set of his fighting techniques in a combined flowing form. Through thousands of repetitions the student learns to move in the way his teacher does and the mechanics, conditions the body, gets the form into 'muscle memory' that can be pulled out without thinking, works out hundreds of applications and incorporates it into their fighting style.

You should think about the morality of the teachers that pass down such nonsense.
I am one said teachers and don't question my morality. I make such statements on experience.

MonkeySlap Too
03-03-2005, 12:33 AM
I rest my case.

I couldn't demonstrate what you don't understand any better than you do yourself.

Good luck with all that.

;)

themeecer
03-03-2005, 12:35 AM
Fine .. rest your case.

You continue to make assumptions of people you have never met and practice your superior web-fu skills and I'll continue to base my opinions on experience.

MonkeySlap Too
03-03-2005, 01:43 AM
I am one said teachers and don't question my morality. I make such statements on experience.

REPLY: Sure I will. Just because you *think* it is so, doesn't make it so.

The Benjamin D'israeli (I think) quote paraphrased here serves best:

"The words of the clever man are always misunderstood by the stupid man as he transforms them into something he can understand."

Fu-Pow
03-03-2005, 02:05 AM
Forms were created as a method for a teacher to pass his knowledge down to his students and on to future generations. The best way to do that is to allow the students to 'feel' what the teacher feels when he is fighting.

What do you mean by "feel?"



So teacher puts together a set of his fighting techniques in a combined flowing form. Through thousands of repetitions the student learns to move in the way his teacher does and the mechanics, conditions the body, gets the form into 'muscle memory' that can be pulled out without thinking, works out hundreds of applications and incorporates it into their fighting style.

Ok.


I am one said teachers and don't question my morality. I make such statements on experience.

The "culture" of Shaolin-Do needs to evolve and transcend where it is now. You people have bought into the "myth" of Shaolin-Do. Even though there is a myriad of independent evidence that has been brought up against "the myth" the SD guys, at least on this forum continue to support it.

The problem with unchallenged "myths" is that they often support hierarchical power structures within an organization. Participants of your organization "don't care" if the "the myth" aspect of Shaolin-Do is true or not because it supports their own position within the organization. Starting from the top down....ie Sin The.

In order to transcend you guys need to evolve into an organization that challenges "the myth" and checks your knowledge with independent sources for "peer review." Your culture needs to step up into the world of rationality and objectivity.

Again, as before, its not just Shaolin-Do, its just that Shaolin-Do is an easy target for this kind of criticism...mostly because of the shameless self-promotion of its leaders.

Thunaric
03-03-2005, 06:21 AM
Hello all, new to this forum.

I've been going to a Shaolin-do school for about two years. For alot of reasons, many already stated by others on this thread, I am going to look around at some other schools. To the point though, I feel there is this rush to learn forms without learning what to do with them. It has been my first experience with a martial arts school and in general has been a positive experience. Still, I feel there is something missing. We'll see what I find out.

Cheers

wdl
03-03-2005, 07:25 AM
Hello all, new to this forum.



Welcome. :)

Where do you train?

-Will

MonkeySlap Too
03-03-2005, 07:56 AM
Take a careful look at whatever you check out. MOST ma is pretty suspect... Obviously I would not recommend an SD school, but that does automatically mean the non-SD schools in your area are any better. Example - despite my obvious concerns about the accuracy of any of the SD claims, I think they're Karate-like body language is probably preferable to say, TKD body language.

so - buyer beware... the last thing you'd want to do is jump from questionable to downright bad.

Remember, most of these guys are repeating what they were taught with no critical thinking appplied. But we've also seen there are honest, self-reflective fellows out there who enjoy thier SD and take the claims of the system and the legion of forms with a grain of salt and feel what they get is better than what else is available to them...

Judge Pen
03-03-2005, 02:41 PM
Take a careful look at whatever you check out. MOST ma is pretty suspect... Obviously I would not recommend an SD school, but that does automatically mean the non-SD schools in your area are any better. Example - despite my obvious concerns about the accuracy of any of the SD claims, I think they're Karate-like body language is probably preferable to say, TKD body language.

so - buyer beware... the last thing you'd want to do is jump from questionable to downright bad.

Remember, most of these guys are repeating what they were taught with no critical thinking appplied. But we've also seen there are honest, self-reflective fellows out there who enjoy thier SD and take the claims of the system and the legion of forms with a grain of salt and feel what they get is better than what else is available to them...


Hey, we've moved up in the world: We are just "questionable" instead of "downright bad" depending on what else is available! :p

Thunaric, it's a shame that the rush of forms is pushing you to leave. All arguments about lineage, purity, and myth aside, the push for new material before the old material is second nature bugs me because I see it often in schools. Good luck in your search and pm me if you have any questions you don't want to post here.

Golden Tiger
03-03-2005, 03:24 PM
Remember, most of these guys are repeating what they were taught with no critical thinking appplied.

I would have to disagree with that MS2. There have been 1000's of people that have trained in SD. Of those, you have seen clips of 5 perhaps, suffered through keyboard sparring matches with 10 or so and trained under 1? 2? tops. So to say most is misleading. I have attended classes where for 2 hours, the entire subject discussed was limited to how to throw a hook kick. Whether you would agree that it was right or not is beside the point but that it took a heck of a lot of critical thinking to be able to do it is without question. Some of my personal students were doctors, lawyers, educators, dentists, etc. so in essence, you are saying that those people that are entrusted with the well being of others are mindless dolts.

Statements like this is about the only thing that gets to me in this big SD debate. It always seems to be implied that people that study SD are not capable of knowing what is a good MA and what is bad. That they blindly play follow the leader and will never be a true MAist because of it. I have been doing this for close to 30 years. Personally I don't consider myself a great MAist because it never was my primary goal. Most of the time its painful and with few exceptions you darn sure can't make a living off it. But while I would never be considered great, I have learned a lot. I can defend myself or my family if need be. I was at one time in better shape than I would have been if not for studying SD. I know how to generate power with very little motion. I can manipulate someone through lock and holds because of the mechanics I have learned in SD.

So please, don't assume that most who have studied SD have wasted their time until you have matched your skill set against theirs.


Sorry, late night and too much caffine.


PS. UK 71-UT 63........ :D

Judge Pen
03-03-2005, 03:28 PM
PS. UK 71-UT 63........ :D

Wait until football season. :mad:

MonkeySlap Too
03-03-2005, 03:35 PM
I have. Didn't think much of it.

I never implied the followers of SD were idiots, just they accepted things without critical thinking. Everyone does this about a plethora of subjects, every day in their lives, without even noticing it. Just because someone is a doctor, lawyer, or educator, does not mean they are very bright in every aspect of their lives.

However, if you are teaching a subject, I think you are morally bound to question it, certainly when there such an incredible mountain of facts that call it into question. Again, if ST called SD 'a hodge-podge of JMA/CMA and stuff I learned from books, I don't think anyone would doubt that. But being the 'true' Shaolin, well that's downright funny... and ethically wrong. Insofar as being an MAist - well I'd rather not do CMA than attend a forms factory - but SD is not alone in that particular problem, just